Bach Edition, Volume 17: Vocal Works / Vokalwerke Vol.II

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD: BWV 248, Parts 1, 2
#TitleRatingLength
1Christmas Oratorio, BWV 248, Pt. 1: I. Chorus. Jauchzet, frohlocket!
choir vocals:
Dresdner Kreuzchor (in 1974-02)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1974-02)
conductor:
Martin Flämig (in 1974-02)
phonographic copyright (℗) by:
Berlin Classics
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:59
2Christmas Oratorio, BWV 248, Pt. 1: II. Recitative. Es begab sich aber zu der Zeit (Evangelist)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:17
3Christmas Oratorio, BWV 248, Pt. 1: III. Recitative. Nun wird mein liebster Bräutigam (Alto)
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:59
4Christmas Oratorio, BWV 248, Pt. 1: IV. Aria. Bereite dich, Zion (Alto)
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:53
5Christmas Oratorio, BWV 248, Pt. 1: V. Chorale. Wie soll ich dich empfangen (Chorus)
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:23
6Christmas Oratorio, BWV 248, Pt. 1: VI. Recitative. Und sie gebar ihren ersten Sohn (Evangelist)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:23
7Christmas Oratorio, BWV 248, Pt. 1: VII. Chorale. Er ist auf Erden kommen arm (Chorus, Soprano) – Recitative. Wer kann die Liebe recht erhöh’n (Bass)
bass vocals:
Theo Adam (German classical bass-baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:40
8Christmas Oratorio, BWV 248, Pt. 1: VIII. Aria. Großer Herr und starker König (Bass)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1974-02)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1974-02)
conductor:
Martin Flämig (in 1974-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:12
9Christmas Oratorio, BWV 248, Pt. 1: IX. Chorale. Ach mein herzliebes Jesulein (Chorus)
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:14
10Christmas Oratorio, BWV 248, Pt. 2: I. Sinfonia
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1974-02)
conductor:
Martin Flämig (in 1974-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:37
11Christmas Oratorio, BWV 248, Pt. 2: II. Recitative. Und es waren Hirten in derselben Gegend (Evangelist)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:50
12Christmas Oratorio, BWV 248, Pt. 2: III. Chorale. Brich an, o schönes Morgenlicht (Chorus)
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:21
13Christmas Oratorio, BWV 248, Pt. 2: IV. Recitative. Und der Engel sprach zu ihnen. Fürchtet euch nicht (Evangelist, Angel)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:51
14Christmas Oratorio, BWV 248, Pt. 2: V. Recitative. Was Gott dem Abraham verheißen (Bass)
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:47
15Christmas Oratorio, BWV 248, Pt. 2: VI. Aria. Frohe Hirten, eilt, ach eilet (Tenor)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1974-02)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra) (in 1974-02)
conductor:
Martin Flämig (in 1974-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:27
16Christmas Oratorio, BWV 248, Pt. 2: VII. Recitative. Und das habt zum Zeichen (Evangelist)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:23
17Christmas Oratorio, BWV 248, Pt. 2: VIII. Chorale. Schaut hin, dort liegt im finstern Stall (Chorus)
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:46
18Christmas Oratorio, BWV 248, Pt. 2: IX. Recitative. So geht denn hin, ihr Hirten, geht (Bass)
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:57
19Christmas Oratorio, BWV 248, Pt. 2: X. Aria. Schlafe, mein Liebster (Alto)
alto vocals:
Annelies Burmeister (contralto)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
9:55
20Christmas Oratorio, BWV 248, Pt. 2: XI. Recitative. Und alsobald war da bei dem Engel (Evangelist)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:13
21Christmas Oratorio, BWV 248, Pt. 2: XII. Chorus. Ehre sei Gott in der Höhe
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
3:01
22Christmas Oratorio, BWV 248, Pt. 2: XIII. Recitative. So recht, ihr Engel, jauchzt und singet (Bass)
bass vocals:
Theo Adam (German classical bass-baritone)
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
0:27
23Christmas Oratorio, BWV 248, Pt. 2: XIV. Chorale. Wir singen dir in deinem Heer
choir vocals:
Dresdner Kreuzchor
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Martin Flämig
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1974-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1974-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
1:18
2▶CD: BWV 248, Parts 3, 4
3▶CD: BWV 248, Parts 5, 6
4▶CD: BWV 11, *2a, 238
5▶CD: BWV 1083, 118, 200, 231
6▶CD: BWV 243, Chorales
7▶CD: Chorales
8▶CD: Chorales

Credits

Release group

part of:Bach Edition (number: 17) (order: 17)