Anthems: Alternative 80s

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Slipcase around an Eight panel digipak. Three CDs in plastic trays, small booklet tucked inside.

Matrix (Disc One, Variant 2): Sony DADC A0101879566-0103 04
Mastering SID (CD1): IFP LY34
Mould SID (CD1): IFPI AEW04
DiscID (CD1): oPO0ipAmkab9a4TgpEuN6CwPmWA-

Matrix (CD2): Sony DADC A0101879585-0103 01
Mastering SID (CD2): IFP LY34
Mould SID (CD2): IFPI AEW03
DiscID (CD2): nxV5R9vubHQPH3ZEZBXKWUFb65Y-

Matrix (CD3): Sony DADC A0101883545-0103 01
Mastering SID (CD3): IFP LY34
Mould SID (CD3): IFPI AEW36
DiscID (CD3): n0XIhYcmZJIs7xBbEoBhKN9lo50-

Annotation last modified on 2024-09-17 13:58 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:55
2Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:29
3How Soon Is Now?
music videos:
How Soon Is Now? (Shorter Version) by The Smiths (1980s English rock band)
recording of:
How Soon Is Now? (in 1985)
lyricist:
Morrissey (English singer‐songwriter)
writer:
Johnny Marr and Morrissey (English singer‐songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths4.53:41
4Ashes to Ashes (single version)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
Tony Visconti
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980-02) and Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1980-04)
recording of:
Ashes to Ashes (from 1980-02 until 1980-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie43:35
5Ziggy Stardust
engineer:
Mike Robinson (engineer)
producer:
Bauhaus (UK gothic rock band) and John Sparrow (UK recording engineer and producer)
phonographic copyright (℗) by:
Beggars Banquet (in 1982)
cover recording of:
Ziggy Stardust
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG RM Chrysalis Music France, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), Fleur Music Ltd. (publisher), Jones Music America, Mainman Saag (New York), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, フジパシフィックミュージック (Fujipacific Music, Inc.), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Bauhaus3.853:13
6Pretty in Pink
engineer:
Will Gosling and Phil Thornalley
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs4.654:00
7Eloise (single version)
engineer and producer:
Jon Kelly (engineer at Air London Studios)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1985), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Eloise
lyricist and composer:
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation and Hill & Range (publisher)
The Damned3.55:09
8Rise
recording of:
Rise (in 1985)
writer:
Bill Laswell (US bass guitarist and record producer) and John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd4:28
9Hit Me With Your Rhythm Stick
producer:
Laurie Latham
drums (drum set):
Charley Charles (UK drummer) (in 1978)
electric bass guitar:
Norman Watt-Roy (in 1978)
guitar:
John Turnbull (in 1978)
Hammond organ:
Mick Gallagher (UK hammond organ player) (in 1978)
piano:
Chaz Jankel (English musician and songwriter) (in 1978)
saxophone:
Davey Payne (UK saxophonist) (in 1978)
lead vocals:
Ian Dury (in 1978)
phonographic copyright (℗) by:
Templemill Music Ltd (in 1979)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury & the Blockheads3.93:43
10Antmusic
producer:
Chris Hughes (producer, aka “Merrick”)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (producer, aka “Merrick”) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
vocals:
Kevin Mooney
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980, in 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980)
music videos:
Antmusic by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 139)
recording of:
Antmusic
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing MGB Ltd.
Adam & the Ants43:36
11Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:41
12One in Ten
producer:
Ray Falconer and UB40
recording of:
One in Ten (original UB40 version)
writer:
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue (keyboardist) and Terence Wilson (aka Astro of UB40)
UB403.654:33
13Johnny Come Home
producer:
Andy Cox (Composer) and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
phonographic copyright (℗) by:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1985)
music videos:
Johnny Come Home by Fine Young Cannibals
recording of:
Johnny Come Home
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1985)
Fine Young Cannibals3.73:29
14It Ain’t What You Do It’s the Way That You Do It
producer:
Fun Boy Three and Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
Fun Boy Three & Bananarama3.652:48
15Baggy Trousers
producer:
Clive Langer and Alan Winstanley (English record producer)
recorded at:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1981-12-19)
recording of:
Baggy Trousers
lyricist:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:28
16The Tears of a Clown
producer:
Bob Sargeant
cover recording of:
The Tears of a Clown
lyricist:
Smokey Robinson
composer:
Henry Cosby, Smokey Robinson and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd and Jobette Music (UK) Ltd.
The Beat32:41
17Thinking of You
part of:
TV Cream: Real 100 Best Singles Ever (number: 50)
recording of:
Thinking of You
writer:
Terry Hall and Toby Lyons
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
The Colourfield33:28
18Swords of a 1000 Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:55
19I Want to Be Free
recording of:
I Want to Be Free
lyricist:
Toyah Willcox
composer:
Joel Bogen
Toyah43:08
20Theme for Great Cities
engineer:
Hugh Jones (UK producer)
producer:
Bob Clearmountain, Steve Hillage and Jimmy Iovine
bass guitar:
Derek Forbes
drums (drum set):
Brian McGee (UK drummer)
guitar:
Charlie Burchill
keyboard:
Michael MacNeill
vocals:
Jim Kerr (of Simple Minds)
recording of:
Theme for Great Cities
lyricist:
Jim Kerr (of Simple Minds)
composer:
Charlie Burchill
Simple Minds4.655:52
3▶CD

Credits

Release

manufactured in:United Kingdom
rights society:MCPS (UK rights society; do not use this as a label or work publisher!)
distributed by:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
copyrighted (©) by and phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2011)
Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (in 2011)
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2011)
glass mastered by:Sony DADC UK Ltd. (Southwater)
Discogs:https://www.discogs.com/release/3334702 [info]

Release group

part of:Ministry of Sound: Anthems (order: 9)