V&A: Records & Rebels

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Itchycoo Park
tecnico:
Glyn Johns
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1967)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces3.652:54
2Im A Man
armonica (a bocca) :
Billy Boy Arnold (US blues harmonica player, singer and songwriter) (il 1955-03-02)
batteria :
Clifton James (il 1955-03-02)
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1955-03-02)
contrabbasso :
Willie Dixon (il 1955-03-02)
maracas :
Jerome Green (il 1955-03-02)
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1955-03-02)
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 2018) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 370)
registrazione di:
I’m a Man (il 1955-03-02)
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
editore:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Spencer Davis Group4.352:58
3Strange Brew
tecnico di registrazione:
Tom Dowd (dal 1967-04 al 1967-05)
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-04 al 1967-05)
batteria :
Ginger Baker (dal 1967-04 al 1967-05)
chitarra :
Eric Clapton (dal 1967-04 al 1967-05)
voce:
Jack Bruce (dal 1967-04 al 1967-05) e Eric Clapton (dal 1967-04 al 1967-05)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1967) e Robert Stigwood Organisation Ltd. (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-04 al 1967-05)
registrazione di:
Strange Brew (dal 1967-04 al 1967-05)
autore:
Eric Clapton, Gail Collins e Felix Pappalardi
editore:
Careers–BMG Music Publishing, Inc., Casserole Music Corp., Dratleaf Music Ltd., Pronto Music (publisher), Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windfall Music Enterprises Incorporated
Cream42:48
4A Whiter Shade Of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:06
5Nights In White Satin
tecnico:
Derek Varnals
produttore:
Tony Clarke (UK producer/guitarist) (incarico: realisation) e Michael Dacre-Barclay (British producer) (incarico: realisation)
produttore esecutivo:
Hugh Mendl
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
direttore d'orchestra:
Peter Knight (British arranger, conductor and composer)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Nights in White Satin
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues47:39
6San Francisco (Be Sure To Wear Some Flowers In Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.753:00
7The Rain, The Park & Other Things
registrazione di:
The Rain, the Park & Other Things
autore:
Steve Duboff e Artie Kornfeld
editore:
Akbestal Music Inc. e MPCA Lehsem Songs
The Cowsills2:59
8Flowers In The Rain
registrazione di:
Flowers in the Rain
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Westminster Music Ltd.
The Move2:31
9Paper Sun
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1967)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1967-04 al 1967-11)
registrazione di:
Paper Sun
autore:
Jim Capaldi e Steve Winwood
editore:
Polygram Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Traffic4:15
10Pleasant Valley Sunday
produttore:
Chip Douglas
basso :
Chip Douglas
batteria e percussione :
Eddie Hoh
chitarra acustica :
Bill Chadwick
chitarra elettrica :
Michael Nesmith
pianoforte :
Peter Tork
voce di accompagnamento:
Davy Jones (The Monkees member) e Michael Nesmith
voce principale:
Micky Dolenz
registrata presso:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (dal 1967-06-10 al 1967-06-13)
registrazione di:
Pleasant Valley Sunday (dal 1967-06-10 al 1967-06-13)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.353:16
1159th Street Bridge Song (Feelin’ Groovy)
produttore:
Lenny Waronker
registrazione cover di:
The 59th Street Bridge Song (Feelin’ Groovy)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:38
12If I Were A Carpenter
registrazione di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
Tim Hardin2:43
13Black Day In July
produttore:
John Simon (US producer, arranger, composer, songwriter and musician)
registrazione di:
Black Day in July
paroliere e compositore:
Gordon Lightfoot
editore:
Moose Music, Warner Bros., Inc. (not for release label use!) e WB Music Corp. (1929–2019)
Gordon Lightfoot4:12
14I-Feel-Like-Im-Fixin-To-Die Rag
registrazione di:
I-Feel-Like-I’m-Fixin’-To-Die Rag
paroliere e compositore:
Country Joe McDonald
Country Joe and the Fish3:45
15Abraham, Martin And John
registrazione cover di:
Abraham, Martin and John
paroliere e arrangiatore:
Dick Holler
compositore:
Dick Holler (nel 1968)
editore:
Regent Music (BMI) e TJ Musicservice GmbH
Dion3:21
16Paris mai
batteria :
Daniel Humair (nel 1968)
contrabbasso :
Luigi Trussardi (nel 1968)
organo :
Eddy Louiss (nel 1968)
pianoforte :
Maurice Vander (jazz musician and conductor, not the lyricist) (nel 1968)
voce:
Claude Nougaro (nel 1968)
registrazione di:
Paris mai (nel 1968)
paroliere:
Claude Nougaro
compositore:
Eddy Louiss
si basa su:
Flo Me La
Claude Nougaro55:59
17Going Up The Country
produttore:
Canned Heat e Skip Taylor
flauto :
Jim Horn (saxophonist, hornist, flutist and oboist) (dal 1968-08-06 al 1968-08-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
I.D. Sound in Los Angeles, California, Stati Uniti (dal 1968-08-06 al 1968-08-07)
registrazione di:
Going Up the Country (dal 1968-08-06 al 1968-08-07)
paroliere, autore e compositore:
Alan Wilson (Canned Heat member)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. e United Artists Music Ltd.
versione di:
Bull Doze Blues
Canned Heat32:51
18I’m Going Home
registrazione di:
I’m Going Home (Ten Years After)
paroliere e compositore:
Alvin Lee
editore:
EMI Unart Catalog Inc. e EMI United Partnership Ltd.
Ten Years After6:26
19Fire
produttore:
Kit Lambert
produttore associato:
Pete Townshend (of The Who)
basso :
Sean Nicholas
batteria :
Dracken Theaker
organo :
Vincent Crane
voce:
Arthur Brown
arrangiatore:
Vincent Crane
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1968)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Fire
autore:
Arthur Brown, Vincent Crane, Mike Finesilver e Peter Ker (producer and songwriter)
editore:
Gowmonk, Inc. e Onward Music Ltd.
The Crazy World of Arthur Brown3.852:55
20Beggin’
registrazione cover di:
Beggin’ (nel 1968)
autore:
Peggy Farina e Bob Gaudio
editore:
EMI Longitude Music, Saturday Music, Inc. e Seasons Four Music Corp.
Timebox2:50
21We’re A Winner
registrazione di:
We’re a Winner (nel 1967)
paroliere e compositore:
Curtis Mayfield
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:24
22Reflections
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Reflections
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Stone Agate Music (nel 1967)
Diana Ross & The Supremes2:54
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