The Great EMI Recordings

~ Release by Sir John Barbirolli (see all versions of this release, 1 available)

Tracklist

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10▼CD
#TitleArtistRatingLength
1Madama Butterfly: Atto II. “È Izaghi ed Izanami” (Suzuki/Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
partial recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:36
2Madama Butterfly: Atto II. “Suzuki… È lungi la misera ?” (Butterfly/Suzuki)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
partial recording of:
Madama Butterfly: Atto II. “E Izaghi ed Izanami” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Butterfly & Suzuki (Flower Duet?) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
Giacomo Puccini4:31
3Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:43
4Madama Butterfly: Atto II. “C’è. Entrate” (Goro/Sharpless/Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
partial recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:48
5Madama Butterfly: Atto II. “Ah sì. Goro, appena B. F. Pinkerton fu in mare” (Butterfly/Goro/Yamadori/Sharpless)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
bass vocals [Il principe Yamadori]:
Giuseppe Morresi (operatic bass) (from 1966-07-16 until 1966-07-27)
bass vocals [Yamadori]:
Giuseppe Morresi (operatic bass) (from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
partial recording of:
Madama Butterfly: Atto II. “C’è. Entrate” … “Non lo sapete insomma” (Goro, Sharpless, Butterfly, Suzuki, Yamadori) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini2:42
6Madama Butterfly: Atto II. “Si sa che aprir la porta” (Butterfly/Sharpless/Yamadori/Goro)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
bass vocals [Il principe Yamadori]:
Giuseppe Morresi (operatic bass) (from 1966-07-16 until 1966-07-27)
bass vocals [Yamadori]:
Giuseppe Morresi (operatic bass) (from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
tenor vocals [Goro]:
Piero de Palma (tenor) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27) and Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27, from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “Si sa che aprir la porta” … “Udiste?” (Butterfly, Sharpless, Yamadori, Goro) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:03
7Madama Butterfly: Atto II. “Ora a noi” (Sharpless/Butterfly)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-08-16 until 1966-08-27)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “Ora a noi” … “Amico, cercherete” … “Qui troncarla conviene” (Sharpless, Butterfly) (letter scene) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:10
8Les Nuits d’été op. 7 : I. Villanelle
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (on 1967-08-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-08-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-08-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-08-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle (on 1967-08-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz2:22
9Les Nuits d’été op. 7 : II. Le Spectre de la rose
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (on 1967-08-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-08-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-08-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-08-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 2. Le Spectre de la rose (on 1967-08-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz7:53
10Les Nuits d’été op. 7 : III. Sur les laguens
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (on 1967-08-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-08-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-08-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-08-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 3. Sur les lagunes (on 1967-08-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz5:38
11Les Nuits d’été op. 7 : IV. Absence
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (on 1967-08-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-08-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-08-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-08-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 4. Absence (on 1967-08-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz5:28
12Les Nuits d’été op. 7 : V. Au cimetière
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (on 1967-08-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-08-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-08-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-08-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 5. Au cimetière (on 1967-08-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz6:09
13Les Nuits d’été op. 7 : VI. L’Île inconnue
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (on 1967-08-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-08-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-08-23)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-08-23)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 6. L’Île inconnue (on 1967-08-23)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (French composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
Hector Berlioz4:00
14Fünf Rückert‐Lieder: I. Blicke mir nicht in die Lieder !
vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1969-07-18 until 1969-07-19)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-18 until 1969-07-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-18 until 1969-07-19)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-18 until 1969-07-19)
recording of:
Rückert Lieder: I. Blicke mir nicht in die Lieder (from 1969-07-18 until 1969-07-19)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 39)
part of:
Rückert-Lieder
Gustav Mahler1:37
15Fünf Rückert‐Lieder: II. Ich atmet’ einen linden Duft !
vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1969-07-18 until 1969-07-19)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-18 until 1969-07-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-18 until 1969-07-19)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-18 until 1969-07-19)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (from 1969-07-18 until 1969-07-19)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:42
16Fünf Rückert‐Lieder: III. Um Mitternacht
vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1969-07-18 until 1969-07-19)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-18 until 1969-07-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-18 until 1969-07-19)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-18 until 1969-07-19)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1969-07-18 until 1969-07-19)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler5:55
17Fünf Rückert‐Lieder: IV. Liebst du um Schönheit
vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1969-07-18 until 1969-07-19)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-18 until 1969-07-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-18 until 1969-07-19)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-18 until 1969-07-19)
recording of:
Rückert Lieder: IV. Um Mitternacht (from 1969-07-18 until 1969-07-19)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 42)
part of:
Rückert-Lieder
Gustav Mahler2:27
18Fünf Rückert‐Lieder: V. Ich bin der Welt abhanden gekommen
vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1969-07-18 until 1969-07-19)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-18 until 1969-07-19)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-18 until 1969-07-19)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-18 until 1969-07-19)
recording of:
Rückert Lieder: V. Liebst du um Schönheit (from 1969-07-18 until 1969-07-19)
orchestrator:
Max Puttmann
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer) (in 1902-08)
premiered at:
[concert] (1907-02-08)
part of:
Gustav Mahler Werke (number: GMW 43)
part of:
Rückert-Lieder
Gustav Mahler6:48