Work From Home with Nina Simone

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
4.12:54
2I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.252:36
3Tell Me More and More and Then Some (live in New York, 1965)
producer:
Hal Mooney
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Billie Holiday
43:09
4Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
3.92:44
5My Baby Just Cares for Me (live at Vine St. Bar & Grill, 1987)
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1985-12-03 until 1985-12-08)
live cover recording of:
My Baby Just Cares for Me (from 1985-12-03 until 1985-12-08)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3:02
6Love Me or Leave Me
bass guitar and percussion:
Lisle Atkinson (on 1965-10-01)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1965-10-01)
flute and guitar:
Rudy Stevenson (on 1965-10-01)
harmonica:
Al Schackman (on 1965-10-01)
piano:
Nina Simone (on 1965-10-01)
cover recording of:
Love Me or Leave Me (on 1965-10-01)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
44:05
7The Laziest Gal in Town
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
The Laziest Gal in Town (in 1964)
lyricist and composer:
Cole Porter (composer) (in 1927)
32:17
8I Loves You Porgy (live at Carnegie Hall, New York, 1964)
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
flute:
Rudy Stevenson
guitar:
Rudy Stevenson (on 1964-03-21)
percussion:
Lisle Atkinson
piano and lead vocals:
Nina Simone (on 1964-03-21)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1964-03-21)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:28
9Our Love (Will See Us Through)
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Our Love (Will See Us Through) (in 1964-06)
writer:
Bennie Benjamin
2.52:59
10Ain’t No Use (live in New York, 1965)
producer:
Hal Mooney
recording of:
Ain’t No Use (from 1965-05-19 until 1965-05-20)
writer:
Rudy Stevenson
publisher:
EMI Tunes Ltd
4.53:02
11Don’t Take All Night
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
2.352:53
12Tomorrow Is My Turn
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
cover recording of:
Tomorrow Is My Turn (in 1965-01)
lyricist:
Yves Stéphane
composer:
Charles Aznavour
translator:
Marcel Stellman
translated version of:
L’amour c’est comme un jour
4.52:49
13If You Knew / Let It Be Me (live at Vine St. Bar & Grill, 1987)
recorded at:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, United States (from 1985-12-03 until 1985-12-08)
live medley including a recording of:
If You Knew (from 1985-12-03 until 1985-12-08)
lyricist and composer:
Nina Simone
live medley including a cover recording of:
Let It Be Me (from 1985-12-03 until 1985-12-08)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Je t’appartiens
7:17
14Of This I’m Sure
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Of This I’m Sure (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
2.352:33
15You’ve Got to Learn
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
You’ve Got to Learn
lyricist and composer:
Charles Aznavour
translator:
Marcel Stellman
translated version of:
Il faut savoir
42:41
16What More Can I Say? (album version)
producer:
Hal Mooney
double bass:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
piano:
Nina Simone
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
recording of:
What More Can I Say (on 1965-10-01)
writer:
Wade Brown Jr. and Horace Ott
52:49
17This Year’s Kisses
cover recording of:
This Year’s Kisses
lyricist and composer:
Irving Berlin
3.52:59
18Liberian Calypso
engineer:
Daniel Abraham (French engineer) (in 1982-01)
producer:
Yves Chamberland
bell, congas and wood block:
Sydney Thiam (in 1982-01)
electric bass guitar:
Sylvin Marc (in 1982-01)
percussion:
Paco Sery (in 1982-01)
piano:
Nina Simone (in 1982-01)
vocals:
Nina Simone (in 1982-01)
recorded at:
Studios Davout in Paris, Île-de-France, France (in 1982-01)
recording of:
Liberian Calypso
lyricist and composer:
Nina Simone
2:59
19Nearer Blessed Lord
44:30
20One September Day
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
One September Day
writer:
Rudy Stevenson
42:48
21The Last Rose of Summer
recorded in:
New York, New York, United States (in 1966-08)
piano:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
orchestra:
Harold Mooney & His Orchestra (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
arranger:
Hal Mooney
recording of:
The Last Rose of Summer (in 1966-08)
lyricist:
Thomas Moore (Irish poet)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13861)
2.53:06
22End of the Line (live in New York, 1965)
producer:
Hal Mooney
recording of:
End of the Line (from 1965-05-19 until 1965-05-20)
writer:
John Edmondson and Cynthia Medley
42:55
23Something Wonderful
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Something Wonderful (The King and I) (in 1964)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
translated version of:
דבר מה נפלא כל כך
part of:
The King and I (Rodgers & Hammerstein musical)
32:42
24Nobody Knows You When You’re Down and Out (live in New York, 1965)
producer:
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
3.52:39
25I Am Blessed
recorded in:
New York, New York, United States (in 1964-06)
producer:
Hal Mooney
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
I Am Blessed (in 1964-06)
writer:
Bennie Benjamin and Sol Marcus
2.52:54
26July Tree
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
July Tree (in 1965-01)
writer:
Irma Jurist and Eve Merriam
42:41
27Night Song
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Night Song (from “Golden Boy”) (in 1964)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
librettist:
William Gibson (playwright) and Clifford Odets (US playwright)
part of:
Golden Boy (The Musical)
2.353:02
28For Myself
recording of:
For Myself
lyricist and composer:
Van McCoy
2.652:07