Work From Home with Nina Simone

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
4.12:54
2I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
4.252:36
3Tell Me More and More and Then Some (live in New York, 1965)
Produzent(in):
Hal Mooney
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Billie Holiday
33:09
4Don’t Let Me Be Misunderstood
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
4.052:44
5My Baby Just Cares for Me (live at Vine St. Bar & Grill, 1987)
aufgenommen bei:
Vine St. Bar & Grill in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-12-03 bis 1985-12-08)
live cover recording of:
My Baby Just Cares for Me (von 1985-12-03 bis 1985-12-08)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3:02
6Love Me or Leave Me
Bassgitarre und Perkussion:
Lisle Atkinson (am 1965-10-01)
flute und Gitarre:
Rudy Stevenson (am 1965-10-01)
Klavier:
Nina Simone (am 1965-10-01)
Mundharmonika:
Al Schackman (am 1965-10-01)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1965-10-01)
cover recording of:
Love Me or Leave Me (am 1965-10-01)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
44:05
7The Laziest Gal in Town
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Klavier:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
Orchester:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
The Laziest Gal in Town (in 1964)
Texter und Komponist(in):
Cole Porter (composer) (in 1927)
42:17
8I Loves You Porgy (live at Carnegie Hall, New York, 1964)
flute:
Rudy Stevenson
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Perkussion:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1964-03-21)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:28
9Our Love (Will See Us Through)
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Our Love (Will See Us Through) (in 1964-06)
Verfasser(in):
Bennie Benjamin
42:59
10Ain’t No Use (live in New York, 1965)
Produzent(in):
Hal Mooney
recording of:
Ain’t No Use (von 1965-05-19 bis 1965-05-20)
Verfasser(in):
Rudy Stevenson
publisher:
EMI Tunes Ltd
3.353:02
11Don’t Take All Night
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Take All Night (in 1964-06)
Verfasser(in):
Bennie Benjamin und Sol Marcus
32:53
12Tomorrow Is My Turn
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
cover recording of:
Tomorrow Is My Turn (in 1965-01)
Texter:
Yves Stéphane
Komponist(in):
Charles Aznavour
Übersetzer:
Marcel Stellman
übersetzte Version von:
L’amour c’est comme un jour
4.652:49
13If You Knew / Let It Be Me (live at Vine St. Bar & Grill, 1987)
aufgenommen bei:
Vine St. Bar & Grill in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-12-03 bis 1985-12-08)
live medley including a recording of:
If You Knew (von 1985-12-03 bis 1985-12-08)
Texter und Komponist(in):
Nina Simone
live medley including a cover recording of:
Let It Be Me (von 1985-12-03 bis 1985-12-08)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
7:17
14Of This I’m Sure
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Of This I’m Sure (in 1964-06)
Verfasser(in):
Bennie Benjamin und Sol Marcus
32:33
15You’ve Got to Learn
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
You’ve Got to Learn
Texter und Komponist(in):
Charles Aznavour
Übersetzer:
Marcel Stellman
übersetzte Version von:
Il faut savoir
42:41
16What More Can I Say? (album version)
Produzent(in):
Hal Mooney
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Kontrabass:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
recording of:
What More Can I Say (am 1965-10-01)
Verfasser(in):
Wade Brown Jr. und Horace Ott
32:49
17This Year’s Kisses
cover recording of:
This Year’s Kisses
Texter und Komponist(in):
Irving Berlin
3.652:59
18Liberian Calypso
Techniker(in):
Daniel Abraham (French engineer) (in 1982-01)
Produzent(in):
Yves Chamberland
Conga, Glocken und Holzblock:
Sydney Thiam (in 1982-01)
E-Bass:
Sylvin Marc (in 1982-01)
Klavier:
Nina Simone (in 1982-01)
Perkussion:
Paco Sery (in 1982-01)
vocals:
Nina Simone (in 1982-01)
aufgenommen bei:
Studios Davout in Paris, Île-de-France, Frankreich (in 1982-01)
recording of:
Liberian Calypso
Texter und Komponist(in):
Nina Simone
2:59
19Nearer Blessed Lord
44:30
20One September Day
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
One September Day
Verfasser(in):
Rudy Stevenson
42:48
21The Last Rose of Summer
recorded in:
New York, New York, Vereinigte Staaten (in 1966-08)
Klavier:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
Orchester:
Harold Mooney & His Orchestra (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
arranger:
Hal Mooney
recording of:
The Last Rose of Summer (in 1966-08)
Texter:
Thomas Moore (Irish poet)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13861)
43:06
22End of the Line (live in New York, 1965)
Produzent(in):
Hal Mooney
recording of:
End of the Line (von 1965-05-19 bis 1965-05-20)
Verfasser(in):
John Edmondson und Cynthia Medley
32:55
23Something Wonderful
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Klavier:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
Orchester:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Something Wonderful (The King and I) (in 1964)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
übersetzte Version von:
דבר מה נפלא כל כך
Teil von:
The King and I (Rodgers & Hammerstein musical)
52:42
24Nobody Knows You When You’re Down and Out (live in New York, 1965)
Produzent(in):
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Help, I’m a Publisher und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
32:39
25I Am Blessed
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Produzent(in):
Hal Mooney
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
I Am Blessed (in 1964-06)
Verfasser(in):
Bennie Benjamin und Sol Marcus
42:54
26July Tree
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
July Tree (in 1965-01)
Verfasser(in):
Irma Jurist und Eve Merriam
42:41
27Night Song
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Klavier:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
Orchester:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Night Song (from “Golden Boy”) (in 1964)
Texter:
Lee Adams (US musical theatre lyricist & librettist)
Komponist(in):
Charles Strouse
Librettist:
William Gibson (playwright) und Clifford Odets (US playwright)
Teil von:
Golden Boy (The Musical)
33:02
28For Myself
recording of:
For Myself
Texter und Komponist(in):
Van McCoy
2.652:07

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Veröffentlichung

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