Jazz Piano - Verve 50 (Digital download)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Autumn Leaves
recording engineer:
Ray Hall (engineer) (from 1969-01-30 until 1969-03-11)
producer:
Helen Keane
bass:
Eddie Gomez (jazz double bassist) (from 1969-01-30 until 1969-03-11)
flute:
Jeremy Steig (from 1969-01-30 until 1969-03-11)
piano:
Bill Evans (pianist) (from 1969-01-30 until 1969-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1969-01-30 until 1969-03-11)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (from 1969-01-30 until 1969-03-11)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Bill Evans & Jeremy Steig6:14
2I've Got You Under My Skin
Oscar Peterson2:48
3'Round Midnight (Album Version)
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk6:39
4Death and the Flower (Alternate Take)
bass:
Charlie Haden (American jazz bassist) (on 1974-02-27)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1974-02-27)
percussion:
Guilherme Franco (on 1974-02-27), Danny Johnson (American guitarist/vocalist/songwriter) (on 1974-02-27) and Paul Motian (US jazz drummer, percussionist & composer) (on 1974-02-27)
percussion [Osi Drum], piano and soprano saxophone:
Keith Jarrett (pianist) (on 1974-02-27)
tambourine and tenor saxophone:
Dewey Redman (American saxophonist) (on 1974-02-27)
recorded at:
Generation Sound Studios in New York, New York, United States (on 1974-02-27)
Keith Jarrett0.510:02
5Gran Torino
recording of:
Gran Torino
composer:
Jamie Cullum (pianist, jazz‐pop artist)
Jamie Cullum4:31
6Bird Song
assistant engineer:
Wally Buck
engineer:
Baker Bigsby
producer:
Ed Michel
bass:
Keter Betts (on 1978-01-30)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1978-01-30)
piano:
Tommy Flanagan (on 1978-01-30)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (on 1978-01-30)
Tommy Flanagan4:47
7Can't We Be Friends
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Can’t We Be Friends? (on 1953-12-28)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
Art Tatum3:44
8Every Step of the Way
bass:
Neil Stubenhaus
guitar:
Russ Freeman (jazz guitarist) and Michael Landau
keyboard:
Randy Waldman
percussion:
Mike Fisher (percussionist)
piano:
David Benoit
arranger:
David Benoit and Russ Freeman (jazz guitarist)
David Benoit4:02
9You Won't Let Me Go
recording engineer:
Rudy van Gelder (on 1957-03-07)
producer:
Bob Weinstock
bass:
Taylor La Fargue (on 1957-03-07)
drums (drum set):
Frank Isola (on 1957-03-07)
piano:
Mose Allison (on 1957-03-07)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-07)
recording of:
You Won’t Let Me Go
writer:
Bud Allen and Buddy Johnson
Mose Allison3:42
10Caravan
Dave Grusin6:14
11Dancing in the Street (Live at Basin Street West)
recorded at:
Basin Street West in San Francisco, California, United States (in 1967)
The Ramsey Lewis Trio5:00
12Still Life, Still Life (Live at The Village Vanguard, 1973)
recording engineer:
Tony May (engineer) (on 1973-02-24)
producer:
Ed Michael (task: Original recording and reissue)
mixer:
Wally Buck (in 1999)
editor:
Woody DeMarco (Assembly & Editing) (in 1999)
compiler:
Woody DeMarco (Assembly & Editing)
double bass [bass]:
Charlie Haden (American jazz bassist) (on 1973-02-24)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1973-02-24)
percussion:
Keith Jarrett (pianist) (on 1973-02-24), Danny Johnson (American guitarist/vocalist/songwriter) (on 1973-02-24), Paul Motian (US jazz drummer, percussionist & composer) (on 1973-02-24) and Dewey Redman (American saxophonist) (on 1973-02-24)
piano:
Keith Jarrett (pianist) (on 1973-02-24)
tenor saxophone:
Dewey Redman (American saxophonist) (on 1973-02-24)
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1973-02-24)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (in 1999)
edited at:
Hilltop Recording (Sound Studio) in Hawaii, United States (in 1999)
live recording of:
Still Life, Still Life (on 1973-02-24)
composer:
Keith Jarrett (pianist)
Keith Jarrett18:38
13Tea for Two
instrumental recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Bud Powell3:45
14Dog Heaven
Dave Grusin & Don Grusin4:52
15Portrait of Jenny
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
instrumental recording of:
Portrait of Jennie (on 1964-03-19)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
The Wynton Kelly Trio4:37
16Linus and Lucy
producer:
Vince Guaraldi (pianist) and Nick Phillips (US jazz trumpeter/composer/producer)
double bass [bass]:
Monty Budwig (on 1964-10-26)
drums (drum set):
Colin Bailey (drummer) (on 1964-10-26)
piano:
Vince Guaraldi (pianist) (on 1964-10-26)
recorded at:
Whitney Recording Studios in Glendale, California, United States (on 1964-10-26)
part of:
Billboard Hot 100: 2026-01-03 (number: 47)
recording of:
Linus and Lucy (on 1964-10-26)
composer:
Vince Guaraldi (pianist)
publisher:
Lee Mendelson Film Productions, Inc. (publishing – affiliated to BMI)
Vince Guaraldi Trio43:03
17East of the Sun (And West of the Moon)
producer:
Leroy Lovett
double bass:
George Duvivier (on 1955-04-27)
drums (drum set):
Art Taylor (on 1955-04-27)
piano:
Bud Powell (on 1955-04-27)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-04-27)
instrumental recording of:
East of the Sun (and West of the Moon) (on 1955-04-27)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
Bud Powell3:56
18The Hippest Cat in Hollywood
recording engineer:
Joe Ferla (from 1996-02-29 until 1996-03-01)
mixer:
John Hendrickson (Music engineer, mixer) (from 1996-03-11 until 1996-03-12) and Al Schmitt (from 1996-03-11 until 1996-03-12)
baritone saxophone:
Ronnie Cuber (from 1996-02-29 until 1996-03-01)
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1996-02-29 until 1996-03-01)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1996-02-29 until 1996-03-01)
flugelhorn and trumpet:
Claudio Roditi (from 1996-02-29 until 1996-03-01)
piano:
Horace Silver (from 1996-02-29 until 1996-03-01)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (from 1996-02-29 until 1996-03-01)
trombone:
Steve Turre (from 1996-02-29 until 1996-03-01)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1996-02-29 until 1996-03-01)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States (from 1996-03-11 until 1996-03-12)
Horace Silver6:42
19Celia
recording of:
Celia
composer:
Bud Powell
Kenny Kirkland6:49
20Someday My Prince Will Come
instrumental cover recording of:
Someday My Prince Will Come
lyricist:
Larry Morey (American lyricist, 1905–1971)
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Bill Evans5:32
21Freedom at Midnight
David Benoit4:11
22How Insensitive
George Shearing3:12
23I Got Rhythm
Teddy Wilson3:33
24If You Could See Me Now (Liv at The Village Vanguard, 1967)
engineer:
Phil Ramone
producer:
Helen Keane
mixer and editor:
Frank Laico
bass:
Eddie Gomez (jazz double bassist) (on 1967-08-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1967-08-17)
piano:
Bill Evans (pianist) (on 1967-08-17)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1967-08-17)
live instrumental cover recording of:
If You Could See Me Now (jazz standard) (on 1967-08-17)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Bill Evans3:37
25Les Fleurs
Ramsey Lewis5:09
26Light as a Feather
recording of:
Light as a Feather
lyricist:
Flora Purim
composer:
Stanley Clarke
publisher:
Clarkee Music (in 1972)
Chick Corea & Return to Forever10:56
27Please Send Me Someone to Love
recording engineer:
Rudy van Gelder (on 1957-03-22)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-03-22)
drums (drum set):
Art Taylor (on 1957-03-22)
piano:
Red Garland (on 1957-03-22)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-03-22)
instrumental recording of:
Please Send Me Someone to Love (on 1957-03-22)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
Red Garland9:48
28La Vie En Rose
double bass [bass]:
Guy Pedersen
drums (drum set):
Gus Wailez
piano:
Michel Legrand
instrumental recording of:
La Vie en rose (French original)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi) and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Michel Legrand3:07
29Moving Up
engineer:
Bob Simpson (US jazz engineer/producer) (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (Cuban conga and bongo player) (on 1964-03-19)
double bass:
Paul Chambers (US jazz bassist) (on 1964-03-19)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
The Wynton Kelly Trio3:55
30Fingerbreaker
producer:
Chris Sayers (producer)
piano:
Morten Gunnar Larsen (Jazz pianist)
recording of:
Fingerbreaker
composer:
Jelly Roll Morton
Morten Gunnar Larsen2:55
31Jambangle
recording engineer:
Rudy van Gelder (on 1957-10-10)
producer:
Bob Weinstock
alto saxophone:
Zeke Tolin (on 1957-10-10)
bass:
Paul Chambers (US jazz bassist) (on 1957-10-10)
bassoon:
Dave Kurtzer (on 1957-10-10)
drums (drum set):
Nick Stabulas (on 1957-10-10)
French horn:
Willie Ruff (on 1957-10-10)
piano:
Gil Evans (Canadian‐American jazz pianist and composer) (on 1957-10-10)
saxophone:
Lee Konitz (jazz saxophonist) (on 1957-10-10) and Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1957-10-10)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1957-10-10) and Bart Varsalona (on 1957-10-10)
trumpet:
Jake Koven (on 1957-10-10) and Louis R. Mucci (trumpetist) (on 1957-10-10)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-10-10)
recording of:
Jambangle (on 1957-10-10)
composer:
Gil Evans (Canadian‐American jazz pianist and composer)
Gil Evans4:57
32Misty
live instrumental recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Erroll Garner2:48
33Day Danse
recorded in:
Burbank, California, United States (in 1976-10)
engineer:
Bernie Kirsh
producer:
Chick Corea (jazz pianist)
cello:
David Speltz (in 1976-10)
foot stomps [foot stomping, hand clapping] and piano:
Chick Corea (jazz pianist) (in 1976-10)
viola:
Carole Mukogawa (in 1976-10)
violin:
Connie Kupka (in 1976-10) and Barry Socher (American violinist, composer) (in 1976-10)
arranger:
Chick Corea (jazz pianist)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1976-10)
recording of:
Day Danse (in 1976-10)
composer:
Chick Corea (jazz pianist)
Chick Corea4:27
34These Are the Days
alto saxophone:
Alan Barnes (English jazz musician)
bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
percussion:
Francis Fuster
tenor saxophone:
Ben Castle
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2004)
recording of:
These Are the Days
lyricist and composer:
Ben Cullum
publisher:
Ben Cullum Music Ltd. and EMI Music Publishing (do not use as a release label!)
Jamie Cullum4.53:20
35Oblivion
recorded in:
New York, New York, United States (in 1951-02)
producer:
Norman Granz
piano:
Bud Powell (in 1951-02)
recording of:
Oblivion (in 1951-02)
composer:
Bud Powell
Bud Powell2:08
36Philley Millie
producer:
Horace Silver
bass:
John Webber (bass) (from 1998-12-17 until 1998-12-18)
drums (drum set):
Willie Jones III (from 1998-12-17 until 1998-12-18)
piano:
Horace Silver (from 1998-12-17 until 1998-12-18)
saxophone:
Jimmy Greene (from 1998-12-17 until 1998-12-18)
trumpet:
Ryan Kisor (from 1998-12-17 until 1998-12-18)
arranger:
Horace Silver
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1998-12-17 until 1998-12-18)
Horace Silver4:43
37Portraits of Fats Wallerr (Live at The Village Vanguard, 1965)
double bass:
George Tucker (bass) (on 1965-03-14)
drums (drum set):
Oliver Jackson (American jazz drummer) (on 1965-03-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1965-03-14)
tenor saxophone:
Coleman Hawkins (on 1965-03-14)
trumpet:
Roy Eldridge (on 1965-03-14)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1965-03-14)
live instrumental recording of:
Ain’t Misbehavin’ (on 1965-03-14)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
live instrumental recording of:
Honeysuckle Rose (on 1965-03-14)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
live recording of:
Jitterbug Waltz (on 1965-03-14)
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp.
live recording of:
Keepin’ Out of Mischief Now (on 1965-03-14)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
live instrumental recording of:
Squeeze Me (on 1965-03-14)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
live instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (on 1965-03-14)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Earl Hines12:47
38Passion Flower
assistant recording engineer:
Don Ranieri (from 1994-02-22 until 1994-02-23)
recording engineer:
Joe Marciano (from 1994-02-22 until 1994-02-23)
producer:
Joanne Klein
double bass [bass]:
Charlie Haden (American jazz bassist) (from 1994-02-22 until 1994-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1994-02-22 until 1994-02-23)
piano:
Kenny Barron (from 1994-02-22 until 1994-02-23)
recorded at:
Systems Two Recording Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, United States (from 1994-02-22 until 1994-02-23)
cover recording of:
Passion Flower (in 1994-02)
composer:
Billy Strayhorn
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Charlie Haden, Kenny Barron & Roy Haynes7:38
39Stella by Starlight
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
Stella by Starlight (on 1963-02-09)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Bill Evans4:53
40September Song
instrumental recording of:
Knickerbocker Holiday: September Song
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
Erroll Garner4:17
41The Heart Is a Lonely Hunter
synthesizer programming:
Ed Walsh (US synthesizer player & programmer)
bass:
Ron Carter (US jazz double-bassist)
piano and synthesizer:
Dave Grusin (American pianist and score composer)
arranger:
Dave Grusin (American pianist and score composer)
Dave Grusin6:10
42Stolen Moments
Ahmad Jamal6:27
43There Is No Greater Love
recorded in:
New York, New York, United States (on 1962-01-11)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-01-11)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-01-11)
piano:
McCoy Tyner (jazz pianist) (on 1962-01-11)
instrumental recording of:
There Is No Greater Love (on 1962-01-10)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
McCoy Tyner Trio6:17
44What's Your Story Morning Glory
piano:
Mary Lou Williams (American jazz pianist and composer) (on 1977-12-27)
recording of:
What's Your Story, Morning Glory? (on 1977-12-27)
lyricist:
Jack Lawrence (US songwriter)
composer:
Mary Lou Williams (American jazz pianist and composer)
publisher:
Advanced Music corp.
Mary Lou Williams3:59
45You Can Depend on Me
Earl Hines4:59
46Summer Me, Winter Me (from "The Picasso Summer")
assistant engineer:
Rodolphe Plisson
producer:
Clive Bennett (classical producer)
piano:
Michel Legrand (from 2000-10-25 until 2000-10-27)
recorded at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (from 2000-10-25 until 2000-10-27)
Michel Legrand4:36
47When Can I See You
Herbie Hancock6:14
48Slow but Sure
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1954-08-16)
double bass:
Eddie Jones (US jazz double bassist) (on 1954-08-16)
drums (drum set):
Gus Johnson (drums) (on 1954-08-16)
guitar:
Freddie Green (on 1954-08-16)
piano:
Count Basie (pianist) (on 1954-08-16)
reeds:
Marshall Royal (on 1954-08-16)
saxophone:
Ernie Wilkins (on 1954-08-16)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-08-16) and Frank Wess (on 1954-08-16)
trombone:
Henry Coker (jazz trombonist) (on 1954-08-16), Bill Hughes (jazz trombonist) (on 1954-08-16) and Benny Powell (jazz trombonist) (on 1954-08-16)
trumpet:
Wendell Culley (jazz trumpeter) (on 1954-08-16), Reunald Jones (on 1954-08-16), Thad Jones (American jazz trumpeter) (on 1954-08-16) and Joe Newman (US jazz trumpeter) (on 1954-08-16)
The Count Basie Orchestra3:43
49Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
The Oscar Peterson Trio4:50
50Satin Doll (Live)
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Duke Ellington3:04