Jukebox Favourites: The Best of Swing

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD: Disc One
#TitoloArtistaValutazioneDurata
1Old Devil Moon
registrazione di:
Old Devil Moon (from “Finian’s Rainbow”)
paroliere:
Yip Harburg
compositore:
Burton Lane
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Victoria Music Ltd.
adattamenti:
Old Devil Moon / Stari vražji mesec
parte di:
Finian’s Rainbow (1947 Broadway musical)
Mel Tormé2:50
2Boogie Woogie
registrazione di:
Boogie Woogie
compositore:
Clarence “Pine Top” Smith
Count Basie3:09
3Bei mir bist Du schön
voce:
The Andrews Sisters (il 1937-11-24)
registrazione di:
Bei mir bist du schön (English version) (il 1937-11-24)
paroliere:
Sammy Cahn
compositore:
Sholom Secunda
compositore aggiunto:
Saul Chaplin
versione tradotta di:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:12
4On Green Dolphin Street
registrazione strumentale di:
On Green Dolphin Street
paroliere:
Ned Washington (nel 1947)
compositore:
Bronisław Kaper (nel 1947)
editore:
Catharine Hinen Music, Leo Feist Inc. e Patti Washington Music
The George Shearing Quintet2:25
5It Don’t Mean a Thing
registrazione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, volume I)
The Duke Ellington Orchestra3:02
6Nobody ’til Somebody Loves You
registrazione di:
You’re Nobody Till Somebody Loves You
autore:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) e Larry Stock
editore:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin2:18
7King Porter Stomp
registrazione di:
King Porter Stomp
compositore:
Jelly Roll Morton
Benny Goodman3:14
8Thanks for the Boogie Ride
registrazione di:
Thanks for the Boogie Ride
paroliere e compositore:
Nat Gonella
Gene Krupa and His Orchestra3:11
9Jeepers Creepers
registrazione di:
Jeepers Creepers
paroliere:
Johnny Mercer (nel 1938)
autore:
Richard A. Whiting (composer)
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
Louis Armstrong2:42
10Swing Out
Erskine Hawkins and His Orchestra3:24
11Let’s Face the Music and Dance
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Frank Sinatra3:03
12I’m Beginning to See the Light
batteria :
Nick Fatool (il 1944-11-21)
chitarra :
Allen Reuss (il 1944-11-21)
contrabbasso :
Ed Mihelich (il 1944-11-21)
pianoforte :
Arnold Ross (il 1944-11-21)
sassofono baritono :
George Davis (40s jazz saxophone) (il 1944-11-21)
sassofono contralto :
Edward Rosa (il 1944-11-21) e Willie Smith (US jazz alto saxophonist, 1910-1967) (il 1944-11-21)
sassofono tenore :
Corky Corcoran (il 1944-11-21) e Cliff Jackson (US jazz saxophonist) (il 1944-11-21)
tromba :
Irwin Berken (il 1944-11-21), James Campbell (jazz trumpeter and saxophonist) (il 1944-11-21), Harry James (US big band leader, trumpeter & actor) (il 1944-11-21), Al Ramsey (il 1944-11-21) e Yan Rasey (il 1944-11-21)
trombone :
Charles Preble (jazz trombonist) (il 1944-11-21), Vic Hamann (jazz trombonist) (il 1944-11-21) e Jesse Heath (il 1944-11-21)
trombone a pistoni :
Juan Tizol (il 1944-11-21)
viola :
Al Neiman (violist) (il 1944-11-21), Bill Spear (il 1944-11-21) e Dave Sterkin (il 1944-11-21)
violino :
Al Saparoff (il 1944-11-21), Sam Caplan (il 1944-11-21), Sam Freed, Jr. (Violinist) (il 1944-11-21), Jack Gootkin (il 1944-11-21), Harry Jaworski (il 1944-11-21), John DeVoogd (il 1944-11-21), Gerald Joyce (il 1944-11-21) e Nick Pisani (il 1944-11-21)
violoncello :
Al Friede (il 1944-11-21) e Cy Bernard (il 1944-11-21)
voce:
Kitty Kallen (il 1944-11-21)
orchestra:
Harry James and His Orchestra (il 1944-11-21)
arrangiatore:
Johnny Thompson (big band arranger & conductor)
registrazione di:
I’m Beginning to See the Light (il 1944-11-21)
paroliere:
Don George (US songwriter/composer, 1909–1987) (nel 1944)
autore:
Duke Ellington (US composer, pianist & jazz bandleader)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1944), Johnny Hodges (nel 1944) e Harry James (US big band leader, trumpeter & actor) (nel 1944)
editore:
Anne-Rachel Music Corp.
Harry James and His Orchestra3:16
13The More I See You
Bobby Darin1:47
14Swing Brother Swing
Wingy Manone2:59
15Too Darn Hot
registrazione di:
Too Darn Hot (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Chappell & Co. e T.B. Harms Co.
parte di:
Kiss Me, Kate (musical)
Buddy Greco2:29
16The Gentleman Is a Dope
registrazione di:
The Gentleman Is a Dope (Allegro)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
parte di:
Allegro (Rodgers & Hammerstein musical)
Ella Fitzgerald & Nelson Riddle and His Orchestra4:04
17The Things We Did Last Summer
registrazione cover di:
The Things We Did Last Summer
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The George Shearing Quintet & Nancy Wilson2:47
18Love Me or Leave
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
Love Me or Leave Me (nel 1957-12)
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Nina Simone4.753:27
19(Get Your Kicks) On Route 66
chitarra :
Oscar Moore (il 1946-03-15)
contrabbasso :
Johnny Miller (part of the Nat King Cole Trio) (il 1946-03-15)
pianoforte :
Nat King Cole (il 1946-03-15)
strumenti:
The Nat King Cole Trio (nel 1946)
voce:
Nat King Cole (nel 1946, il 1946-03-15)
voce principale:
King Cole
esecutore:
The Nat King Cole Trio (il 1946-03-15)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2000)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1946-03-15)
registrazione di:
(Get Your Kicks on) Route 66 (il 1946-03-15)
paroliere e compositore:
Bobby Troup
editore:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Burke-Van Heusen, Inc. (il 1946-04-22)
The Nat King Cole Trio3:04
20Begin the Beguine
registrata a:
New York, New York, Stati Uniti (il 1938-07-24)
batteria :
Cliff Leeman (il 1938-07-24)
chitarra :
Al Avola (il 1938-07-24)
clarinetto :
Artie Shaw (il 1938-07-24)
contrabbasso :
Sid Weiss (il 1938-07-24)
pianoforte :
Les Burness (il 1938-07-24)
sassofono contralto :
Hank Freeman (American jazz saxophonist) (il 1938-07-24) e Les Robinson (il 1938-07-24)
sassofono tenore :
Tony Pastor (il 1938-07-24) e Ronnie Perry (il 1938-07-24)
tromba :
Claude Bowen (il 1938-07-24), John Best (jazz trumpeter) (il 1938-07-24) e Chuck Peterson (trumpet) (il 1938-07-24)
trombone :
George Arus (il 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (il 1938-07-24) e Ted Vesely (il 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (il 1938-07-24)
direttore d'orchestra:
Artie Shaw (il 1938-07-24)
arrangiatore:
Jerry Gray (US big band arranger and conductor)
registrata presso e lavorazione tecnica effettuata presso:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Stati Uniti (il 1938-07-24)
registrazione strumentale di:
Begin the Beguine (il 1938-07-24)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
registrazione di:
Begin the Beguine (il 1938-07-24)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Artie Shaw33:18
2▶CD: Disc Two
3▶CD: Disc Three
4▶CD: Disc Four