Funky Midnight Mover: The Atlantic Studio Recordings 1962-1978

~ Release by Wilson Pickett (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I Found a Love
recorded in:
Detroit, Michigan, United States (in 1961-06)
producer:
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
brass:
Ralph "Pee Wee" Middlebrook (in 1961-06)
clarinet and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
guitar:
Lance Finnie, Lance Finnie (in 1961-06) and Robert Ward (guitar, blues musician) (in 1961-06)
tenor saxophone:
Clarence Satchell (, in 1961-06)
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) and Joe Stubbs (in 1961-06)
performer:
The Ohio Untouchables (in 1961-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
King Studios in Cincinnati, Ohio, United States (in 1962-01)
recording of:
I Found a Love (in 1961-06)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
The Falcons2:59
2Let’s Kiss and Make Up
producer:
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables)
guitar:
Lance Finnie and Robert Ward (guitar, blues musician)
tenor saxophone:
Clarence Satchell
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
recorded at:
King Studios in Cincinnati, Ohio, United States (on 1962-10-19)
recording of:
Let’s Kiss and Make Up
lyricist and composer:
Willie Schofield
The Falcons2:35
3Take This Love I’ve Got
producer:
Robert West (US songwriter)
alto saxophone:
Ralph “Pee Wee” Middlebrooks
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables)
guitar:
Lance Finnie and Robert Ward (guitar, blues musician)
tenor saxophone:
Clarence Satchell
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
recorded at:
King Studios in Cincinnati, Ohio, United States (on 1962-10-19)
recording of:
Take This Love I’ve Got
writer:
Bonny Rice, Eddie Floyd and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Lupine Music
The Falcons2:16
4My Heart Belongs to You
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1962)
recording of:
My Heart Belongs to You
lyricist and composer:
Wilson Pickett
Wilson Pickett2:22
5Let Me Be Your Boy
vocals:
Wilson Pickett
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
produced for:
Correc-Tone Recording Co.
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1962)
recording of:
Let Me Be Your Boy (in 1962)
lyricist and composer:
Wilbur Harbert
publisher:
Lark Music Inc.
Wilson Pickett42:46
6If You Need Me
recorded in:
Detroit, Michigan, United States (in 1963)
producer:
Robert Bateman (R&B singer/songwriter/record producer)
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar:
Robert White (US funk/soul guitarist) and Eddie Willis
piano:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
vocals:
Wilson Pickett
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
If You Need Me (in 1963)
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
Wilson Pickett2:36
7Baby Call on Me
producer:
Robert Bateman (R&B singer/songwriter/record producer)
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar:
Robert White (US funk/soul guitarist) and Eddie Willis
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
Baby Call on Me
lyricist and composer:
Don Juan Mancha
Wilson Pickett2:27
8It’s Too Late
recorded in:
Detroit, Michigan, United States (in 1963)
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
It’s Too Late
lyricist and composer:
Wilson Pickett
publisher:
Correc-Tone and Cotillion Music Inc. (BMI)
Wilson Pickett3:11
9I’m Gonna Love You
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
I'm Gonna Love You
lyricist and composer:
Robert Bateman (R&B singer/songwriter/record producer)
Wilson Pickett2:14
10I’m Down to My Last Heartbreak
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
I’m Down to My Last Heartbreak
writer:
Dee Ervin and James Willingham, Jr.
Wilson Pickett2:39
11I Can’t Stop
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
I Can’t Stop
lyricist and composer:
Willie Schofield
Wilson Pickett2:32
12Baby Don’t You Weep
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
cover recording of:
Baby Don’t You Weep
writer:
Fred Bridges and Harrison Smith (British saxophonist, clarinetist and composer)
Wilson Pickett2:12
13Peace Breaker
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
Peace Breaker
lyricist and composer:
Wilson Pickett
Wilson Pickett2:40
14I’ll Never Be the Same
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
Wilson Pickett2:41
15Give All Your Lovin’ Right Now
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
Wilson Pickett2:20
16I’m Gonna Cry (Cry Baby)
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
I’m Gonna Cry (on 1964-05-12)
writer:
Don Covay and Wilson Pickett
publisher:
Correc-Tone and Cotillion Music Inc. (BMI)
Wilson Pickett2:21
17For Better or Worse
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
For Better or Worse (on 1964-05-12)
writer:
Don Juan Mancha and Wilson Pickett
Wilson Pickett2:47
18Teardrops Will Fall
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist)
bass:
Jimmy Lewis (jazz bassist)
bass trombone:
Tony Studd
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree and Wally Richardson (US jazz/R&B guitarist)
piano:
Paul Griffin (American pianist, session musician)
tenor saxophone:
Joe Grimaldi (flute and saxophone player)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger), Ernie Royal and Clark Terry (American swing trumpeter)
additional vocals:
Tami Lynn
lead vocals:
Wilson Pickett
arranger:
Teacho Wiltshire
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Teardrops Will Fall
writer:
David H. Alldred and Marion Smith
Wilson Pickett feat. Tami Lynn2:32
19Come Home Baby
recorded in:
New York, New York, United States (on 1964-11-13)
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (flute and saxophone player) and Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
additional vocals:
Tami Lynn
lead vocals:
Wilson Pickett
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Come Home Baby (on 1964-11-13)
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Wilson Pickett feat. Tami Lynn2:37
20Take a Little Love
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist)
bass:
Jimmy Lewis (jazz bassist)
bass trombone:
Tony Studd
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree and Wally Richardson (US jazz/R&B guitarist)
piano:
Paul Griffin (American pianist, session musician)
tenor saxophone:
Joe Grimaldi (flute and saxophone player)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger), Ernie Royal and Clark Terry (American swing trumpeter)
lead vocals:
Wilson Pickett
arranger:
Teacho Wiltshire
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Take a Little Love
lyricist and composer:
Wilson Pickett
Wilson Pickett2:24
21Don’t Fight It
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
piano:
Joe Hall (Memphis pianist)
tenor saxophone:
Charles “Packy” Axton and Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
Don’t Fight It
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
Wilson Pickett2:35
22That’s a Man’s Way
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
That’s a Man’s Way (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music (BMI)
Wilson Pickett2:24
23In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965, in 1992) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:34
24I’m Not Tired
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
I’m Not Tired (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
Wilson Pickett2:47
25It’s All Over
producer:
Jim Stewart (Guitarist, recorded with John Palumbo) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-09-16)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-09-16)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-09-16)
guitar:
Steve Cropper (on 1965-09-16)
piano:
Isaac Hayes (on 1965-09-16)
tenor saxophone:
Charles “Packy” Axton (on 1965-09-16) and Andrew Love (on 1965-09-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-09-16) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-09-16)
vocals:
Wilson Pickett (on 1965-09-16)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-09-16)
recording of:
It’s All Over (on 1965-09-16)
writer:
Steve Cropper and Wilson Pickett
Wilson Pickett2:21
26Danger Zone
producer:
Jim Stewart (Guitarist, recorded with John Palumbo) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-09-16)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-09-16)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-09-16)
guitar:
Steve Cropper (on 1965-09-16)
piano:
Isaac Hayes (on 1965-09-16)
tenor saxophone:
Charles “Packy” Axton (on 1965-09-16) and Andrew Love (on 1965-09-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-09-16) and Gene “Bowlegs” Miller (American trumpeter) (on 1965-09-16)
vocals:
Wilson Pickett (on 1965-09-16)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-09-16)
recording of:
Danger Zone (on 1965-09-16)
writer:
Steve Cropper and Wilson Pickett
Wilson Pickett2:12
27I’m Drifting
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
piano:
Isaac Hayes
tenor saxophone:
Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-12-20)
recording of:
I’m Drifting
writer:
Homer Banks (soul singer and songwriter), Wilson Pickett and David Porter (US soul musician, producer & songwriter)
Wilson Pickett2:54
28634–5789 (Soulsville, U.S.A.)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
piano:
Isaac Hayes
tenor saxophone:
Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-12-20)
recording of:
634‒5789 (Soulsville, U.S.A.)
writer:
Steve Cropper and Eddie Floyd
publisher:
Irving Music, Inc. and Pronto Music (publisher)
Wilson Pickett2:59
29Ninety‐Nine and a Half (Won’t Do)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer)
guitar:
Steve Cropper
piano:
Isaac Hayes
tenor saxophone:
Andrew Love
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Wilson Pickett
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-12-20)
recording of:
Ninety‐Nine and a Half (Won’t Do)
writer:
Steve Cropper, Eddie Floyd and Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Wilson Pickett2:43
30You’re So Fine
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
You’re So Fine (from 1966-05-08 until 1966-05-11)
writer:
Lance Finney, Willie Schofield and Bob West (US session bassist, producer & songwriter)
publisher:
C & B West Publishing Co., EMI United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Wilson Pickett2:37
2▼CD
#TitleRatingLength
1Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. and Tune-Kel
42:26
2Something You Got
recording of:
Something You Got
lyricist and composer:
Chris Kenner
writer:
Fats Domino and Chris Kenner
publisher:
EMI Longitude Music and Tune-Kel Music
2:56
3She Ain’t Gonna Do Right
recording of:
She Ain’t Gonna Do Right
writer and composer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:16
4She’s So Good to Me
recording of:
She’s So Good to Me
writer:
Sam Cooke (American singer and songwriter, “King of Soul”) and Bobby Womack
2:19
5Barefootin’
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Barefootin’ (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Robert Parker (American R&B singer and musician)
publisher:
Bonatemp Music Publishing Co., Inc. (in 1965, in 1967)
2:20
6Nothing You Can Do
recording of:
Nothing You Can Do
lyricist and composer:
Bobby Womack
2:17
7Mercy Mercy
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Mercy, Mercy (from 1966-05-08 until 1966-05-11)
writer:
Don Covay and R.A. Miller (US songwriter Ronald Alonzo Miller)
publisher:
Cotillion Music Inc. (BMI) and Vonglo Music (BMI-affiliated)
2:29
8I Need a Lot of Loving Every Day
2:22
9Everybody Needs Somebody to Love
recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
2:20
10Sunny
cover recording of:
Sunny
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:19
11New Orleans
cover recording of:
New Orleans
writer:
Frank Guida and Joseph Royster
publisher:
Dominion Music Co. Ltd., Rockmasters, Inc. (BMI-affiliated), Wixen Music Publishing, Inc. and Wixen Music UK Ltd.
2:34
12You Left the Water Running
recording of:
You Left the Water Running
writer:
Oscar Franck, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner Chappell Music Ltd. (1996–2019)
2:37
13Mustang Sally
recorded in:
Muscle Shoals, Alabama, United States (on 1966-10-13)
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:07
14Three Time Loser
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
recording of:
Three Time Loser (from 1966-10-13 until 1966-10-14)
writer:
Don Covay and Ron Miller (US songwriter Ronald Alonzo Miller)
publisher:
Pronto Music (publisher) and Warner/Chappell Music Scandinavia AB
2:24
15Ooh Poo Pah Doo
recording of:
Ooh Poo Pah Doo
lyricist and composer:
Jessie Hill (US R&B/Louisiana blues singer)
2:41
16Up Tight Good Woman
recording of:
Up Tight Good Woman
writer:
Spooner Oldham and Dan Penn (songwriter, soul singer)
publisher:
Warner Chappell Music Ltd. (1996–2019)
2:33
17Time Is on My Side
recording of:
Time Is on My Side
additional lyricist:
Jimmy Norman
composer:
Norman Meade
publisher:
Rittenhouse Music Corp., TRO Essex Music Ltd. and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
version of:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
2:39
18Knock on Wood
recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
adaptations:
Potkraj na les
2:43
19Love Is a Beautiful Thing
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
cover recording of:
Love Is a Beautiful Thing (from 1967-02-01 until 1967-02-04)
composer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
2:20
20Soul Dance Number Three
recording of:
Soul Dance Number Three
writer:
Wilson Pickett and Jerry Wexler
publisher:
Erva Music Publishing (BMI) and Pronto Music (publisher)
2:43
21Funky Broadway
recording of:
Funky Broadway
lyricist and composer:
Arlester “Dyke” Christian
publisher:
Drive-In Music Co. and Embassy Music Corporation
2:39
22Mojo Mama
2:02
23I Found a Love, Part 1
recording of:
I Found a Love
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
2:35
24I Found a Love, Part 2
recording of:
I Found a Love
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
3:05
25I Found the One
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
recording of:
I Found the One
lyricist and composer:
Bobby Womack
2:33
26You Can’t Stand Alone
recording of:
You Can't Stand Alone
writer:
Rudy Clark (US songwriter)
publisher:
Alley Music (BMI affiliated publisher) and Trio Music (publisher)
2:53
27I’m Sorry About That
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
3:07
28Something Within Me
3:43
29We’ve Got to Have Love
2:08
30She’s Lookin’ Good
recording of:
She’s Looking Good
writer:
Justin Dickens
composer:
Rodger Collins
publisher:
Veytig Music
2:24
3▼CD
#TitleRatingLength
1I’ve Come a Long Way
recording of:
I’ve Come a Long Way
lyricist and composer:
Bobby Womack
publisher:
Cotillion Music Inc. (BMI) and Tracebob Music Co.
3:13
2I’m in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) and Tracebob Music Co.
2:33
3Jealous Love
recording of:
Jealous Love
writer:
King Curtis (saxophonist) and Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cotillion Music Inc. (BMI), Tracebob Music Co. and Warner/Chappell Music Ltd. (1996–2019)
2:48
4Don’t Cry No More
2:16
5That Kind of Love
2:20
6Bring It on Home to Me
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
cover recording of:
Bring It On Home to Me (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
3:09
7Stagger Lee
cover recording of:
Stagger Lee (Lloyd Price version)
writer:
Harold Logan and Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) and Travis Music Co.
version of:
Stagger Lee (“Stackolee” etc., traditional)
2:22
8Hello Sunshine
recording of:
Hello Sunshine
writer:
King Curtis (saxophonist) and Ron Miller (Motown songwriter Ronald Norman Miller)
2:34
9Deborah
3:09
10Down by the Sea
recorded in:
New York, New York, United States (on 1968-01-04)
producer:
Nesuhi Ertegun
baritone saxophone:
Joe Grimaldi (on 1968-01-04)
bass [electric bass]:
Jerry Jemmott (on 1968-01-04)
drums (drum set):
Bernard Purdie (on 1968-01-04)
guitar:
Carl Lynch (on 1968-01-04) and Ronald Miller (on 1968-01-04)
keyboard [piano, organ]:
Arif Mardin (on 1968-01-04)
tenor saxophone:
King Curtis (saxophonist) (on 1968-01-04)
trumpet:
Melvin Lastie (on 1968-01-04) and Joe Newman (US jazz trumpeter) (on 1968-01-04)
vocals:
Wilson Pickett (on 1968-01-04)
arranger:
Arif Mardin
2:57
11I Found a True Love
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I Found a True Love (on 1968-03-04)
writer:
Bobby Womack and Reggie Young (guitarist and songwriter)
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Tracebob Music Co.
2:25
12Remember, I Been Good to You
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
3:00
13Let’s Get an Understanding
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
2:12
14I’m a Midnight Mover
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recording of:
I’m a Midnight Mover (on 1968-03-04)
writer:
Wilson Pickett and Bobby Womack
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Tracebob Music Co.
2:26
15Trust Me
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
3:12
16It’s a Groove
recorded in:
Memphis, Tennessee, United States (on 1968-03-04)
producer:
Tom Dowd
vocals:
Wilson Pickett (on 1968-03-04)
arranger:
Tom Dowd
2:52
17A Man and a Half
recorded in:
Memphis, Tennessee, United States (on 1968-09-19)
bass [electric bass]:
Jerry Jemmott (on 1968-09-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-09-19)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968) and Duane Allman (on 1968-09-19)
piano:
Barry Beckett (on 1968-09-19)
tenor saxophone:
Andrew Love (on 1968-09-19) and James Mitchell (US saxophonist/arranger) (on 1968-09-19)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-09-19)
vocals:
Wilson Pickett (on 1968-09-19)
conductor:
Tom Dowd (on 1968-09-19)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-09-19)
recording of:
A Man and a Half (on 1968-09-19)
writer:
Larry Chambers, George Jackson (US soul songwriter/vocalist), Melvin Leakes and Raymond Moore (US songwriter)
publisher:
Screen Gems-EMI
2:51
18Woman Likes to Hear That
2:54
19Night Owl
2:23
20Sit Down and Talk This Over
2:21
21People Make the World
2:49
22Hey Jude
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-11-27)
electric bass guitar [electric bass]:
Jerry Jemmott (on 1968-11-27)
electric guitar:
Duane Allman (on 1968-11-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-11-27)
piano:
Barry Beckett (on 1968-11-27)
saxophone:
Floyd Newman (on 1968-11-27)
tenor saxophone:
Andrew Love (on 1968-11-27) and James Mitchell (US saxophonist/arranger) (on 1968-11-27)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-11-27)
lead vocals:
Wilson Pickett (on 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-27)
cover recording of:
Hey Jude (on 1968-11-27)
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
4:09
23Search Your Heart
2:46
24Mini‐Skirt Minnie
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
recording of:
Mini-Skirt Minnie (on 1968-12-03)
writer:
Earl Cage (American songwriter, producer and arranger), Lindell Hill and George Jackson (US soul songwriter/vocalist)
publisher:
New Research Publishing
3:00
25Back in Your Arms
2:57
26Save Me
recording of:
Save Me
writer:
Dan Greer (Southern soul singer-songwriter, 60s/70s) and George Jackson (US soul songwriter/vocalist)
2:37
27Toe Hold
recording of:
Toe Hold
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Irving Music (BMI)
2:49
28My Own Style of Loving
recording of:
My Own Style of Loving
writer:
George Jackson (US soul songwriter/vocalist), Melvin Leakes and Raymond Moore (US songwriter)
2:40
4▶CD
5▶CD
6▶CD

Credits

Release

art direction:Jeff Lyons (Art director/designer)
additional producer:Bill Inglot (archival music producer/remastering engineer)
producer:Bill Dahl
Michael Johnson (UK recording engineer and producer)
assistant mastering:Ryan Powell (Ryan Powell, American dnb producer)
Mike Wilson (recording engineer)
mastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
mastered at:DigiPrep in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/3845785 [info]