Jukebox Favourites: The Best of Swing

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Disc One
Nr.TitelKünstlerBewertungLänge
1Old Devil Moon
recording of:
Old Devil Moon (from “Finian’s Rainbow”)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
Mel Tormé2:50
2Boogie Woogie
recording of:
Boogie Woogie
Komponist(in):
Clarence “Pine Top” Smith
Count Basie3:09
3Bei mir bist Du schön
vocals:
The Andrews Sisters (am 1937-11-24)
recording of:
Bei mir bist du schön (English version) (am 1937-11-24)
Texter:
Sammy Cahn
Komponist(in):
Sholom Secunda
zusätzliche(r) Komponist(in):
Saul Chaplin
übersetzte Version von:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:12
4On Green Dolphin Street
instrumental recording of:
On Green Dolphin Street
Texter:
Ned Washington (in 1947)
Komponist(in):
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. und Patti Washington Music
The George Shearing Quintet2:25
5It Don’t Mean a Thing
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Duke Ellington Orchestra3:02
6Nobody ’til Somebody Loves You
recording of:
You’re Nobody Till Somebody Loves You
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin2:18
7King Porter Stomp
recording of:
King Porter Stomp
Komponist(in):
Jelly Roll Morton
Benny Goodman3:14
8Thanks for the Boogie Ride
recording of:
Thanks for the Boogie Ride
Texter und Komponist(in):
Nat Gonella
Gene Krupa and His Orchestra3:11
9Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
Louis Armstrong2:42
10Swing Out
Erskine Hawkins and His Orchestra3:24
11Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
Frank Sinatra3:03
12I’m Beginning to See the Light
alto saxophone:
Edward Rosa (am 1944-11-21) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1944-11-21)
baritone saxophone:
George Davis (40s jazz saxophone) (am 1944-11-21)
Bratsche / Viola:
Al Neiman (violist) (am 1944-11-21), Bill Spear (am 1944-11-21) und Dave Sterkin (am 1944-11-21)
Cello:
Al Friede (am 1944-11-21) und Cy Bernard (am 1944-11-21)
Geige / Violine:
Al Saparoff (am 1944-11-21), Sam Caplan (am 1944-11-21), Sam Freed, Jr. (Violinist) (am 1944-11-21), Jack Gootkin (am 1944-11-21), Harry Jaworski (am 1944-11-21), John DeVoogd (am 1944-11-21), Gerald Joyce (am 1944-11-21) und Nick Pisani (am 1944-11-21)
Gitarre:
Allen Reuss (am 1944-11-21)
Klavier:
Arnold Ross (am 1944-11-21)
Kontrabass:
Ed Mihelich (am 1944-11-21)
Posaune:
Charles Preble (jazz trombonist) (am 1944-11-21), Vic Hamann (jazz trombonist) (am 1944-11-21) und Jesse Heath (am 1944-11-21)
Schlagzeug:
Nick Fatool (am 1944-11-21)
Tenorsaxophon:
Corky Corcoran (am 1944-11-21) und Cliff Jackson (US jazz saxophonist) (am 1944-11-21)
Trompete:
Irwin Berken (am 1944-11-21), James Campbell (jazz trumpeter and saxophonist) (am 1944-11-21), Harry James (US big band leader, trumpeter & actor) (am 1944-11-21), Al Ramsey (am 1944-11-21) und Yan Rasey (am 1944-11-21)
Ventilposaune:
Juan Tizol (am 1944-11-21)
vocals:
Kitty Kallen (am 1944-11-21)
Orchester:
Harry James and His Orchestra (am 1944-11-21)
arranger:
Johnny Thompson (big band arranger & conductor)
recording of:
I’m Beginning to See the Light (am 1944-11-21)
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1944)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) und Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Harry James and His Orchestra3:16
13The More I See You
Bobby Darin1:47
14Swing Brother Swing
Wingy Manone2:59
15Too Darn Hot
recording of:
Too Darn Hot (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
Buddy Greco2:29
16The Gentleman Is a Dope
recording of:
The Gentleman Is a Dope (Allegro)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Allegro (Rodgers & Hammerstein musical)
Ella Fitzgerald & Nelson Riddle and His Orchestra4:04
17The Things We Did Last Summer
cover recording of:
The Things We Did Last Summer
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The George Shearing Quintet & Nancy Wilson2:47
18Love Me or Leave
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone4.753:27
19(Get Your Kicks) On Route 66
Gitarre:
Oscar Moore (am 1946-03-15)
Instrumente:
The Nat King Cole Trio (in 1946)
Klavier:
Nat King Cole (am 1946-03-15)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-03-15)
Sologesang:
King Cole
vocals:
Nat King Cole (in 1946, am 1946-03-15)
Interpret(in):
The Nat King Cole Trio (am 1946-03-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (am 1946-03-15)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
The Nat King Cole Trio3:04
20Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw33:18
2▶CD: Disc Two
3▶CD: Disc Three
4▶CD: Disc Four