Now That’s What I Call the 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Dancing in the Dark
tecnico di registrazione:
Toby Scott (il 1984-02-14)
assistente tecnico:
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus e Zoë Yanakas
produttore:
Jon Landau, Little Steven, Chuck Plotkin e Bruce Springsteen
tecnico di missaggio:
Bob Clearmountain (dal 1984-02 al 1984-03-08)
batteria :
Max Weinberg (il 1984-02-14)
chitarra e voce principale:
Bruce Springsteen (il 1984-02-14)
chitarra basso :
Garry Tallent (il 1984-02-14)
organo :
Danny Federici (il 1984-02-14)
percussione e sassofono :
Clarence Clemons (il 1984-02-14)
pianoforte e sintetizzatore :
Roy Bittan (il 1984-02-14)
diritti fonografici (℗) detenuti da:
Bruce Springsteen (nel 1984)
diritti fonografici (℗) detenuti da:
Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1984-02-14)
mixata presso:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 234)
registrazione di:
Dancing in the Dark (il 1984-02-14)
editore:
Bruce Springsteen (nel 1984)
paroliere e compositore:
Bruce Springsteen (nel 1984)
editore:
Bruce Springsteen Music, Jonathan Msc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.44:03
2Livin’ on a Prayer
Bon Jovi3:46
3Easy Lover
produttore:
Phil Collins (of Genesis)
registrazione di:
Easy Lover (nel 1984)
autore:
Philip Bailey, Phil Collins (of Genesis) e Nathan East
editore:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton GmbH, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (nel 1984), New East Music (nel 1984), Philip Collins Ltd. (nel 1984), Sir & Trini Music (nel 1984) e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1984)
Philip Bailey & Phil Collins3.54:45
4The Best
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman e Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
edit di:
The Best di Tina Turner
video musicali:
The Best di Tina Turner
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:11
5If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989), The David Geffen Company (legal rights relating to Geffen Records) (nel 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.754:01
6Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (nel 1982), Volcano Entertainment III, L.L.C. (nel 1982, nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 28) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 63)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.44:03
7Gimme All Your Lovin’
registrazione di:
Gimme All Your Lovin’
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three e Songs of Mosaic
ZZ Top4:00
8Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:28
9China in Your Hand
T’Pau4:08
10Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.153:53
11Manic Monday
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 208)
registrazione di:
Manic Monday
paroliere e compositore:
Christopher (Prince, “The Artist Formerly Known as…”)
editore:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) e WB Music Corp. (1929–2019)
The Bangles43:04
12Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.953:39
13The Tide Is High
registrazione cover di:
The Tide Is High
autore:
John Holt (nel 1967)
autore aggiunto:
Howard Barrett (nel 1967) e Tyrone Evans (nel 1967)
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie3:51
14Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:01
15Pass the Dutchie
produttore:
Peter Collins (producer)
batteria :
Junior
chitarra :
Kelvin
chitarra basso :
Patrick
tastiera :
Michael (Keyboard player for Musical Youth)
voce:
Dennis
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 25)
registrazione cover di:
Pass the Kouchie
autore:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) e Fitzroy “Bunny” Simpson
parte di:
My Kind of People
Musical Youth43:24
16Being With You
assistente tecnico:
Richie Griffin
tecnico:
Howard Lee Wolen e Mark Wolfson
produttore:
George Tobin
tecnico di missaggio:
Mike Piccirillo e George Tobin
arrangiatore:
George Tobin
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1981)
registrata presso e mixata presso:
Studio Sound Recorders in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Being With You
paroliere e compositore:
Smokey Robinson
editore:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. e Primary Wave Robinson
Smokey Robinson3.254:07
17Hello
produttore:
James Anthony Carmichael e Lionel Richie
esecutore:
Ocobamba
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Hello
paroliere e compositore:
Lionel Richie
autore aggiunto:
James Anthony Carmichael
editore:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:08
18Ebony and Ivory
assistente tecnico di registrazione:
Mike Stavrou (producer/engineer) (dal 1981-02-28 al 1981-10)
tecnico di registrazione:
Geoff Emerick (British recording engineer) (dal 1981-02-28 al 1981-10)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistente tecnico di missaggio:
Jon Jacobs (UK producer/engineer) (il 1982-01-19)
tecnico di missaggio:
Geoff Emerick (British recording engineer) (il 1982-01-19)
basso elettrico , chitarra , pianoforte e vocoder :
Paul McCartney (The Beatles) (dal 1981-02-28 al 1981-10)
batteria e pianoforte elettrico :
Stevie Wonder (dal 1981-02-28 al 1981-10)
percussione , sintetizzatore e voce di accompagnamento e voce principale:
Paul McCartney (The Beatles) (dal 1981-02-28 al 1981-10) e Stevie Wonder (dal 1981-02-28 al 1981-10)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Paul McCartney (The Beatles)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1982)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (il 1981-03-30) e Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1981-10)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (il 1982-01-19)
registrazione di:
Ebony and Ivory (dal 1981-02-28 al 1981-10)
paroliere e compositore:
Paul McCartney (The Beatles)
editore:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
versione parodia di:
Curdled Milk and Boot Polish
Paul McCartney feat. Stevie Wonder3.23:42
19Love of the Common People
registrazione cover di:
Love of the Common People
paroliere e compositore:
John Hurley e Ronnie Wilkins
editore:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1983) e Westminster Music Ltd. (nel 1983)
Paul Young3:38
20Do They Know It’s Christmas
programmazione:
Midge Ure (il 1984-11-25)
produttore:
Trevor Horn e Midge Ure
basso elettrico :
John Taylor (UK bassist for Duran Duran) (il 1984-11-25)
batteria :
Phil Collins (of Genesis) (il 1984-11-25)
chitarra :
Andy Taylor (of Duran Duran) (il 1984-11-25)
tastiera :
Midge Ure (il 1984-11-25)
altra voce [chorus]:
Paul Weller (English singer‐songwriter and musician) (il 1984-11-24), Robert “Kool” Bell (il 1984-11-25), Pete Briquette (il 1984-11-25), Adam Clayton (il 1984-11-25), Phil Collins (of Genesis) (il 1984-11-25), Chris Cross (UK bassist for Ultravox) (il 1984-11-25), Simon Crowe (il 1984-11-25), Sara Dallin (il 1984-11-25), Siobhan Fahey (il 1984-11-25), Johnnie Fingers (il 1984-11-25), Bob Geldof (il 1984-11-25), Tony Hadley (il 1984-11-25), John Keeble (il 1984-11-25), Gary Kemp (il 1984-11-25), Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (il 1984-11-25), Jon Moss (il 1984-11-25), Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (il 1984-11-25), Rick Parfitt (UK guitarist for Status Quo) (il 1984-11-25), Nick Rhodes (il 1984-11-25), Francis Rossi (il 1984-11-25), Andy Taylor (of Duran Duran) (il 1984-11-25), James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) (il 1984-11-25), John Taylor (UK bassist for Duran Duran) (il 1984-11-25), Roger Taylor (Duran Duran drummer) (il 1984-11-25), Dennis “D.T.” Thomas (Kool & The Gang) (il 1984-11-25), Midge Ure (il 1984-11-25), Martyn Ware (il 1984-11-25), Jody Watley (il 1984-11-25) e Keren Woodward (il 1984-11-25)
voce:
Glenn Gregory (il 1984-11-25), Marilyn (British pop singer) (il 1984-11-25) e Sting (singer, songwriter & member of The Police) (il 1984-11-25)
voce principale:
Bono (singer of U2) (il 1984-11-25), Boy George (il 1984-11-25), George Michael (il 1984-11-25), Simon Lebon (singer for Duran Duran) (il 1984-11-25) e Paul Young (English pop singer and musician) (il 1984-11-25)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1984) e The Band Aid Trust (nel 2004)
registrata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1984-11-25)
video musicali:
Do They Know It's Christmas? (music video) di Band Aid (UK charity supergroup)
registrazione di:
Do They Know It’s Christmas? (dal 1984-11-24 al 1984-11-25)
autore:
Bob Geldof e Midge Ure
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Band Aid3.63:52

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parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 57)