Funky Midnight Mover: The Atlantic Studio Recordings 1962-1978

~ Release by Wilson Pickett (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1I Found a Love
recorded in:
Detroit, Michigan, United States (in 1961-06)
producer:
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
brass:
Ralph "Pee Wee" Middlebrook (in 1961-06)
clarinet and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
guitar:
Lance Finnie, Lance Finnie (in 1961-06) and Robert Ward (guitar, blues musician) (in 1961-06)
tenor saxophone:
Clarence Satchell (, in 1961-06)
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) and Joe Stubbs (in 1961-06)
performer:
The Ohio Untouchables (in 1961-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
King Studios in Cincinnati, Ohio, United States (in 1962-01)
recording of:
I Found a Love (in 1961-06)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
The Falcons2:59
2Let’s Kiss and Make Up
producer:
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables)
guitar:
Lance Finnie and Robert Ward (guitar, blues musician)
tenor saxophone:
Clarence Satchell
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
recorded at:
King Studios in Cincinnati, Ohio, United States (on 1962-10-19)
recording of:
Let’s Kiss and Make Up
lyricist and composer:
Willie Schofield
The Falcons2:35
3Take This Love I’ve Got
producer:
Robert West (US songwriter)
alto saxophone:
Ralph “Pee Wee” Middlebrooks
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables)
guitar:
Lance Finnie and Robert Ward (guitar, blues musician)
tenor saxophone:
Clarence Satchell
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
recorded at:
King Studios in Cincinnati, Ohio, United States (on 1962-10-19)
recording of:
Take This Love I’ve Got
writer:
Bonny Rice, Eddie Floyd and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Lupine Music
The Falcons2:16
4My Heart Belongs to You
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1962)
recording of:
My Heart Belongs to You
lyricist and composer:
Wilson Pickett
Wilson Pickett2:22
5Let Me Be Your Boy
vocals:
Wilson Pickett
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
produced for:
Correc-Tone Recording Co.
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1962)
recording of:
Let Me Be Your Boy (in 1962)
lyricist and composer:
Wilbur Harbert
publisher:
Lark Music Inc.
Wilson Pickett42:46
6If You Need Me
recorded in:
Detroit, Michigan, United States (in 1963)
producer:
Robert Bateman (R&B singer/songwriter/record producer)
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar:
Robert White (US funk/soul guitarist) and Eddie Willis
piano:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
vocals:
Wilson Pickett
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
If You Need Me (in 1963)
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
Wilson Pickett2:36
7Baby Call on Me
producer:
Robert Bateman (R&B singer/songwriter/record producer)
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar:
Robert White (US funk/soul guitarist) and Eddie Willis
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
Baby Call on Me
lyricist and composer:
Don Juan Mancha
Wilson Pickett2:27
8It’s Too Late
recorded in:
Detroit, Michigan, United States (in 1963)
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
It’s Too Late
lyricist and composer:
Wilson Pickett
publisher:
Correc-Tone and Cotillion Music Inc. (BMI)
Wilson Pickett3:11
9I’m Gonna Love You
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
I'm Gonna Love You
lyricist and composer:
Robert Bateman (R&B singer/songwriter/record producer)
Wilson Pickett2:14
10I’m Down to My Last Heartbreak
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
I’m Down to My Last Heartbreak
writer:
Dee Ervin and James Willingham, Jr.
Wilson Pickett2:39
11I Can’t Stop
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
I Can’t Stop
lyricist and composer:
Willie Schofield
Wilson Pickett2:32
12Baby Don’t You Weep
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
cover recording of:
Baby Don’t You Weep
writer:
Fred Bridges and Harrison Smith (British saxophonist, clarinetist and composer)
Wilson Pickett2:12
13Peace Breaker
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
Peace Breaker
lyricist and composer:
Wilson Pickett
Wilson Pickett2:40
14I’ll Never Be the Same
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
Wilson Pickett2:41
15Give All Your Lovin’ Right Now
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
Wilson Pickett2:20
16I’m Gonna Cry (Cry Baby)
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
I’m Gonna Cry (on 1964-05-12)
writer:
Don Covay and Wilson Pickett
publisher:
Correc-Tone and Cotillion Music Inc. (BMI)
Wilson Pickett2:21
17For Better or Worse
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
For Better or Worse (on 1964-05-12)
writer:
Don Juan Mancha and Wilson Pickett
Wilson Pickett2:47
18Teardrops Will Fall
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist)
bass:
Jimmy Lewis (jazz bassist)
bass trombone:
Tony Studd
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree and Wally Richardson (US jazz/R&B guitarist)
piano:
Paul Griffin (American pianist, session musician)
tenor saxophone:
Joe Grimaldi (flute and saxophone player)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger), Ernie Royal and Clark Terry (American swing trumpeter)
additional vocals:
Tami Lynn
lead vocals:
Wilson Pickett
arranger:
Teacho Wiltshire
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Teardrops Will Fall
writer:
David H. Alldred and Marion Smith
Wilson Pickett feat. Tami Lynn2:32
19Come Home Baby
recorded in:
New York, New York, United States (on 1964-11-13)
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (flute and saxophone player) and Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
additional vocals:
Tami Lynn
lead vocals:
Wilson Pickett
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Come Home Baby (on 1964-11-13)
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Wilson Pickett feat. Tami Lynn2:37
20Take a Little Love
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist)
bass:
Jimmy Lewis (jazz bassist)
bass trombone:
Tony Studd
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree and Wally Richardson (US jazz/R&B guitarist)
piano:
Paul Griffin (American pianist, session musician)
tenor saxophone:
Joe Grimaldi (flute and saxophone player)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger), Ernie Royal and Clark Terry (American swing trumpeter)
lead vocals:
Wilson Pickett
arranger:
Teacho Wiltshire
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Take a Little Love
lyricist and composer:
Wilson Pickett
Wilson Pickett2:24
21Don’t Fight It
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
piano:
Joe Hall (Memphis pianist)
tenor saxophone:
Charles “Packy” Axton and Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
Don’t Fight It
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
Wilson Pickett2:35
22That’s a Man’s Way
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
That’s a Man’s Way (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music (BMI)
Wilson Pickett2:24
23In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:34
24I’m Not Tired
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
I’m Not Tired (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
Wilson Pickett2:47
25It’s All Over
producer:
Jim Stewart (Guitarist, recorded with John Palumbo) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-09-16)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-09-16)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-09-16)
guitar:
Steve Cropper (on 1965-09-16)
piano:
Isaac Hayes (on 1965-09-16)
tenor saxophone:
Charles “Packy” Axton (on 1965-09-16) and Andrew Love (on 1965-09-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-09-16) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-09-16)
vocals:
Wilson Pickett (on 1965-09-16)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-09-16)
recording of:
It’s All Over (on 1965-09-16)
writer:
Steve Cropper and Wilson Pickett
Wilson Pickett2:21
26Danger Zone
producer:
Jim Stewart (Guitarist, recorded with John Palumbo) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-09-16)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-09-16)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-09-16)
guitar:
Steve Cropper (on 1965-09-16)
piano:
Isaac Hayes (on 1965-09-16)
tenor saxophone:
Charles “Packy” Axton (on 1965-09-16) and Andrew Love (on 1965-09-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-09-16) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-09-16)
vocals:
Wilson Pickett (on 1965-09-16)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-09-16)
recording of:
Danger Zone (on 1965-09-16)
writer:
Steve Cropper and Wilson Pickett
Wilson Pickett2:12
27I’m Drifting
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
piano:
Isaac Hayes
tenor saxophone:
Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-12-20)
recording of:
I’m Drifting
writer:
Homer Banks (soul singer and songwriter), Wilson Pickett and David Porter (US soul musician, producer & songwriter)
Wilson Pickett2:54
28634–5789 (Soulsville, U.S.A.)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
piano:
Isaac Hayes
tenor saxophone:
Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-12-20)
recording of:
634‒5789 (Soulsville, U.S.A.)
writer:
Steve Cropper and Eddie Floyd
publisher:
Irving Music, Inc. and Pronto Music (publisher)
Wilson Pickett2:59
29Ninety‐Nine and a Half (Won’t Do)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
piano:
Isaac Hayes
tenor saxophone:
Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-12-20)
recording of:
Ninety‐Nine and a Half (Won’t Do)
writer:
Steve Cropper, Eddie Floyd and Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Wilson Pickett2:43
30You’re So Fine
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
You’re So Fine (from 1966-05-08 until 1966-05-11)
writer:
Lance Finney, Willie Schofield and Bob West (US session bassist, producer & songwriter)
publisher:
C & B West Publishing Co., EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Wilson Pickett2:37
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Credits

Release

art direction:Jeff Lyons (Art director/designer)
additional producer:Bill Inglot (archival music producer/remastering engineer)
producer:Bill Dahl
Michael Johnson (UK recording engineer and producer)
assistant mastering:Ryan Powell (Ryan Powell, American dnb producer)
Mike Wilson (recording engineer)
mastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
mastered at:DigiPrep in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/3845785 [info]