The Complete Vocalist Sessions

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1That’s the Stuff You Gotta Watch
double bass:
Leonard Gaskin (on 1945-04-24)
drums (drum set):
Ed Nicholson (jazz drummer) (on 1945-04-24)
piano:
Teddy Brannon (on 1945-04-24)
reeds:
Herbie Fields (on 1945-04-24)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1945-04-24)
vocals:
Rubberlegs Williams (on 1945-04-24)
recording of:
That's the Stuff You Gotta Watch (on 1945-04-24)
composer:
Buddy Johnson
2:52
2Pointless Mama Blues
double bass:
Leonard Gaskin (on 1945-04-24)
drums (drum set):
Ed Nicholson (jazz drummer) (on 1945-04-24)
piano:
Teddy Brannon (on 1945-04-24)
reeds:
Herbie Fields (on 1945-04-24)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1945-04-24)
vocals:
Rubberlegs Williams (on 1945-04-24)
3:17
3Deep Sea Blues
double bass:
Leonard Gaskin (on 1945-04-24)
drums (drum set):
Ed Nicholson (jazz drummer) (on 1945-04-24)
piano:
Teddy Brannon (on 1945-04-24)
reeds:
Herbie Fields (on 1945-04-24)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1945-04-24)
vocals:
Rubberlegs Williams (on 1945-04-24)
3:15
4Bring It on Home
double bass:
Leonard Gaskin (on 1945-04-24)
drums (drum set):
Ed Nicholson (jazz drummer) (on 1945-04-24)
piano:
Teddy Brannon (on 1945-04-24)
reeds:
Herbie Fields (on 1945-04-24)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1945-04-24)
vocals:
Rubberlegs Williams (on 1945-04-24)
2:50
5Oo Bop Sh’Bam
alto saxophone:
John Cobbs (on 1946-10-05) and Sonny Stitt (on 1946-10-05)
baritone saxophone:
Cecil Payne (on 1946-10-05)
double bass:
Tommy Potter (on 1946-10-05)
drums (drum set):
Art Blakey (on 1946-10-05)
guitar:
Connie Wainwright (on 1946-10-05)
piano:
Linton Garner (on 1946-10-05)
tenor saxophone:
Gene Ammons (on 1946-10-05)
trombone:
Jerry Valentine (trombone, aka Jerry Valentine) (on 1946-10-05), Walter Knox (on 1946-10-05) and Chippy Outcalt (on 1946-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-10-05), Hobart Dotson (on 1946-10-05), Leonard Hawkins (on 1946-10-05) and King Kolax (on 1946-10-05)
vocals:
Billy Eckstine (on 1946-10-05)
recording of:
Oop Bop Sh'Bam (on 1946-10-05)
composer:
Ray Brown (jazz bassist), Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
3:04
6I Love the Loveliness of You
alto saxophone:
John Cobbs (on 1946-10-05) and Sonny Stitt (on 1946-10-05)
baritone saxophone:
Cecil Payne (on 1946-10-05)
double bass:
Tommy Potter (on 1946-10-05)
drums (drum set):
Art Blakey (on 1946-10-05)
guitar:
Connie Wainwright (on 1946-10-05)
piano:
Linton Garner (on 1946-10-05)
tenor saxophone:
Gene Ammons (on 1946-10-05)
trombone:
Jerry Valentine (trombone, aka Jerry Valentine) (on 1946-10-05), Walter Knox (on 1946-10-05) and Chippy Outcalt (on 1946-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-10-05), Hobart Dotson (on 1946-10-05), Leonard Hawkins (on 1946-10-05) and King Kolax (on 1946-10-05)
vocals:
Billy Eckstine (on 1946-10-05)
recording of:
I Love the Loveliness of You (on 1946-10-05)
composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
2:43
7In the Still of the Night
alto saxophone:
John Cobbs (on 1946-10-05) and Sonny Stitt (on 1946-10-05)
baritone saxophone:
Cecil Payne (on 1946-10-05)
double bass:
Tommy Potter (on 1946-10-05)
drums (drum set):
Art Blakey (on 1946-10-05)
guitar:
Connie Wainwright (on 1946-10-05)
piano:
Linton Garner (on 1946-10-05)
tenor saxophone:
Gene Ammons (on 1946-10-05)
trombone:
Jerry Valentine (trombone, aka Jerry Valentine) (on 1946-10-05), Walter Knox (on 1946-10-05) and Chippy Outcalt (on 1946-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-10-05), Hobart Dotson (on 1946-10-05), Leonard Hawkins (on 1946-10-05) and King Kolax (on 1946-10-05)
vocals:
Billy Eckstine (on 1946-10-05)
recording of:
In the Still of the Night (Cole Porter song) (on 1946-10-05)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
2:56
8Jelly Jelly
alto saxophone:
John Cobbs (on 1946-10-05) and Sonny Stitt (on 1946-10-05)
baritone saxophone:
Cecil Payne (on 1946-10-05)
double bass:
Tommy Potter (on 1946-10-05)
drums (drum set):
Art Blakey (on 1946-10-05)
guitar:
Connie Wainwright (on 1946-10-05)
piano:
Linton Garner (on 1946-10-05)
tenor saxophone:
Gene Ammons (on 1946-10-05)
trombone:
Jerry Valentine (trombone, aka Jerry Valentine) (on 1946-10-05), Walter Knox (on 1946-10-05) and Chippy Outcalt (on 1946-10-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-10-05), Hobart Dotson (on 1946-10-05), Leonard Hawkins (on 1946-10-05) and King Kolax (on 1946-10-05)
vocals:
Billy Eckstine (on 1946-10-05)
recording of:
Jelly, Jelly (on 1946-10-05)
writer:
Billy Eckstine and Earl Hines (jazz pianist and bandleader)
3:19
9Don’t Sing Me the Blues
double bass:
Tommy Potter (on 1946-10-18)
drums (drum set):
Art Blakey (on 1946-10-18)
guitar:
Connie Wainwright (on 1946-10-18)
piano:
Linton Garner (on 1946-10-18)
tenor saxophone:
Gene Ammons (on 1946-10-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-10-18)
vocals:
Earl Coleman (on 1946-10-18)
2:54
10I’ve Always Got the Blues
double bass:
Tommy Potter (on 1946-10-18)
drums (drum set):
Art Blakey (on 1946-10-18)
guitar:
Connie Wainwright (on 1946-10-18)
piano:
Linton Garner (on 1946-10-18)
tenor saxophone:
Gene Ammons (on 1946-10-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-10-18)
vocals:
Ann Baker (on 1946-10-18)
3:10
11Don’t Explain to Me Baby
double bass:
Tommy Potter (on 1946-10-18)
drums (drum set):
Art Blakey (on 1946-10-18)
guitar:
Connie Wainwright (on 1946-10-18)
piano:
Linton Garner (on 1946-10-18)
tenor saxophone:
Gene Ammons (on 1946-10-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-10-18)
vocals:
Earl Coleman (on 1946-10-18)
2:55
12Baby, Won’t You Make Up Your Mind
double bass:
Tommy Potter (on 1946-10-18)
drums (drum set):
Art Blakey (on 1946-10-18)
guitar:
Connie Wainwright (on 1946-10-18)
piano:
Linton Garner (on 1946-10-18)
tenor saxophone:
Gene Ammons (on 1946-10-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1946-10-18)
vocals:
Ann Baker (on 1946-10-18)
3:12
13Ain’t Misbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
3:01
14Goodnight My Love
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell & His All Stars (on 1950-05-18)
cover recording of:
Goodnight, My Love (1936) (on 1950-05-18)
lyricist:
Harry Revel (British-born American composer)
composer:
Mack Gordon
3:28
15Can’t Get Out of This Mood
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
solo clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
solo tenor saxophone:
Budd Johnson (on 1950-05-18)
solo trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
cover recording of:
Can’t Get Out of This Mood (on 1950-05-18)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
2:50
16It Might as Well Be Spring
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1950-05-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:13
17Mean to Me
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
recording of:
Mean to Me (on 1950-05-19)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:54
18Come Rain or Come Shine
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
recording of:
Come Rain or Come Shine (on 1950-05-19)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
3:25
19Nice Work If You Can Get It
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:36
20East of the Sun
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
recording of:
East of the Sun (and West of the Moon) (on 1950-05-19)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
3:06