Pure Jazz Chillout

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Let There Be Love
Bratsche / Viola:
Joseph DiFiore (am 1961-12-20), Alvin Dinkin (am 1961-12-20), Allan Harshman (violist) (am 1961-12-20) und Paul Robyn (am 1961-12-20)
Cello:
Hyman Gold (cellist) (am 1961-12-20), Armand Kaproff (am 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (am 1961-12-20) und William Vandenburg (Session Musician/Cello) (am 1961-12-20)
Geige / Violine:
Victor Arno (am 1961-12-20), Emil Briano (Violinist) (am 1961-12-20), Jacques Gasselin (am 1961-12-20), James Getzoff (American concertmaster and violinist) (am 1961-12-20), Joseph Livoti (violinist) (am 1961-12-20), Dan Lube (am 1961-12-20), Erno Neufeld (am 1961-12-20), Isadore Roman (violin) (am 1961-12-20), Mischa Russell (violinist) (am 1961-12-20), Felix Slatkin (am 1961-12-20), Joseph Stepansky (am 1961-12-20) und Gerald Vinci (American violinist and strings conductor) (am 1961-12-20)
Gitarre:
Al Hendrickson (am 1961-12-20)
Klavier:
George Shearing (British jazz pianist) (am 1961-12-20)
Kontrabass:
Al McKibbon (double bassist) (am 1961-12-20)
Kontrabass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1961-12-20)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1961-12-20)
Vibraphon:
Emil Richards (am 1961-12-20)
vocals:
Nat King Cole (am 1961-12-20)
conductor:
Ralph Carmichael (am 1961-12-20)
arranger:
Ralph Carmichael
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-12-20)
cover recording of:
Let There Be Love (am 1961-12-20)
Texter:
Ian Grant (lyricist)
Komponist(in):
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole & The George Shearing Quintet1.22:45
2Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:18
3Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:54
4Ev'ry Time We Say Goodbye
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1961-07-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:25
5My Funny Valentine
Produzent(in):
Richard Bock (record producer)
Klavier:
Russ Freeman (pianist) (am 1954-02-15)
Kontrabass:
Carson Smith (am 1954-02-15)
Schlagzeug:
Bob Neel (am 1954-02-15)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1954-02-15)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954) und Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-15)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker22:19
6It Ain't Necessarily So
alto saxophone:
Cannonball Adderley (von 1958-07-22 bis 1958-08-18)
Bass:
Paul Chambers (US jazz bassist) (von 1958-07-22 bis 1958-08-18)
Bassklarinette:
Danny Bank (reeds) (von 1958-07-22 bis 1958-08-18)
Bassposaune:
Dick Hixson (trombonist) (von 1958-07-22 bis 1958-08-18) und Dick Nixon (von 1958-07-22 bis 1958-08-18)
Flügelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (von 1958-07-22 bis 1958-08-18)
flute:
Phil Bodner (Woodwind player) (von 1958-07-22 bis 1958-08-18) und Romeo Penque (von 1958-07-22 bis 1958-08-18)
Posaune:
Joe Bennett (trombonist) (von 1958-07-22 bis 1958-08-18), Jimmy Cleveland (US jazz trombonist) (von 1958-07-22 bis 1958-08-18) und Frank Rehak (US jazz trombonist) (von 1958-07-22 bis 1958-08-18)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (von 1958-07-22 bis 1958-08-18)
Trompete:
Johnny Coles (US jazz trumpeter) (von 1958-07-22 bis 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (von 1958-07-22 bis 1958-08-18), Bernie Glow (von 1958-07-22 bis 1958-08-18), Louis Mucci (trumpetist) (von 1958-07-22 bis 1958-08-18) und Ernie Royal (von 1958-07-22 bis 1958-08-18)
Tuba:
Bill Barber (Jazz tuba player) (von 1958-07-22 bis 1958-08-18)
Waldhorn:
Willie Ruff (von 1958-07-22 bis 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (von 1958-07-22 bis 1958-08-18) und Julius Watkins (von 1958-07-22 bis 1958-08-18)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer) (von 1958-07-22 bis 1958-08-18)
Interpret(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1958-07-22 bis 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (von 1958-07-22 bis 1958-08-18)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Miles Davis4:23
7'Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
Produzent(in):
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (am 1947-11-21)
Klavier:
Thelonious Monk (am 1947-11-21)
Kontrabass:
Robert Paige (jazz bassist) (am 1947-11-21)
Schlagzeug:
Art Blakey (am 1947-11-21)
Trompete:
George Taitt (am 1947-11-21)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1947-11-21)
instrumental recording of:
’Round Midnight (am 1947-11-21)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Thelonious Monk3:10
8God Bless the Child
Stanley Turrentine3:58
9Harvest Moon
Techniker(in) und Mix:
Danny Kopelson
Produzent(in):
Craig Street
Akustikgitarre:
Brandon Ross
Bass:
Mark Anthony Peterson
Perkussion:
Cyro Baptista (percussionist)
Perkussion und Trillerpfeife:
Dougie Bowne
Resonatorgitarre:
Kevin Breit
Hintergrundgesang:
The Peepers
vocals:
Cassandra Wilson
arranger:
Brandon Ross
edited at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
Harvest Moon
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Hipgnosis Side A und Silver Fiddle Music
Cassandra Wilson4:57
10I Loves You Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone54:02
11I Wish I Knew (How It Would Feel to Be Free)
phonographisches Urheberrecht (℗) von:
Blue Note (in 1964)
recording of:
I Wish I Knew How It Would Feel to Be Free
Verfasser(in):
Billy Taylor (jazz/bop pianist) und Richard Lamb
publisher:
Duane Music Inc. und Westminster Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Billy Taylor Trio3:39
12The Girl From Ipanema
Klavier:
Eliane Elias (in 1992)
Perkussion:
Naná Vasconcelos (in 1992)
arranger:
Eliane Elias (in 1992)
recording of:
The Girl From Ipanema (in 1992)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Eliane Elias6:29
13I Get a Kick Out of You
Nat King Cole3:19
14We Have All the Time in the World
Produzent(in):
John Barry (English score composer) und Phil Ramone
Sologesang:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
Texter:
Hal David
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:14
15Yesterday
recording engineer:
Rudy van Gelder
Produzent(in):
Alfred Lion
alto saxophone und flute und Klarinette:
Phil Woods (US jazz woodwind player) (am 1966-04-08)
baritone saxophone, Bassklarinette und flute und Bassklarinette:
Danny Bank (reeds) (am 1966-04-08)
Klavier und Pianoakkordeon:
McCoy Tyner (jazz pianist) (am 1966-04-08)
Kontrabass:
Bob Cranshaw (am 1966-04-08)
Posaune:
Tom McIntosh (am 1966-04-08)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1966-04-08)
Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer) (am 1966-04-08)
Trompete:
Lee Morgan (jazz trumpeter / composer) (am 1966-04-08) und Ernie Royal (am 1966-04-08)
Tuba:
Don Butterfield (am 1966-04-08)
Waldhorn:
Jim Buffington (US jazz, studio and classical hornist) (am 1966-04-08)
conductor:
Oliver Nelson (saxophone, arranger, composer)
arranger:
Oliver Nelson (saxophone, arranger, composer)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1966-04-08)
instrumental cover recording of:
Yesterday (original by The Beatles) (am 1966-04-08)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (vom 1965 bis heute)
cover recording of:
Yesterday (original by The Beatles)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (vom 1965 bis heute)
Lee Morgan5:47
16More Than This
Interpret(in):
Norah Jones
cover recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Charlie Hunter feat. Norah Jones4:10
17Creepin'
recording engineer:
Tom Lazarus (von 2000-04 bis 2000-05)
Produzent(in):
Don Byron und Hans Wendl
Mix:
Tom Lazarus
akustische Bassgitarre:
Jerome Harris (jazz bassist/guitarist) (von 2000-04 bis 2000-05)
Klarinette:
Don Byron (von 2000-04 bis 2000-05)
Klavier:
Uri Caine (von 2000-04 bis 2000-05)
Schlagzeug:
Paulo Braga (von 2000-04 bis 2000-05)
vocals:
Mark Ledford (von 2000-04 bis 2000-05) und Patricia O’Callaghan (von 2000-04 bis 2000-05)
Interpret(in):
Patricia O’Callaghan (von 2000-04 bis 2000-05)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2000-04 bis 2000-05)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Don Byron feat. Patricia O’Callaghan4:53
18Slow Bombing the World
Marc Jordan4:29
19Gangsterism on a River
Jason Moran3:38
20Ballad of the Sad Young Man
Renee Rosnes5:16

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