Oper auf Deutsch – legendäre Opernquerschnitte

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Carmen (Querschnitt)
2CD: Tiefland (Querschnitt)
3CD: Cavalleria rusticana / Der Bajazzo (Querschnitte)
4CD: Zar und Zimmermann (Querschnitt)
5CD: Die Hochzeit des Figaro (Querschnitt)
6CD: Hoffmanns Erzählungen (Querschnitt)
7CD: La Bohème (Querschnitt)
8CD: Der Barbier von Sevilla (Querschnitt)
9CD: Eugen Onegin (Querschnitt)
10CD: Mignon (Querschnitt)
11CD: Aida (Querschnitt)
12CD: Die Macht des Schicksals (Querschnitt)
13CD: La Traviata (Querschnitt)
14CD: Nabucco (Querschnitt)
15CD: Rigoletto (Querschnitt)
#TitleArtistRatingLength
1Rigoletto: I. Akt. Vorspiel
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: N°1 Preludio (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
part of:
Rigoletto
part of:
Rigoletto (german lyrics)
part of:
Rigoletto (english lyrics)
Giuseppe Verdi2:19
2Rigoletto: I. Akt. Ballade „Freundlich blick ich auf diese und jene“ (Herzog)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
tenor vocals [Herzog]:
Ernst Kozub (tenor) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 1. Akt. Ballade „Freundlich blick ich auf diese und jene“ (Herzog) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
part of:
Rigoletto: 1. Akt
Giuseppe Verdi1:46
3Rigoletto: I. Akt. Duett „Gleich sind wir beide“ (Rigoletto, Gilda)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-04)
soprano vocals [Gilda]:
Gisela Vivarelli (soprano) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 1. Akt. „Tochter! – Mein Vater!“ / „Sprich nie mit einem Armen“ / „Ach, welch schwerer Gram – O, sag mir“ (Rigoletto, Gilda) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda)
part of:
Rigoletto: 1. Akt
recording of:
Rigoletto: 1. Akt. Duett „Gleich sind wir beide“ – „Ach! Wache sorglich“ (Rigoletto, Gilda) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto I, scena 2. N°4 Aria “Pari siamo!” (Rigoletto)
part of:
Rigoletto: 1. Akt
Giuseppe Verdi9:06
4Rigoletto: I. Akt. Duett „Liebe ist Seligkeit“ (Herzog, Gilda, Giovanna)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
alto vocals [Giovanna]:
Hildegard Rüttgers (alto) (in 1962-04)
soprano vocals [Gilda]:
Gisela Vivarelli (soprano) (in 1962-04)
tenor vocals [Herzog]:
Ernst Kozub (tenor) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 1. Akt. Duett „Liebe ist Seligkeit, ist Licht und Leben“ (Herzog, Gilda, Giovanna) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna)
part of:
Rigoletto: 1. Akt
Giuseppe Verdi4:32
5Rigoletto: I. Akt. Arie „Gualtier Maldé…“ – „Teurer Name, dessen Klang…“ (Gilda)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
soprano vocals [Gilda]:
Gisela Vivarelli (soprano) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 1. Akt. Arie „Gualtier Maldé…“ – „Teurer Name, dessen Klang…“ (Gilda) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
part of:
Rigoletto: 1. Akt
Giuseppe Verdi5:15
6Rigoletto: I. Akt. „Stille, stille! Wir schreiten zur Rache“ (Chor)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
chorus master:
Walter Hagen-Groll (chorus master) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 1. Akt. „Stille, stille, wir schreiten zur Rache” (Chor) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto I, scena 2. Coro “Zitti, zitti, moviamo a vendetta” (Coro)
part of:
Rigoletto: 1. Akt
Giuseppe Verdi1:37
7Rigoletto: II. Akt. Arie „Ich seh’ heiße Zähren auf deinen holden Wangen“ (Herzog)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
tenor vocals [Herzog]:
Ernst Kozub (tenor) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 2. Akt. Arie „Ich seh’ heiße Zähren auf deinen holden Wangen“ (Herzog) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto II. “Parmi veder le lagrime” (Duca)
part of:
Rigoletto: 2. Akt
Giuseppe Verdi2:32
8Rigoletto: II. Akt. Arie „Ach ich armer Rigoletto“ – „Feile Sklaven, ihr habt sie verhandelt“ (Marullo, Rigoletto, Chor, Borsa, Page)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-04)
bass vocals [Ceprano]:
Hanns Pick (German operatic bass) (in 1962-04)
bass-baritone vocals [Marullo]:
Walter Stoll (bass-baritone) (in 1962-04)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-04)
soprano vocals [Page]:
Marina Türke (soprano) (in 1962-04)
tenor vocals [Borsa]:
Walter Rausch (tenor) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
chorus master:
Walter Hagen-Groll (chorus master) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 2. Akt. „Ach armer Rigoletto” (Marullo, Rigoletto, Chor, Borsa, Ceprano, Page) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto II. "Povero Rigoletto!" (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio)
part of:
Rigoletto: 2. Akt
recording of:
Rigoletto: 2. Akt. „Feile Sklaven, ihr habt sie verhandelt“ (Rigoletto) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
part of:
Rigoletto: 2. Akt
Giuseppe Verdi8:23
9Rigoletto: II. Akt. Duett „Wenn ich an Festestagen fromm in der Kirche kniete“ (Gilda, Rigoletto, Lakai, Monterone)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
baritone vocals [Monterone]:
Robert Lauhöfer (German baritone) (in 1962-04)
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-04)
bass vocals [Lakai]:
Hanns Pick (German operatic bass) (in 1962-04)
soprano vocals [Gilda]:
Gisela Vivarelli (soprano) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 2. Akt. „Hab ich erst vollbracht“ / „Ha, bald schlägt sie, die blutige Stunde!“ (Rigoletta, Gilda) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto II, no.10. Scena e Duetto. "Ah! Solo per me l'infamia" (Rigoletto, Gilda, Usciere)
part of:
Rigoletto: 2. Akt
recording of:
Rigoletto: 2. Akt. Duett „Wenn ich an Festestagen fromm in der Kirche kniete” (Gilda, Rigoletto, Lakai, Monterone) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda)
part of:
Rigoletto: 2. Akt
Giuseppe Verdi9:59
10Rigoletto: III. Akt. Kanzone „O wie so trügerisch“ (Herzog)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
tenor vocals [Herzog]:
Ernst Kozub (tenor) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 3. Akt. Kanzone „O wie so trügerisch“ (Herzog) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
part of:
Rigoletto: 3. Akt
Giuseppe Verdi2:06
11Rigoletto: III. Akt. Quartett „Als Tänzerin erschienst du mir“ – „Holdes Mädchen, sieh meine Leiden“ (Herzog, Gilda, Maddalena, Rigoletto)
recording engineer:
Harald Baudis (sound engineer)
producer:
Hans Ritter
alto vocals [Maddalena]:
Hildegard Rüttgers (alto) (in 1962-04)
baritone vocals [Rigoletto]:
Dietrich Fischer‐Dieskau (baritone) (in 1962-04)
soprano vocals [Gilda]:
Gisela Vivarelli (soprano) (in 1962-04)
tenor vocals [Herzog]:
Ernst Kozub (tenor) (in 1962-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-04)
conductor:
Horst Stein (conductor) (in 1962-04)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-04)
recording of:
Rigoletto: 3. Akt. Quartett „Als Tänzerin erschienst du mir“ – „Holdes Mädchen, sieh meine Leiden“ – „Höre, geh in die Wohnung“ (Herzog, Gilda, Maddalena, Rigoletto) (in 1962-04)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Rigoletto: Atto III, N°12. Quartetto "M'odi! ritorna a casa" (Rigoletto, Gilda)
translated version of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
translated version of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto)
part of:
Rigoletto: 3. Akt
Giuseppe Verdi5:22

Credits

Release

ASIN:DE: B07YMDZZS1 [info]