V&A: Records & Rebels

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Itchycoo Park
Techniker(in):
Glyn Johns
Produzent(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1967)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Itchycoo Park
Verfasser(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (beendet) und EMI Catalogue Partnership
Small Faces3.652:54
2Im A Man
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Kontrabass:
Willie Dixon (am 1955-03-02)
Maracas / Rumba-Rasseln:
Jerome Green (am 1955-03-02)
Mundharmonika:
Billy Boy Arnold (US blues harmonica player, singer and songwriter) (am 1955-03-02)
Schlagzeug:
Clifton James (am 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2018) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 370)
recording of:
I’m a Man (am 1955-03-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Spencer Davis Group4.352:58
3Strange Brew
recording engineer:
Tom Dowd (von 1967-04 bis 1967-05)
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-04 bis 1967-05)
Gitarre:
Eric Clapton (von 1967-04 bis 1967-05)
Schlagzeug:
Ginger Baker (von 1967-04 bis 1967-05)
vocals:
Jack Bruce (von 1967-04 bis 1967-05) und Eric Clapton (von 1967-04 bis 1967-05)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1967) und Robert Stigwood Organisation Ltd. (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-04 bis 1967-05)
recording of:
Strange Brew (von 1967-04 bis 1967-05)
Verfasser(in):
Eric Clapton, Gail Collins und Felix Pappalardi
publisher:
Careers–BMG Music Publishing, Inc., Casserole Music Corp., Dratleaf Music Ltd., Pronto Music (publisher), Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Windfall Music Enterprises Incorporated
Cream42:48
4A Whiter Shade Of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:06
5Nights In White Satin
Techniker(in):
Derek Varnals
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clarke (UK producer/guitarist) (Aufgabe: realisation) und Michael Dacre-Barclay (British producer) (Aufgabe: realisation)
Orchester:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Peter Knight (British arranger, conductor and composer)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Nights in White Satin
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues47:39
6San Francisco (Be Sure To Wear Some Flowers In Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.753:00
7The Rain, The Park & Other Things
recording of:
The Rain, the Park & Other Things
Verfasser(in):
Steve Duboff und Artie Kornfeld
publisher:
Akbestal Music Inc. und MPCA Lehsem Songs
The Cowsills2:59
8Flowers In The Rain
recording of:
Flowers in the Rain
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Westminster Music Ltd.
The Move2:31
9Paper Sun
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1967)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1967-04 bis 1967-11)
recording of:
Paper Sun
Verfasser(in):
Jim Capaldi und Steve Winwood
publisher:
Polygram Music und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Traffic4:15
10Pleasant Valley Sunday
Produzent(in):
Chip Douglas
Akustikgitarre:
Bill Chadwick
Bass:
Chip Douglas
E-Gitarre:
Michael Nesmith
Klavier:
Peter Tork
Schlagzeug und Perkussion:
Eddie Hoh
Hintergrundgesang:
Davy Jones (The Monkees member) und Michael Nesmith
Sologesang:
Micky Dolenz
aufgenommen bei:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1967-06-10 bis 1967-06-13)
recording of:
Pleasant Valley Sunday (von 1967-06-10 bis 1967-06-13)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.353:16
1159th Street Bridge Song (Feelin’ Groovy)
Produzent(in):
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:38
12If I Were A Carpenter
recording of:
If I Were a Carpenter
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
Tim Hardin2:43
13Black Day In July
Produzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
Black Day in July
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Moose Music, Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Gordon Lightfoot4:12
14I-Feel-Like-Im-Fixin-To-Die Rag
recording of:
I-Feel-Like-I’m-Fixin’-To-Die Rag
Texter und Komponist(in):
Country Joe McDonald
Country Joe and the Fish3:45
15Abraham, Martin And John
cover recording of:
Abraham, Martin and John
Texter und arranger:
Dick Holler
Komponist(in):
Dick Holler (in 1968)
publisher:
Regent Music (BMI) und TJ Musicservice GmbH
Dion3:21
16Paris mai
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1968)
Kontrabass:
Luigi Trussardi (in 1968)
Orgel:
Eddy Louiss (in 1968)
Schlagzeug:
Daniel Humair (in 1968)
vocals:
Claude Nougaro (in 1968)
recording of:
Paris mai (in 1968)
Texter:
Claude Nougaro
Komponist(in):
Eddy Louiss
basiert auf:
Flo Me La
Claude Nougaro55:59
17Going Up The Country
Produzent(in):
Canned Heat und Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1968-08-06 bis 1968-08-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
I.D. Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-08-06 bis 1968-08-07)
recording of:
Going Up the Country (von 1968-08-06 bis 1968-08-07)
Texter, Verfasser(in) und Komponist(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. und United Artists Music Ltd.
Version von:
Bull Doze Blues
Canned Heat32:51
18I’m Going Home
recording of:
I’m Going Home (Ten Years After)
Texter und Komponist(in):
Alvin Lee
publisher:
EMI Unart Catalog Inc. und EMI United Partnership Ltd.
Ten Years After6:26
19Fire
Partner-Produzent(in):
Pete Townshend (of The Who)
Produzent(in):
Kit Lambert
Bass:
Sean Nicholas
Orgel:
Vincent Crane
Schlagzeug:
Dracken Theaker
vocals:
Arthur Brown
arranger:
Vincent Crane
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1968)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Fire
Verfasser(in):
Arthur Brown, Vincent Crane, Mike Finesilver und Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. und Onward Music Ltd.
The Crazy World of Arthur Brown3.852:55
20Beggin’
cover recording of:
Beggin’ (in 1968)
Verfasser(in):
Peggy Farina und Bob Gaudio
publisher:
EMI Longitude Music, Saturday Music, Inc. und Seasons Four Music Corp.
Timebox2:50
21We’re A Winner
recording of:
We’re a Winner (in 1967)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:24
22Reflections
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Reflections
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Stone Agate Music (in 1967)
Diana Ross & The Supremes2:54
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