Revolutions in Sound: Warner Bros. Records: The First Fifty Years

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Purple Haze
Techniker(in):
Dave Siddle (De Lane Lea) (engineer) (am 1967-01-11) und Eddie Kramer (Olympic) (engineer) (am 1967-02-03)
Produzent(in):
Chas Chandler
E-Bass und Hintergrundgesang:
Noel Redding (von 1967-01-11 bis 1967-02-03)
E-Gitarre und Sologesang:
Jimi Hendrix (von 1967-01-11 bis 1967-02-03)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (von 1967-01-11 bis 1967-02-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968) und Experience Hendrix, L.L.C. (in 2010)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-11) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-02-03, von 1967-02-03 bis 1967-02-08)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-01-11)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 17) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 250)
recording of:
Purple Haze (von 1967-01-11 bis 1967-02-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. und Yameta Co. Ltd.
quotes music from:
The Ballad of Jimi Hendrix
The Jimi Hendrix Experience4.22:52
2The Golden Road (to Unlimited Devotion)
recording of:
The Golden Road (to Unlimited Devotion)
Verfasser(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead), Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan und Bob Weir
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ice Nine Publishing Company, Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead2:11
3I Had Too Much to Dream (Last Night)
Produzent(in):
Dave Hassinger
recording of:
I Had Too Much to Dream (Last Night)
Verfasser(in):
Nancie Mantz und Annette Tucker
The Electric Prunes42:58
4Crystal Liaison
The Fugs3:07
5Some Velvet Morning
Produzent(in):
Lee Hazlewood
vocals:
Lee Hazlewood und Nancy Sinatra
recording of:
Some Velvet Morning
Texter und Komponist(in):
Lee Hazlewood
publisher:
Carlin Music Corporation
Nancy Sinatra & Lee Hazlewood4.63:40
6The All Golden
Van Dyke Parks3:48
7Classical Gas
recording of:
Classical Gas
Komponist(in):
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
Mason Williams3:04
8Morning Girl
The Neon Philharmonic2:13
9Tip Toe Thru’ the Tulips With Me
cover recording of:
Tiptoe Through the Tulips
Texter:
Al Dubin
Komponist(in):
Joe Burke (American composer)
Tiny Tim2:01
10I’ve Gotta Be Me
cover recording of:
I’ve Gotta Be Me
Texter und Komponist(in):
Walter Marks
Sammy Davis Jr.2:55
11Oh Well
live recording of:
Oh Well
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Crosstown Downtown Songs, Fleetwood Music, Leosong (publisher), Palan Music America, Rachel Music, Rachel Music Ltd. und Melodie der Welt (publisher) (in 1989)
Fleetwood Mac13:28
12Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) und Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.054:01
13But It’s Alright
recording of:
But It’s Alright
Verfasser(in):
J.J. Jackson (soul/R&B singer/songwriter Jerome Louis Jackson) und Pierre Tubbs
publisher:
Meager Music
J.J. Jackson2:53
14Vehicle
The Ides of March2:56
15Express Yourself
Produzent(in):
Charles Wright
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 57)
recording of:
Express Yourself
Texter und Komponist(in):
Charles Wright (in 1970)
Charles Wright & the Watts 103rd Street Rhythm Band4.53:52
16Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:23
17If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot4.63:50
18Surf’s Up
recording of:
Surf's Up
Komponist(in):
Van Dyke Parks und Brian Wilson (Beach Boys co‐founder)
The Beach Boys4:10
19Virginia Plain
Techniker(in):
Andy Hendriksen (in 1972-03)
Produzent(in):
Peter Sinfield
Bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Command Studios in London (Greater London), England, Vereinigtes Königreich (in 1972-03)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 3) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 348)
recording of:
Virginia Plain (in 1972-03)
Texter und Komponist(in):
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. und Buggane Music, Ltd. (in 1972)
Roxy Music3.652:59
20Locomotive Breath
Techniker(in):
John Burns (engineer/producer for Genesis)
leitende(r) Produzent(in):
Terry Ellis (UK producer & band manager)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute und Sologesang:
Ian Anderson (of Jethro Tull) (am 1971-02-12)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (am 1971-02-12)
E-Gitarre und soprano recorder:
Martin Barre (am 1971-02-12)
Hammond-Orgel, Klavier, Pianoakkordeon und Synthesizer und mellotron, Orgel und Klavier:
John Evan (am 1971-02-12)
Schlagzeug und Perkussion:
Clive Bunker (am 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (am 1971-02-12)
remixer:
Robin Black (engineer)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Locomotive Breath (am 1971-02-12)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:25
21Bang a Gong (Get It On)
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Keyboard:
Rick Wakeman (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 41)
recording of:
Get It On (Bang a Gong) (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4.654:26
22Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:39
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