Klassische Kostbarkeiten: Giuseppe Verdi (The difference to the other release are the different number of tracks.)

~ Release by Giuseppe Verdi (see all versions of this release, 2 available)

Tracklist

1CD
2CD
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1Rigoletto: Vorspiel (1. Akt)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
recording of:
Rigoletto: N°1 Preludio
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
part of:
Rigoletto
part of:
Rigoletto (german lyrics)
part of:
Rigoletto (english lyrics)
2:21
2Rigoletto: „Questa o’ quella“
tenor vocals:
Peter Dvorský (tenor)
orchestra:
Radio-Sinfonieorchester Bratislava (Slovak Radio Symphony Orchestra)
conductor:
Ondrej Lenárd (conductor)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
1:52
3Rigoletto: „Gualtier Maldé, caro nome“
soprano vocals:
Lucia Popp (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
6:13
4Rigoletto: Chor der Höflinge „Zitti, zitti“1:27
5Rigoletto: „Scorrendo uniti remota via“
choir vocals:
St. Petersburg Philharmonic Choir
tenor vocals:
Juori Alexeev (tenor)
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:12
6Rigoletto: „Cortigiani, vil razza dannata“
baritone vocals:
Eduard Tumagian (baritone)
orchestra:
Tschechoslowakisches Radio-Sinfonieorchester (Slovak Radio Symphony Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
4:15
7Rigoletto: „La donna è mobile“
tenor vocals:
Peter Dvorský (tenor)
orchestra:
Radio-Sinfonieorchester Bratislava (Slovak Radio Symphony Orchestra)
conductor:
Ondrej Lenárd (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
1:57
8Rigoletto: „Bella figlia dell’amore“
baritone vocals:
Eduard Tumagian (baritone)
orchestra:
Tschechoslowakisches Radio-Sinfonieorchester (Slovak Radio Symphony Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:12
9Nabucco: Einzugschor der Hebräer „Gli arredi festivi giú cantano infranti“
choir vocals:
Slowakischer Philharmonischer Chor (Slovak Philharmonic Choir)
orchestra:
Slowakisches Radio-Sinfonieorchester (Slovak Radio Symphony Orchestra)
conductor:
Oliver von Dohnányi (conductor)
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
5:52
10Nabucco: Gefangenenchor „Vá, pensiero sull’ali dorate“
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
4:54
11La traviata: Vorspiel (1. Akt)
orchestra:
Orquesta Sinfónica del Estado de México (Symphony Orchestra of the State of Mexico)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
4:17
12La traviata: Trinklied „Libiamo ne’lieti calici“
choir vocals:
St. Petersburg Philharmonic Choir
soprano vocals:
Valeria Stenkina (Russian soprano)
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:11
13La traviata: „Sempre libera“
soprano vocals:
Monika Krause (soprano)
orchestra:
Tschechoslowakisches Radio-Sinfonieorchester (Slovak Radio Symphony Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:37
14La traviata: „Dammi tu forza, o cielo!“
soprano vocals:
Monika Krause (soprano)
tenor vocals:
Yordy Ramiro (tenor)
orchestra:
Tschechoslowakisches Radio-Sinfonieorchester (Slovak Radio Symphony Orchestra)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
recording of:
La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!” … “Che gli dirò?” … “Amami, Alfredo” (Violetta, Annina, Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
3:49
15La traviata: Chor der Zigeunerinnen „Noi siamo zingarelle“
choir vocals:
St. Petersburg Philharmonic Choir
soprano vocals:
Valeria Stenkina (Russian soprano)
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
4:13
16La traviata: Chor der Stierkämpfer „Di Madride noi siam mattadori“3:17
17La traviata: Vorspiel (3. Akt)
orchestra:
Orquesta Sinfónica del Estado de México (Symphony Orchestra of the State of Mexico)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
La traviata: Atto III. Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
4:04
18Der Troubadour: Zigeunerchor „Vedi le fosche notturne“
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Leonard Slatkin (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:47
19Der Troubadour: Soldatenchor „Or co’dadi, ma fra poco“
bass vocals:
Ewgeni Nickitin (Yevgeny Nikitin, Russian bass-baritone)
choir vocals:
St. Petersburg Philharmonic Choir
orchestra:
St. Petersburg Symphony Orchestra
conductor:
Sergei Kalaguin (Russian conductor)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
4:31
20Der Troubadour: Stretta des Manrico „Di quella pira“
engineer:
Gábor Mocsáry
producer:
Will Humburg (conductor)
tenor vocals:
Maurizio Frusoni (Italian tenor)
vocals:
Budapester Festivalchor
orchestra:
Ungarisches Staatsorchester (probably fictitious, or Alfred Scholz related) and Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) (from 1994-10-03 until 1994-10-16)
conductor:
Will Humburg (conductor) (from 1994-10-03 until 1994-10-16)
recorded by:
Alpha-Line Studio (Budapest recording facility)
recorded at:
Italian Institute (Italian Institute of Culture) in Budapest, Hungary (from 1994-10-03 until 1994-10-16)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (from 1994-10-03 until 1994-10-16)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:13
21Simon Boccanegra: „A te l’estremo addio“ … „Il lacerato spirito“
bass vocals:
Peter Mikuláš (operatic bass)
choir vocals:
BRTN Philharmonic Choir (Flemish Radio Choir, Flemish Radio Choir)
orchestra:
BRTN Philharmonic Orchestra Brussels (Brussels Philharmonic)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
chorus master:
Vic Nees (Belgian conductor & composer)
recording of:
Simon Boccanegra: Prologo. “A te l'estremo addio” (Fiesco, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
recording of:
Simon Boccanegra: Prologo. “Il lacerato spirito” (Fiesco)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
5:34
3CD