| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Made You Look | Meghan Trainor | 3 | 2:13 |
| 2 | Put Your Head on My Shoulder | Paul Anka | | 2:35 |
| 3 | Kiss Me More- recording engineer:
- Rian Lewis
- Produzent(in):
- Rogét Chahayed und Yeti Beats
- zusätzliche(r) Produzent(in):
- Carter Lang und tizhimself
- Mix:
- Serban Ghenea und Joe Visciano (Sologesang [SZA vocals])
- zusätzliche(r) Mix:
- John Hanes
- Gast vocals:
- SZA
- vocals:
- Doja Cat
- phonographisches Urheberrecht (℗) von:
- Kemosabe Records (in 2021) und RCA Records (in 2021)
- aufgenommen bei:
- Sound Factory in Los Angeles, California , Vereinigte Staaten
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
- Teil von:
- Billboard Year-End Hot 100 singles of 2021 (Nummer: 6), Grammy Award: Record of the Year nominees (Nummer: 2022), Billboard Hot 100: 2022-02-05 (Nummer: 35), TheNeedleDrop: Top 50 Singles of 2021 (Nummer: 49), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2022 winner) und Billboard Year-End Hot 100 singles of 2022 (Nummer: 90)
- recording of:
- Kiss Me More
- Verfasser(in):
- Amala Ratna Zandile Dlamini, David A Sprecher, Gerard A. Powell II , Łukasz Gottwald, Carter Lang, Rogét Lutfi Chahayed, Solána I Rowe, Stephen Alan Kipner und Terence John Shaddick
- publisher:
- Camp Yeti Beats, Carter Lang Publishing Designee, Doja Cat Music, EMI April Music Inc., Floating World Music, Kasz Money Publishing , Prescription Songs, Solána Rowe Publishing Designee, Songs of Universal, Inc. , TRISM, Warner–Tamerlane Publishing Corp. , WC Music Corp., wellhellothere music, Where da Kasz At und Zuma Tuna LLC
- Teil von:
- Grammy Award: Song of the Year nominees (Nummer: 2022)
- quotes music from:
- Physical
| Doja Cat feat. SZA | 4 | 3:29 |
| 4 | That's Not My Name | The Ting Tings | 4.05 | 5:10 |
| 5 | Night Changes- recording engineer:
- Ben “Bengineer” Chang (Sologesang [vocals]) und Alex Oriet (Sologesang [vocals])
- assistierende(r) Techniker(in):
- Ian Franzino
- Techniker(in) und Produzent(in):
- Julian Bunetta und John Ryan
- Mix:
- Julian Bunetta und Joe Zook
- Instrumente:
- Julian Bunetta, John Ryan und Jamie Scott
- Hintergrundgesang:
- Julian Bunetta, One Direction , John Ryan und Jamie Scott
- phonographisches Urheberrecht (℗) von:
- Simco Limited (in 2014)
- aufgenommen bei:
- Angel Face Studios in Vereinigtes Königreich und Enemy Dojo in Calabasas, California , Vereinigte Staaten
- Teil von:
- Billboard Year-End Hot 100 singles of 2015 (Nummer: 98)
- recording of:
- Night Changes
- Verfasser(in):
- Julian Bunetta, Niall Horan, Liam Payne, John Ryan , Jamie Scott , Harry Styles, Louis Tomlinson und Zain Malik
- publisher:
- BMG Platinum Songs, Bob Erotik Music, EMI Music Publishing Ltd. , Holy Cannoli Music, Music of Big Deal, Music of Hipgnosis, PPM Music Ltd., Songs of Universal, Inc. , Sony/ATV Music Publishing und The Family Song Book
| One Direction | 4.25 | 3:49 |
| 6 | Softcore- drum machine [drum]-Programmierung:
- Lars Stalfors
- Programmierung, Produzent(in) und Mix:
- Lars Stalfors
- Techniker(in):
- Dave Cerminara
- Synthesizer [synth]:
- Lars Stalfors
- phonographisches Urheberrecht (℗) von:
- Columbia Records (in 2018)
- mixed at:
- Lankershim in Los Angeles, California , Vereinigte Staaten
- engineered at:
- Sonora Recorders in Los Angeles, California , Vereinigte Staaten
- recording of:
- Softcore
- Verfasser(in):
- Zachary Abels, Brandon Fried, Jeremiah Freedman, Jesse James Rutherford , Michael Margott und Lars Stalfors
- publisher:
- Cheeky Cosmo Music, Douche Cash Music, EMI Blackwood Music Inc., On the Fence Music, Oxcart Publishing, Pen Island Music und ZMAN Music
| The Neighbourhood | 2.8 | 3:26 |
| 7 | Only Love Can Hurt Like This (slowed down version) | Paloma Faith & sped up + slowed | 3 | 4:18 |
| 8 | It's Tricky | Run–D.M.C. | 4.15 | 3:04 |
| 9 | Vienna | Billy Joel | 3.9 | 3:34 |
| 10 | Say You Won't Let Go | James Arthur | 3.65 | 3:30 |
| 11 | Jiggle Jiggle | Louis Theroux with Duke & Jones | | 1:37 |
| 12 | If By Chance (slowed + reverb) | Ruth B., sped up + slowed & slater | | 6:25 |
| 13 | Title- recording engineer, Techniker(in), Produzent(in), Mix und sound effects:
- Kevin Kadish
- drum machine [drum]-Programmierung:
- Kevin Kadish
- zusätzliche drum machine [drum]-Programmierung:
- Meghan Trainor
- baritone saxophone [bari sax], Hammond-Orgel [Hammond B3], Klavier und Tenorsaxophon [tenor sax]:
- David Baron
- Bass, E-Gitarre, Synthesizer und sonstiger Gesang [vocal bass]:
- Kevin Kadish
- Ukulele:
- Meghan Trainor
- vocals:
- Meghan Trainor
- phonographisches Urheberrecht (℗) von:
- Epic Records (in 2014, in 2015, in 2025)
- aufgenommen bei, mixed at und engineered at:
- The Carriage House in Nolensville, Tennessee, Vereinigte Staaten
- Musikvideos:
- Title von Meghan Trainor
- recording of:
- Title
- Verfasser(in):
- Kevin Kadish und Meghan Trainor
- publisher:
- Over‐Thought Under‐Appreciated Songs und Year of the Dog Music
| Meghan Trainor | 4.8 | 2:55 |
| 14 | Pony | Ginuwine | 5 | 4:12 |
| 15 | Eenie Meenie | Sean Kingston | 3.5 | 3:22 |
| 16 | Unstoppable- Programmierung, Techniker(in) und Produzent(in):
- Jesse Shatkin
- Saiteninstrumente-Programmierung:
- Jesse Shatkin
- zusätzliche(r) Techniker(in):
- Jamie Wosk
- assistierende(r) Mix:
- Chris Galland und Ike Schultz
- Mix:
- Manny Marroquin
- Bass, Keyboard, Klavier und Schlagzeug [drums]:
- Jesse Shatkin
- Sologesang:
- Sia
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- engineered at:
- Hot Closet Studios in Los Angeles, California , Vereinigte Staaten und The Rib Cage in Los Angeles, California , Vereinigte Staaten
- Musikvideos:
- Unstoppable von Sia
- recording of:
- Unstoppable
- Verfasser(in):
- Christopher Braide und Sia Furler
- publisher:
- BMG Sapphire Songs, Christopher Braide Publishing, Mushroom Music und Pineapple Lasagne
| Sia | 4.1 | 3:38 |
| 17 | White Rabbit | Jefferson Airplane | 4.35 | 2:31 |
| 18 | Atlantis (extra sped up version) | Seafret & sped up + slowed | | 3:11 |
| 19 | Bad Habit | Steve Lacy | 3.4 | 3:52 |
| 20 | Mount Everest | Labrinth | 4 | 2:37 |
| 21 | Law | Yo Gotti feat. E‐40 | 3 | 4:17 |
| 22 | Another Love | Tom Odell | 3.5 | 4:04 |
| 23 | SexyBack | Justin Timberlake feat. Timbaland | 4 | 4:02 |
| 24 | Little Dark Age | MGMT | 4.15 | 5:00 |
| 25 | Boyfriend | Dove Cameron | 3.5 | 2:33 |
| 26 | Would That I | Hozier | 4 | 4:28 |
| 27 | Shirt | SZA | 2.9 | 3:02 |
| 28 | Heartbreak Anniversary | GIVĒON | 2.9 | 3:17 |
| 29 | Footloose- Produzent(in):
- Lee DeCarlo und Kenny Loggins
- Bass-Synthesizer:
- Michael Boddicker
- Bassgitarre:
- Nathan East
- Gitarre:
- Buzz Feiten
- Instrumente:
- Michael Boddicker
- Keyboard:
- Neil Larsen und Steven Wood
- Perkussion:
- Michael Boddicker und Paulinho da Costa
- Schlagzeug:
- Tris Imboden
- Hintergrundgesang:
- Marilyn Dorman, Richey Washington und Steven Wood
- Sologesang:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- Texter:
- Dean Pitchford
- Komponist(in):
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
- Teil von:
- The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
| Kenny Loggins | 4.1 | 3:41 |
| 30 | GUY.exe | Superfruit | | 3:43 |
| 31 | Girl With the Tattoo Enter.Lewd | Miguel | 2 | 1:43 |
| 32 | Woman- recording engineer:
- Rian Lewis
- Koproduzent(in):
- Ainsley Jones und Aaron Horn
- Produzent(in):
- Linden Jay und Yeti Beats
- assistierende(r) Mix:
- Noah “MixGiant” Glassman
- Mix:
- Jesse Ray Ernster
- zusätzliche(r) Mix:
- Katrina Maria Ernster
- Hintergrundgesang:
- Jidenna und Aynzli Jones
- phonographisches Urheberrecht (℗) von:
- Kemosabe Records (in 2021) und RCA Records (in 2021)
- aufgenommen bei:
- Westlake Recording Studios in West Hollywood, California , Vereinigte Staaten
- mixed at:
- Mixland in Los Angeles, California , Vereinigte Staaten
- Teil von:
- Arts of Africa, Billboard Year-End Hot 100 singles of 2022 (Nummer: 21), Grammy Award: Best Pop Solo Performance nominees (Nummer: 2023) und Grammy Award: Record of the Year nominees (Nummer: 2023)
- recording of:
- Woman
- Verfasser(in):
- Aaron Thomas Horn, Amala Ratna Zandile Dlamini, Lydia Asrat, Aynzli Jones, David A Sprecher, Łukasz Gottwald, Jidenna T Mobisson und Linden Jay Berelowitz
- publisher:
- Air Horn Limited, Camp Yeti Beats, Doja Cat Music, Electric Feel Music, Kasz Money Publishing , Linden Jay Publishing Designee, Magic Chief Publishing, Prescription Songs, Songs of Universal, Inc. , WC Music Corp., Where da Kasz At und Yeti Yeti Yeti Music
| Doja Cat | 3.75 | 2:51 |
| 33 | Malibu | Miley Cyrus | 2.8 | 3:50 |
| 34 | Neon Moon | Brooks & Dunn | 4.35 | 4:24 |
| 35 | MONTERO (Call Me by Your Name) | Lil Nas X | 4.5 | 2:20 |
| 36 | Beautiful Girls- Produzent(in):
- Jonathan “J.R.” Rotem
- phonographisches Urheberrecht (℗) von:
- Sony BMG Music Entertainment (in 2007)
- Samples:
- Stand by Me von Ben E. King
- recording of:
- Beautiful Girls
- Verfasser(in):
- Jonathan Reuven Rotem, Sylvester Jordan, Jr., Ben E. King, Kisean Paul Anderson , Jerry Leiber und Mike Stoller
- publisher:
- Almo Music Corp. , BHEIGHTSMUSIC, Eyes above Water Music, FEEDMYBABEEZ, Jonathan Rotem Music, Sony/ATV Songs LLC und Southside Independent Music Publishing
| Sean Kingston | 3.35 | 4:02 |
| 37 | Dance with Me Tonight | Olly Murs | 2.5 | 3:23 |
| 38 | Vegas (from the Original Motion Picture Soundtrack ELVIS)- Techniker(in):
- Bryce Bordone
- Produzent(in):
- Rogét Chahayed und Yeti Beats
- Mix:
- Serban Ghenea
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
- Teil von:
- Billboard Year-End Hot 100 singles of 2022 (Nummer: 47)
- recording of:
- Vegas
- Verfasser(in):
- Amala Zandile Dlamini, Rogét Chahayed, David Sprecher, Jerry Leiber und Mike Stoller
- publisher:
- Camp Yeti Beats, Doja Cat Music, Prescription Songs, Sony Songs, Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. , wellhellothere music und Where da Kasz At
| Doja Cat | | 3:03 |
| 39 | Wrecking Ball- Programmierung und Produzent(in):
- Cirkut und Dr. Luke
- Techniker(in):
- Mike Caffery , Clint Gibbs und Sven Heidinga
- Mix:
- Serban Ghenea
- Bratsche / Viola:
- Andrew Duckles und Darrin McCann
- Cello:
- Suzie Katayama
- Geige / Violine:
- Charlie Bisberat , Kevin Connolly und Songa Lee
- Instrumente:
- Cirkut und Dr. Luke
- Saiteninstrumente:
- David Richard Campbell
- Sologesang:
- Miley Cyrus
- phonographisches Urheberrecht (℗) von:
- RCA Records (in 2013)
- Musikvideos:
- Wrecking Ball (official video) von Miley Cyrus
- Teil von:
- Billboard Decade End Chart: Streaming Songs (Nummer: 18), Billboard Year-End Hot 100 singles of 2013 (Nummer: 18), Stereogum: The 200 Best Songs of the 2010s (Nummer: 30), Billboard Year-End Hot 100 singles of 2014 (Nummer: 44), Pitchfork: The 200 Best Songs of the 2010s (Nummer: 152), Billboard: The 500 Best Pop Songs (Nummer: 156) und BILLIONS CLUB
- recording of:
- Wrecking Ball
- Verfasser(in):
- Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald , Stephan Moccio und Sacha Skarbek
- publisher:
- BMG Platinum Songs, BMG Rights Management (US) LLC , BMG Rights Management GmbH , Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing , Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc. , Sony/ATV Tunes LLC und Universal Music Publishing Canada II
| Miley Cyrus | 3.7 | 3:41 |
| 40 | Rasputin | Boney M. | 3.25 | 3:41 |
| 41 | Car's Outside | James Arthur | 3.5 | 4:08 |
| 42 | Mask Off | Future | 3 | 3:25 |
| 43 | Paris | The Chainsmokers | 3.6 | 3:40 |
| 44 | Nothing Breaks Like a Heart- recording engineer:
- Beatriz Artola, Joshua Blair, Riccardo Damian , Martin Hollis, Barry McCready und Todd Monfalcone
- assistierende(r) Techniker(in):
- Tyler Beans , Rob Bisel, John Hanes , Rowan McIntosh , Dylan Neustadter und Josh Tyrrell
- Koproduzent(in):
- The Picard Brothers
- Produzent(in):
- Jamie XX und Mark Ronson
- Mix:
- Serban Ghenea
- Bass und Klavier:
- Mark Ronson
- Bratsche / Viola:
- Nick Barr , Reiad Chibah , Virginia Slater und Katie Wilkinson
- Cello:
- Katie Burke, Dave Daniels , Katherine Jenkinson und Jo Knight
- Geige / Violine:
- Daniel Bhattacharya, Fiona Brice, Chris Clad, Francis Grime, Marianne Haynes , Ian Humphries , Kirsty Mangan, Perry Montague‐Mason , Charles Mutter , Amandla Stenberg, Chris Tombling , Matthew Ward , Honor Watson , Debbie Widdup und Paul Willey
- Gitarre:
- Thomas Brenneck
- Kontrabass:
- Roger Linley
- Schlagzeug:
- Conor Szymanski
- conductor:
- Chris Elliott
- arranger:
- Chris Elliott
- phonographisches Urheberrecht (℗) von:
- Mark Ronson (in 2018)
- Teil von:
- TheNeedleDrop: Top 50 Singles of 2018 (Nummer: 32), Spotify: Top Hits of 2019 (Nummer: 34) und BILLIONS CLUB
- recording of:
- Nothing Breaks Like a Heart
- Verfasser(in):
- Thomas Brenneck, Miley Cyrus, Ilsey , Clément Picard, Maxime Picard, Mark Ronson und Conor Szymanski
| Mark Ronson feat. Miley Cyrus | 3.9 | 3:37 |
| 45 | Under the Influence | Chris Brown | 3 | 3:05 |
| 46 | Tomorrow | Chris Young | 3 | 3:41 |
| 47 | Let's Groove | Earth, Wind & Fire | 4.45 | 5:32 |
| 48 | Brazil | Declan McKenna | 4 | 4:12 |
| 49 | Classic | MKTO | 3.75 | 2:55 |
| 50 | Sweater Weather | The Neighbourhood | 4.5 | 4:00 |
| 51 | You & I | One Direction | 3 | 3:58 |
| 52 | Daddy Issues- assistierende(r) Techniker(in):
- Chase McElhaney
- Techniker(in):
- 4E und Chris Mullings
- Produzent(in):
- 4E und Justyn Pilbrow
- assistierende(r) Mix:
- Geoff Swan
- Mix:
- Mark “Spike” Stent
- phonographisches Urheberrecht (℗) von:
- Columbia Records (in 2015)
- mixed at:
- Mixsuite UK in London , England, Vereinigtes Königreich
- recording of:
- Daddy Issues
- Verfasser(in):
- Zachary Abels, Jeremy Freedman, Brandon Fried, Jesse Rutherford , Mikey Margott und Justyn Pilbrow
- publisher:
- Brandon Fried Publishing Designee, Douche Cash Music, EMI Blackwood Music Inc., On the Fence Music, Pen Island Music, Sony/ATV Ballad und ZMAN Music
| The Neighbourhood | 4.35 | 4:20 |
| 53 | Teenage Dirtbag (sped up) | Wheatus & slater | | 3:22 |
| 54 | Hold My Girl | George Ezra | 3 | 3:31 |
| 55 | Danger Zone (from "Top Gun" Original Soundtrack)- Synthesizer [synth]-Programmierung:
- Hans Zimmer
- Techniker(in):
- Dave Concors, Dave Connors und Tom Whitlock
- leitende(r) Produzent(in):
- Michael Dilbeck
- Produzent(in):
- Giorgio Moroder und Tom Whitlock
- Mix:
- Giorgio Moroder und Brian Reeves
- Gitarre:
- Dann Huff und Kenny Loggins
- Keyboard:
- Giorgio Moroder
- Saxophon:
- Tom Scott
- Schlagzeug:
- John Robinson
- Synthesizer:
- Tom Whitlock
- Sologesang:
- Kenny Loggins
- phonographisches Urheberrecht (℗) von:
- CBS Inc. (in 1986), Columbia Records (in 1986), Sony Music Entertainment (in 1986) und Sony Music Entertainment Inc. (in 1986)
- aufgenommen bei:
- Oasis Recording Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- a cappella versions:
- Danger Zone von Tufts Beelzebubs
- recording of:
- Danger Zone
- Texter:
- Thomas Whitlock
- Komponist(in):
- Giorgio Moroder
- publisher:
- Budde Music Inc. , Neue Welt Musikverlag GmbH , Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH , Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. , ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , Famous Music Corporation (in 1986) und GMPC (in 1986)
| Kenny Loggins | 4.3 | 3:37 |
| 56 | Just You and I | Tom Walker | 3 | 2:55 |
| 57 | Fireball | Pitbull feat. John Ryan | 3.25 | 3:55 |
| 58 | Please Don't Go | Mike Posner | 3.25 | 3:19 |
| 59 | One Kiss | Calvin Harris with Dua Lipa | 3.65 | 3:33 |
| 60 | Dandelions (slowed + reverb) | Ruth B., sped up + slowed & slater | | 4:29 |
| 61 | Train Wreck | James Arthur | 3.35 | 3:29 |
| 62 | Say So | Doja Cat | 3.65 | 4:00 |
| 63 | Sure Thing | Miguel | 3 | 3:15 |
| 64 | Half on a Sack | Three 6 Mafia | 3.35 | 3:27 |
| 65 | Chandelier- Techniker(in) und Produzent(in):
- Jesse Shatkin und Greg Kurstin
- zusätzliche(r) Techniker(in):
- Julian Burg und Alex Pasco
- leitende(r) Produzent(in):
- Sia
- assistierende(r) Mix:
- Delbert Bowers und Chris Galland
- Mix:
- Manny Marroquin
- Gitarre, Klavier und mellotron:
- Greg Kurstin
- Keyboard:
- Jesse Shatkin
- Schlagzeug:
- Jesse Shatkin und Greg Kurstin
- phonographisches Urheberrecht (℗) von:
- Monkey Puzzle Records (in 2014, in 2015)
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- Stereogum Readers’ 10 Best Songs of 2014 (Nummer: 8), Billboard Year-End Hot 100 singles of 2014 (Nummer: 25), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 27), Billboard Year-End Hot 100 singles of 2015 (Nummer: 90), TheNeedleDrop: Top 100 Songs of the 2010s (Nummer: 93), Helsingin Sanomat: 100 maailman parasta laulua (Nummer: 99) und Billboard: The 500 Best Pop Songs (Nummer: 176)
- recording of:
- Chandelier
- Verfasser(in):
- Jesse Shatkin und Sia Furler
- publisher:
- Aidenjulius Music, EMI April Music Inc., EMI Music Publishing Ltd. , EMI Music Publishing, Inc. und Sony/ATV Music Publishing LLC
- Teil von:
- Moulin Rouge! The Musical: Act 2
| Sia | 4.15 | 3:38 |
| 66 | Get Into It (Yuh) | Doja Cat | 3.25 | 2:18 |
| 67 | Kids | MGMT | 4.1 | 5:03 |
| 68 | Gimme More- recording engineer und Mix:
- Marcella “Ms. Lago” Araica
- sonstige Unterstützung:
- David M. Erlich (Aufgabe: production coordinators for Danjahandz Productions) und Mike Evans (Aufgabe: production coordinators for Danjahandz Productions)
- zusätzliche Programmierung:
- Marcella “Ms. Lago” Araica
- leitende(r) Produzent(in):
- Britney Spears
- Produzent(in):
- Jim Beanz (Aufgabe: vocal), Danja und Keri Hilson (Aufgabe: vocal)
- assistierende(r) Mix:
- Mike Snow
- zusätzliches Editing:
- Ron Taylor
- Hintergrundgesang und zusätzlich vocals:
- Jim Beanz
- zusätzlich Hintergrundgesang:
- Jim Beanz und Keri Hilson
- produced for:
- Danjahandz Productions, Inc.
- aufgenommen bei:
- Conway Recording Studios in Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Chalice Recording Studios in Hollywood, Los Angeles, California , Vereinigte Staaten
- Musikvideos:
- Gimme More von Britney Spears
- recording of:
- Gimme More
- Komponist(in):
- Marcella Araica , Keri Hilson, James Washington und Nate Hills
- publisher:
- Danjahandz Muzik, Hipgnosis SFH I Limited, Keriokey Music, Millennium Kid Music Publishing, Reservoir Media Music, RMM 416 Publishing, Universal Music Corp. , W.B.M. Music Corp. und Yaslina Music
- sub-publisher:
- Kobalt Music Publishing Ltd. , ROBA Music Verlag GmbH und Universal/MCA Music Publishing GmbH
| Britney Spears | 3.35 | 4:11 |
| 69 | Solo | Future | 4 | 4:26 |
| 70 | Love Me Like You | Little Mix | 3 | 3:18 |
| 71 | Hey Baby (Drop It to the Floor) | Pitbull feat. T‐Pain | 3 | 3:55 |
| 72 | All I Want | Kodaline | 5 | 5:06 |
| 73 | International Love | Pitbull feat. Chris Brown | 3.05 | 3:48 |
| 74 | Exchange | Bryson Tiller | 4 | 3:15 |
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