Klassische Kostbarkeiten: Giuseppe Verdi (The difference to the other release are the different number of tracks.)

~ Veröffentlichung von Giuseppe Verdi (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Rigoletto: Vorspiel (1. Akt)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Rigoletto: N°1 Preludio
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Teil von:
Rigoletto
Teil von:
Rigoletto (german lyrics)
Teil von:
Rigoletto (english lyrics)
2:21
2Rigoletto: „Questa o’ quella“
Tenor-Gesang:
Peter Dvorský (tenor)
Orchester:
Radio-Sinfonieorchester Bratislava (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Ondrej Lenárd (conductor)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
1:52
3Rigoletto: „Gualtier Maldé, caro nome“
Soprangesang:
Lucia Popp (soprano)
Orchester:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
6:13
4Rigoletto: Chor der Höflinge „Zitti, zitti“
Chorgesang:
St. Petersburg Philharmonic Choir
Orchester:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Rigoletto: Atto I
1:27
5Rigoletto: „Scorrendo uniti remota via“
Chorgesang:
St. Petersburg Philharmonic Choir
Tenor-Gesang:
Juori Alexeev (tenor)
Orchester:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto II
2:12
6Rigoletto: „Cortigiani, vil razza dannata“
Baritongesang:
Eduard Tumagian (baritone)
Orchester:
Tschechoslowakisches Radio-Sinfonieorchester (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto II
4:15
7Rigoletto: „La donna è mobile“
Tenor-Gesang:
Peter Dvorský (tenor)
Orchester:
Radio-Sinfonieorchester Bratislava (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Ondrej Lenárd (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
1:57
8Rigoletto: „Bella figlia dell’amore“
Baritongesang:
Eduard Tumagian (baritone)
Orchester:
Tschechoslowakisches Radio-Sinfonieorchester (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
4:12
9Nabucco: Einzugschor der Hebräer „Gli arredi festivi giú cantano infranti“
Chorgesang:
Slowakischer Philharmonischer Chor (Slovak Philharmonic Choir)
Orchester:
Slowakisches Radio-Sinfonieorchester (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Oliver von Dohnányi (conductor)
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte I. Gerusalemme
5:52
10Nabucco: Gefangenenchor „Vá, pensiero sull’ali dorate“
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
4:54
11La traviata: Vorspiel (1. Akt)
Orchester:
Orquesta Sinfónica del Estado de México (Symphony Orchestra of the State of Mexico)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
La traviata: Preludio
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
La traviata
Teil von:
La traviata (english lyrics)
Teil von:
La traviata (french lyrics)
Teil von:
La Traviata (aka Violetta, german lyrics)
Teil von:
Violetta (La traviata) (german lyrics)
4:17
12La traviata: Trinklied „Libiamo ne’lieti calici“
Chorgesang:
St. Petersburg Philharmonic Choir
Soprangesang:
Valeria Stenkina (Russian soprano)
Orchester:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
3:11
13La traviata: „Sempre libera“
Soprangesang:
Monika Krause (soprano)
Orchester:
Tschechoslowakisches Radio-Sinfonieorchester (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
3:37
14La traviata: „Dammi tu forza, o cielo!“
Soprangesang:
Monika Krause (soprano)
Tenor-Gesang:
Yordy Ramiro (tenor)
Orchester:
Tschechoslowakisches Radio-Sinfonieorchester (Slowakisches Radio Symphonie Orchester Bratislava)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!” … “Che gli dirò?” … “Amami, Alfredo” (Violetta, Annina, Alfredo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
3:49
15La traviata: Chor der Zigeunerinnen „Noi siamo zingarelle“
Chorgesang:
St. Petersburg Philharmonic Choir
Soprangesang:
Valeria Stenkina (Russian soprano)
Orchester:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
4:13
16La traviata: Chor der Stierkämpfer „Di Madride noi siam mattadori“
vocals:
St. Petersburg Philharmonic Choir
Orchester:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
La traviata: Atto II, scena 2. “Di Madride noi siam mattadori” (Gastone, Mattadori, Coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
3:17
17La traviata: Vorspiel (3. Akt)
Orchester:
Orquesta Sinfónica del Estado de México (Symphony Orchestra of the State of Mexico)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
La traviata: Atto III. Preludio
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
La traviata: Act III (english version)
Teil von:
La Traviata: Akt III.
Teil von:
La traviata: Atto III (La traviata: Act III)
Teil von:
Violetta (La traviata) (german lyrics)
4:04
18Der Troubadour: Zigeunerchor „Vedi le fosche notturne“
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Leonard Slatkin (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
2:47
19Der Troubadour: Soldatenchor „Or co’dadi, ma fra poco“
Bass-Gesang:
Ewgeni Nickitin (Yevgeny Nikitin, Russian bass-baritone)
Chorgesang:
St. Petersburg Philharmonic Choir
Orchester:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
4:31
20Der Troubadour: Stretta des Manrico „Di quella pira“
Techniker(in):
Gábor Mocsáry
Produzent(in):
Will Humburg (conductor)
Tenor-Gesang:
Maurizio Frusoni (Italian tenor)
vocals:
Budapester Festivalchor
Orchester:
Ungarisches Staatsorchester (probably fictitious, or Alfred Scholz related) und Hungarian State Opera Orchestra (Orchester der Ungarischen Staatsoper, Hungarian State Opera Orchestra) (von 1994-10-03 bis 1994-10-16)
conductor:
Will Humburg (conductor) (von 1994-10-03 bis 1994-10-16)
recorded by:
Alpha-Line Studio (Budapest recording facility)
aufgenommen bei:
Italian Institute (Italian Institute of Culture) in Budapest, Ungarn (von 1994-10-03 bis 1994-10-16)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (von 1994-10-03 bis 1994-10-16)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
3:13
21Simon Boccanegra: „A te l’estremo addio“ … „Il lacerato spirito“
Bass-Gesang:
Peter Mikuláš (operatic bass)
Chorgesang:
BRTN Philharmonic Choir (Flemish Radio Choir, Flemish Radio Choir)
Orchester:
BRTN Philharmonic Orchestra Brussels (Brussels Philharmonic)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
chorus master:
Vic Nees (Belgian conductor & composer)
recording of:
Simon Boccanegra: Prologo. “A te l'estremo addio” (Fiesco, coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Simon Boccanegra: Prologo
recording of:
Simon Boccanegra: Prologo. “Il lacerato spirito” (Fiesco)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Simon Boccanegra: Prologo
5:34
3▶CD

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