Jazz Piano - Verve 50 (Digital download)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Autumn Leaves
recording engineer:
Ray Hall (engineer) (von 1969-01-30 bis 1969-03-11)
Produzent(in):
Helen Keane
Bass:
Eddie Gomez (jazz double bassist) (von 1969-01-30 bis 1969-03-11)
flute:
Jeremy Steig (von 1969-01-30 bis 1969-03-11)
Klavier:
Bill Evans (pianist) (von 1969-01-30 bis 1969-03-11)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (von 1969-01-30 bis 1969-03-11)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (von 1969-01-30 bis 1969-03-11)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Bill Evans & Jeremy Steig6:14
2I've Got You Under My Skin
Oscar Peterson2:48
3'Round Midnight (Album Version)
recording of:
’Round Midnight
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Thelonious Monk6:39
4Death and the Flower (Alternate Take)
Bass:
Charlie Haden (American jazz bassist) (am 1974-02-27)
Klavier, Perkussion [Osi Drum] und Sopransaxophon:
Keith Jarrett (pianist) (am 1974-02-27)
Perkussion:
Guilherme Franco (am 1974-02-27), Danny Johnson (American guitarist/vocalist/songwriter) (am 1974-02-27) und Paul Motian (US jazz drummer, percussionist & composer) (am 1974-02-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1974-02-27)
Tamburin und Tenorsaxophon:
Dewey Redman (American saxophonist) (am 1974-02-27)
aufgenommen bei:
Generation Sound Studios in New York, New York, Vereinigte Staaten (am 1974-02-27)
Keith Jarrett0.510:02
5Gran Torino
recording of:
Gran Torino
Komponist(in):
Jamie Cullum (pianist, jazz‐pop artist)
Jamie Cullum4:31
6Bird Song
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Baker Bigsby
Produzent(in):
Ed Michel
Bass:
Keter Betts (am 1978-01-30)
Klavier:
Tommy Flanagan (am 1978-01-30)
Schlagzeug:
Jimmie Smith (jazz drummer) (am 1978-01-30)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (am 1978-01-30)
Tommy Flanagan4:47
7Can't We Be Friends
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
Can’t We Be Friends? (am 1953-12-28)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros. Music Corp.
Art Tatum3:44
8Every Step of the Way
Bass:
Neil Stubenhaus
Gitarre:
Russ Freeman (jazz guitarist) und Michael Landau
Keyboard:
Randy Waldman
Klavier:
David Benoit
Perkussion:
Mike Fisher (percussionist)
arranger:
David Benoit und Russ Freeman (jazz guitarist)
David Benoit4:02
9You Won't Let Me Go
recording engineer:
Rudy van Gelder (am 1957-03-07)
Produzent(in):
Bob Weinstock
Bass:
Taylor La Fargue (am 1957-03-07)
Klavier:
Mose Allison (am 1957-03-07)
Schlagzeug:
Frank Isola (am 1957-03-07)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1957-03-07)
recording of:
You Won’t Let Me Go
Verfasser(in):
Bud Allen und Buddy Johnson
Mose Allison3:42
10Caravan
Dave Grusin6:14
11Dancing in the Street (Live at Basin Street West)
aufgenommen bei:
Basin Street West in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1967)
The Ramsey Lewis Trio5:00
12Still Life, Still Life (Live at The Village Vanguard, 1973)
recording engineer:
Tony May (engineer) (am 1973-02-24)
Produzent(in):
Ed Michael (Aufgabe: Original recording and reissue)
Mix:
Wally Buck (in 1999)
Editing:
Woody DeMarco (Assembly & Editing) (in 1999)
Zusammensteller:
Woody DeMarco (Assembly & Editing)
Klavier:
Keith Jarrett (pianist) (am 1973-02-24)
Kontrabass [bass]:
Charlie Haden (American jazz bassist) (am 1973-02-24)
Perkussion:
Keith Jarrett (pianist) (am 1973-02-24), Danny Johnson (American guitarist/vocalist/songwriter) (am 1973-02-24), Paul Motian (US jazz drummer, percussionist & composer) (am 1973-02-24) und Dewey Redman (American saxophonist) (am 1973-02-24)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1973-02-24)
Tenorsaxophon:
Dewey Redman (American saxophonist) (am 1973-02-24)
phonographisches Urheberrecht (℗) von:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1973-02-24)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (in 1999)
edited at:
Hilltop Recording (Sound Studio) in Hawaii, Vereinigte Staaten (in 1999)
live recording of:
Still Life, Still Life (am 1973-02-24)
Komponist(in):
Keith Jarrett (pianist)
Keith Jarrett18:38
13Tea for Two
instrumental recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
Bud Powell3:45
14Dog Heaven
Dave Grusin & Don Grusin4:52
15Portrait of Jenny
Techniker(in):
Bob Simpson (US jazz engineer/producer) (am 1964-03-19) und Val Valentin (am 1964-03-19)
Conga:
Cándido Camero (Cuban conga and bongo player) (am 1964-03-19)
Klavier:
Wynton Kelly (am 1964-03-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1964-03-19)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1964-03-19)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1964-03-19)
instrumental recording of:
Portrait of Jennie (am 1964-03-19)
Texter:
Gordon Burdge
Komponist(in):
J. Russel Robinson
The Wynton Kelly Trio4:37
16Linus and Lucy
Produzent(in):
Vince Guaraldi (pianist) und Nick Phillips (US jazz trumpeter/composer/producer)
Klavier:
Vince Guaraldi (pianist) (am 1964-10-26)
Kontrabass [bass]:
Monty Budwig (am 1964-10-26)
Schlagzeug:
Colin Bailey (drummer) (am 1964-10-26)
aufgenommen bei:
Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (am 1964-10-26)
Teil von:
Billboard Hot 100: 2026-01-03 (Nummer: 47)
recording of:
Linus and Lucy (am 1964-10-26)
Komponist(in):
Vince Guaraldi (pianist)
publisher:
Lee Mendelson Film Productions, Inc. (publishing – affiliated to BMI)
Vince Guaraldi Trio43:03
17East of the Sun (And West of the Moon)
Produzent(in):
Leroy Lovett
Klavier:
Bud Powell (am 1955-04-27)
Kontrabass:
George Duvivier (am 1955-04-27)
Schlagzeug:
Art Taylor (am 1955-04-27)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1955-04-27)
instrumental recording of:
East of the Sun (and West of the Moon) (am 1955-04-27)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
Bud Powell3:56
18The Hippest Cat in Hollywood
recording engineer:
Joe Ferla (von 1996-02-29 bis 1996-03-01)
Mix:
John Hendrickson (Music engineer, mixer) (von 1996-03-11 bis 1996-03-12) und Al Schmitt (von 1996-03-11 bis 1996-03-12)
baritone saxophone:
Ronnie Cuber (von 1996-02-29 bis 1996-03-01)
Flügelhorn und Trompete:
Claudio Roditi (von 1996-02-29 bis 1996-03-01)
Klavier:
Horace Silver (von 1996-02-29 bis 1996-03-01)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (von 1996-02-29 bis 1996-03-01)
Posaune:
Steve Turre (von 1996-02-29 bis 1996-03-01)
Schlagzeug:
Lewis Nash (American jazz drummer) (von 1996-02-29 bis 1996-03-01)
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (von 1996-02-29 bis 1996-03-01)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1996-02-29 bis 1996-03-01)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1996-03-11 bis 1996-03-12)
Horace Silver6:42
19Celia
recording of:
Celia
Komponist(in):
Bud Powell
Kenny Kirkland6:49
20Someday My Prince Will Come
instrumental cover recording of:
Someday My Prince Will Come
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Bill Evans5:32
21Freedom at Midnight
David Benoit4:11
22How Insensitive
George Shearing3:12
23I Got Rhythm
Teddy Wilson3:33
24If You Could See Me Now (Liv at The Village Vanguard, 1967)
Techniker(in):
Phil Ramone
Produzent(in):
Helen Keane
Mix und Editing:
Frank Laico
Bass:
Eddie Gomez (jazz double bassist) (am 1967-08-17)
Klavier:
Bill Evans (pianist) (am 1967-08-17)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1967-08-17)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1967-08-17)
live instrumental cover recording of:
If You Could See Me Now (jazz standard) (am 1967-08-17)
Texter:
Carl Sigman (in 1946)
Komponist(in):
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Bill Evans3:37
25Les Fleurs
Ramsey Lewis5:09
26Light as a Feather
recording of:
Light as a Feather
Texter:
Flora Purim
Komponist(in):
Stanley Clarke
publisher:
Clarkee Music (in 1972)
Chick Corea & Return to Forever10:56
27Please Send Me Someone to Love
recording engineer:
Rudy van Gelder (am 1957-03-22)
Klavier:
Red Garland (am 1957-03-22)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1957-03-22)
Schlagzeug:
Art Taylor (am 1957-03-22)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1957-03-22)
instrumental recording of:
Please Send Me Someone to Love (am 1957-03-22)
Texter und Komponist(in):
Percy Mayfield (bis 1950)
publisher:
ATV Music
Red Garland9:48
28La Vie En Rose
Klavier:
Michel Legrand
Kontrabass [bass]:
Guy Pedersen
Schlagzeug:
Gus Wailez
instrumental recording of:
La Vie en rose (French original)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi) und Édith Piaf
publisher:
Éditions Beuscher Arpège und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Michel Legrand3:07
29Moving Up
Techniker(in):
Bob Simpson (US jazz engineer/producer) (am 1964-03-19) und Val Valentin (am 1964-03-19)
Conga:
Cándido Camero (Cuban conga and bongo player) (am 1964-03-19)
Gitarre:
Kenny Burrell (am 1964-03-19)
Klavier:
Wynton Kelly (am 1964-03-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1964-03-19)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1964-03-19)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1964-03-19)
The Wynton Kelly Trio3:55
30Fingerbreaker
Produzent(in):
Chris Sayers (producer)
Klavier:
Morten Gunnar Larsen (Jazz pianist)
recording of:
Fingerbreaker
Komponist(in):
Jelly Roll Morton
Morten Gunnar Larsen2:55
31Jambangle
recording engineer:
Rudy van Gelder (am 1957-10-10)
Produzent(in):
Bob Weinstock
alto saxophone:
Zeke Tolin (am 1957-10-10)
Bass:
Paul Chambers (US jazz bassist) (am 1957-10-10)
Fagott:
Dave Kurtzer (am 1957-10-10)
Klavier:
Gil Evans (Canadian‐American jazz pianist and composer) (am 1957-10-10)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1957-10-10) und Bart Varsalona (am 1957-10-10)
Saxophon:
Lee Konitz (jazz saxophonist) (am 1957-10-10) und Steve Lacy (jazz saxophonist and composer 1934–2004) (am 1957-10-10)
Schlagzeug:
Nick Stabulas (am 1957-10-10)
Trompete:
Jake Koven (am 1957-10-10) und Louis R. Mucci (trumpetist) (am 1957-10-10)
Waldhorn:
Willie Ruff (am 1957-10-10)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1957-10-10)
recording of:
Jambangle (am 1957-10-10)
Komponist(in):
Gil Evans (Canadian‐American jazz pianist and composer)
Gil Evans4:57
32Misty
live instrumental recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Erroll Garner2:48
33Day Danse
recorded in:
Burbank, California (Kalifornien), Vereinigte Staaten (in 1976-10)
Techniker(in):
Bernie Kirsh
Produzent(in):
Chick Corea (jazz pianist)
Bratsche / Viola:
Carole Mukogawa (in 1976-10)
Cello:
David Speltz (in 1976-10)
foot stomps [foot stomping, hand clapping] und Klavier:
Chick Corea (jazz pianist) (in 1976-10)
Geige / Violine:
Connie Kupka (in 1976-10) und Barry Socher (American violinist, composer) (in 1976-10)
arranger:
Chick Corea (jazz pianist)
aufgenommen bei:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (in 1976-10)
recording of:
Day Danse (in 1976-10)
Komponist(in):
Chick Corea (jazz pianist)
Chick Corea4:27
34These Are the Days
alto saxophone:
Alan Barnes (English jazz musician)
Bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
Perkussion:
Francis Fuster
Tenorsaxophon:
Ben Castle
Horn und Saiteninstrumente arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2004)
recording of:
These Are the Days
Texter und Komponist(in):
Ben Cullum
publisher:
Ben Cullum Music Ltd. und EMI Music Publishing (do not use as a release label!)
Jamie Cullum4.53:20
35Oblivion
recorded in:
New York, New York, Vereinigte Staaten (in 1951-02)
Produzent(in):
Norman Granz
Klavier:
Bud Powell (in 1951-02)
recording of:
Oblivion (in 1951-02)
Komponist(in):
Bud Powell
Bud Powell2:08
36Philley Millie
Produzent(in):
Horace Silver
Bass:
John Webber (bass) (von 1998-12-17 bis 1998-12-18)
Klavier:
Horace Silver (von 1998-12-17 bis 1998-12-18)
Saxophon:
Jimmy Greene (von 1998-12-17 bis 1998-12-18)
Schlagzeug:
Willie Jones III (von 1998-12-17 bis 1998-12-18)
Trompete:
Ryan Kisor (von 1998-12-17 bis 1998-12-18)
arranger:
Horace Silver
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1998-12-17 bis 1998-12-18)
Horace Silver4:43
37Portraits of Fats Wallerr (Live at The Village Vanguard, 1965)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1965-03-14)
Kontrabass:
George Tucker (bass) (am 1965-03-14)
Schlagzeug:
Oliver Jackson (American jazz drummer) (am 1965-03-14)
Tenorsaxophon:
Coleman Hawkins (am 1965-03-14)
Trompete:
Roy Eldridge (am 1965-03-14)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1965-03-14)
live instrumental recording of:
Ain’t Misbehavin’ (am 1965-03-14)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
live instrumental recording of:
Honeysuckle Rose (am 1965-03-14)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
live recording of:
Jitterbug Waltz (am 1965-03-14)
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp.
live recording of:
Keepin’ Out of Mischief Now (am 1965-03-14)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
live instrumental recording of:
Squeeze Me (am 1965-03-14)
Texter:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
Komponist(in):
Fats Waller
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
live instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (am 1965-03-14)
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Earl Hines12:47
38Passion Flower
Assistent recording engineer:
Don Ranieri (von 1994-02-22 bis 1994-02-23)
recording engineer:
Joe Marciano (von 1994-02-22 bis 1994-02-23)
Produzent(in):
Joanne Klein
Klavier:
Kenny Barron (von 1994-02-22 bis 1994-02-23)
Kontrabass [bass]:
Charlie Haden (American jazz bassist) (von 1994-02-22 bis 1994-02-23)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (von 1994-02-22 bis 1994-02-23)
aufgenommen bei:
Systems Two Recording Studio (old Brooklyn location, 1975–2018) in Brooklyn, New York, New York, Vereinigte Staaten (von 1994-02-22 bis 1994-02-23)
cover recording of:
Passion Flower (in 1994-02)
Komponist(in):
Billy Strayhorn
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Charlie Haden, Kenny Barron & Roy Haynes7:38
39Stella by Starlight
recording engineer:
Ray Hall (engineer) (am 1963-02-09)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1963-02-09)
instrumental recording of:
Stella by Starlight (am 1963-02-09)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Bill Evans4:53
40September Song
instrumental recording of:
Knickerbocker Holiday: September Song
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
Erroll Garner4:17
41The Heart Is a Lonely Hunter
Synthesizer-Programmierung:
Ed Walsh (US synthesizer player & programmer)
Bass:
Ron Carter (US jazz double-bassist)
Klavier und Synthesizer:
Dave Grusin (American pianist and score composer)
arranger:
Dave Grusin (American pianist and score composer)
Dave Grusin6:10
42Stolen Moments
Ahmad Jamal6:27
43There Is No Greater Love
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-11)
Klavier:
McCoy Tyner (jazz pianist) (am 1962-01-11)
Kontrabass [bass]:
Art Davis (US jazz double bassist) (am 1962-01-11)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1962-01-11)
instrumental recording of:
There Is No Greater Love (am 1962-01-10)
Texter:
Marty Symes (lyricist)
Komponist(in):
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) und World Music, Inc.
McCoy Tyner Trio6:17
44What's Your Story Morning Glory
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1977-12-27)
recording of:
What's Your Story, Morning Glory? (am 1977-12-27)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Mary Lou Williams (American jazz pianist and composer)
publisher:
Advanced Music corp.
Mary Lou Williams3:59
45You Can Depend on Me
Earl Hines4:59
46Summer Me, Winter Me (from "The Picasso Summer")
assistierende(r) Techniker(in):
Rodolphe Plisson
Produzent(in):
Clive Bennett (classical producer)
Klavier:
Michel Legrand (von 2000-10-25 bis 2000-10-27)
aufgenommen bei:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich (von 2000-10-25 bis 2000-10-27)
Michel Legrand4:36
47When Can I See You
Herbie Hancock6:14
48Slow but Sure
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1954-08-16)
Gitarre:
Freddie Green (am 1954-08-16)
Klavier:
Count Basie (pianist) (am 1954-08-16)
Kontrabass:
Eddie Jones (US jazz double bassist) (am 1954-08-16)
Posaune:
Henry Coker (jazz trombonist) (am 1954-08-16), Bill Hughes (jazz trombonist) (am 1954-08-16) und Benny Powell (jazz trombonist) (am 1954-08-16)
Rohrblattinstrumente:
Marshall Royal (am 1954-08-16)
Saxophon:
Ernie Wilkins (am 1954-08-16)
Schlagzeug:
Gus Johnson (drums) (am 1954-08-16)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1954-08-16) und Frank Wess (am 1954-08-16)
Trompete:
Wendell Culley (jazz trumpeter) (am 1954-08-16), Reunald Jones (am 1954-08-16), Thad Jones (American jazz trumpeter) (am 1954-08-16) und Joe Newman (US jazz trumpeter) (am 1954-08-16)
The Count Basie Orchestra3:43
49Night Train
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1962-12-15 bis 1962-12-16)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1962-12-15 bis 1962-12-16)
Kontrabass:
Ray Brown (jazz bassist) (von 1962-12-15 bis 1962-12-16)
Schlagzeug:
Ed Thigpen (von 1962-12-15 bis 1962-12-16)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (von 1962-12-15 bis 1962-12-16)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
The Oscar Peterson Trio4:50
50Satin Doll (Live)
recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
Duke Ellington3:04

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