Twogether Années 60

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Let's Twist Again
voce:
Chubby Checker (nel 1961-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 40)
registrazione di:
Let’s Twist Again (nel 1961-06)
paroliere:
Kal Mann
compositore:
Dave Appell
editore:
Kalmann Music Inc., Warner/Chappell Music Australia Pty. Ltd. e Belinda (Scandinavia) AB (nel 1974)
Chubby Checker4.652:22
2Locomotion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:25
3Apache
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Apache
compositore:
Jerry Lordan
editore:
Francis, Day & Hunter Ltd.
The Shadows4.652:52
4Do Wah Diddy Diddy
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e HMV Records Ltd. (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 35)
registrazione cover di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:24
5Yellow River
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 83)
registrazione di:
Yellow River (nel 1970)
paroliere e compositore:
Jeff Christie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie3.352:49
6What's New Pussycat
registrazione di:
What’s New Pussycat? (nel 1965)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
parte di:
The 38th Academy Award for Best Original Song (numero: 2)
Tom Jones3.52:15
7Bus Stop
produttore:
The Hollies e Ron Richards
basso :
Bernie Calvert (il 1966-05-18)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966, nel 2003) e Parlophone (nel 1966)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1966-05-18)
registrazione di:
Bus Stop (il 1966-05-18)
paroliere e compositore:
Graham Gouldman
editore:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited e Music Sales Corporation (American copyright holder in both popular and classical music)
adattamenti:
バス ストップ (Angels' Japanese version)
The Hollies4.752:55
8Hippy Hippy Shake
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Swinging Blue Jeans1:45
9Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:39
10Runaway
registrazione di:
Runaway
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon2:19
11La Bamba
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Ritchie Valens4.752:07
12Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:51
13California Dreamin'
registrazione cover di:
California Dreamin’
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
José Feliciano4:00
14Tell It Like It Is
produttore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Alvin “Red” Tyler (American jazz saxophonist)
registrata presso:
Jazz City Studios in New Orleans, Louisiana, Stati Uniti (nel 1966)
registrazione di:
Tell It Like It Is (nel 1966)
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville4.352:42
15When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:51
16Those Were the Days
registrazione di:
Those Were the Days (nel 1968-07)
paroliere:
Gene Raskin
compositore:
Борис Фомин (Boris Fomin)
editore:
Essex Music, Inc.
versione tradotta di:
Дорогой длинною («Ехали на тройке с бубенцами, а вдали мелькали огоньки. Эх, когда бы мне теперь за вами, душу бы развеять от тоски!…»)
Mary Hopkin44:58
17Sunshine Superman
registrazione di:
Sunshine Superman
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd. e Peer International Corporation (BMI)
Donovan4:04
18Ob-La-Di Ob-La-Da
produttore:
Mike Smith (60’s & 70’s UK Producer)
registrazione cover di:
Ob‐La‐Di, Ob‐La‐Da (nel 1968)
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
Marmalade3:00
19Sugar Sugar
video musicali:
Sugar, Sugar di The Archies
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (numero: 18), Billboard: Greatest of All Time Hot 100 Songs (numero: 90) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 155)
registrazione di:
Sugar, Sugar (nel 1969)
autore:
Jeff Barry e Andy Kim (pop singer & songwriter)
editore:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:49
20Raindrops Keep Fallin' on My Head
voce:
B.J. Thomas
direttore d'orchestra:
Burt Bacharach
diritti fonografici (℗) detenuti da:
Scepter (a/k/a Scepter Records) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 4) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 345)
registrazione di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1969 winner)
B.J. Thomas42:59

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