The Complete Vocalist Sessions

~ Veröffentlichung von Miles Davis (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1That’s the Stuff You Gotta Watch
Klavier:
Teddy Brannon (am 1945-04-24)
Kontrabass:
Leonard Gaskin (am 1945-04-24)
Rohrblattinstrumente:
Herbie Fields (am 1945-04-24)
Schlagzeug:
Ed Nicholson (jazz drummer) (am 1945-04-24)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1945-04-24)
vocals:
Rubberlegs Williams (am 1945-04-24)
recording of:
That's the Stuff You Gotta Watch (am 1945-04-24)
Komponist(in):
Buddy Johnson
2:52
2Pointless Mama Blues
Klavier:
Teddy Brannon (am 1945-04-24)
Kontrabass:
Leonard Gaskin (am 1945-04-24)
Rohrblattinstrumente:
Herbie Fields (am 1945-04-24)
Schlagzeug:
Ed Nicholson (jazz drummer) (am 1945-04-24)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1945-04-24)
vocals:
Rubberlegs Williams (am 1945-04-24)
3:17
3Deep Sea Blues
Klavier:
Teddy Brannon (am 1945-04-24)
Kontrabass:
Leonard Gaskin (am 1945-04-24)
Rohrblattinstrumente:
Herbie Fields (am 1945-04-24)
Schlagzeug:
Ed Nicholson (jazz drummer) (am 1945-04-24)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1945-04-24)
vocals:
Rubberlegs Williams (am 1945-04-24)
3:15
4Bring It on Home
Klavier:
Teddy Brannon (am 1945-04-24)
Kontrabass:
Leonard Gaskin (am 1945-04-24)
Rohrblattinstrumente:
Herbie Fields (am 1945-04-24)
Schlagzeug:
Ed Nicholson (jazz drummer) (am 1945-04-24)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1945-04-24)
vocals:
Rubberlegs Williams (am 1945-04-24)
2:50
5Oo Bop Sh’Bam
alto saxophone:
John Cobbs (am 1946-10-05) und Sonny Stitt (am 1946-10-05)
baritone saxophone:
Cecil Payne (am 1946-10-05)
Gitarre:
Connie Wainwright (am 1946-10-05)
Klavier:
Linton Garner (am 1946-10-05)
Kontrabass:
Tommy Potter (am 1946-10-05)
Posaune:
Jerry Valentine (trombone, aka Jerry Valentine) (am 1946-10-05), Walter Knox (am 1946-10-05) und Chippy Outcalt (am 1946-10-05)
Schlagzeug:
Art Blakey (am 1946-10-05)
Tenorsaxophon:
Gene Ammons (am 1946-10-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-10-05), Hobart Dotson (am 1946-10-05), Leonard Hawkins (am 1946-10-05) und King Kolax (am 1946-10-05)
vocals:
Billy Eckstine (am 1946-10-05)
recording of:
Oop Bop Sh'Bam (am 1946-10-05)
Komponist(in):
Ray Brown (jazz bassist), Walter “Gil” Fuller (jazz composer & arranger) und Dizzy Gillespie
3:04
6I Love the Loveliness of You
alto saxophone:
John Cobbs (am 1946-10-05) und Sonny Stitt (am 1946-10-05)
baritone saxophone:
Cecil Payne (am 1946-10-05)
Gitarre:
Connie Wainwright (am 1946-10-05)
Klavier:
Linton Garner (am 1946-10-05)
Kontrabass:
Tommy Potter (am 1946-10-05)
Posaune:
Jerry Valentine (trombone, aka Jerry Valentine) (am 1946-10-05), Walter Knox (am 1946-10-05) und Chippy Outcalt (am 1946-10-05)
Schlagzeug:
Art Blakey (am 1946-10-05)
Tenorsaxophon:
Gene Ammons (am 1946-10-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-10-05), Hobart Dotson (am 1946-10-05), Leonard Hawkins (am 1946-10-05) und King Kolax (am 1946-10-05)
vocals:
Billy Eckstine (am 1946-10-05)
recording of:
I Love the Loveliness of You (am 1946-10-05)
Komponist(in):
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
2:43
7In the Still of the Night
alto saxophone:
John Cobbs (am 1946-10-05) und Sonny Stitt (am 1946-10-05)
baritone saxophone:
Cecil Payne (am 1946-10-05)
Gitarre:
Connie Wainwright (am 1946-10-05)
Klavier:
Linton Garner (am 1946-10-05)
Kontrabass:
Tommy Potter (am 1946-10-05)
Posaune:
Jerry Valentine (trombone, aka Jerry Valentine) (am 1946-10-05), Walter Knox (am 1946-10-05) und Chippy Outcalt (am 1946-10-05)
Schlagzeug:
Art Blakey (am 1946-10-05)
Tenorsaxophon:
Gene Ammons (am 1946-10-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-10-05), Hobart Dotson (am 1946-10-05), Leonard Hawkins (am 1946-10-05) und King Kolax (am 1946-10-05)
vocals:
Billy Eckstine (am 1946-10-05)
recording of:
In the Still of the Night (Cole Porter song) (am 1946-10-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
2:56
8Jelly Jelly
alto saxophone:
John Cobbs (am 1946-10-05) und Sonny Stitt (am 1946-10-05)
baritone saxophone:
Cecil Payne (am 1946-10-05)
Gitarre:
Connie Wainwright (am 1946-10-05)
Klavier:
Linton Garner (am 1946-10-05)
Kontrabass:
Tommy Potter (am 1946-10-05)
Posaune:
Jerry Valentine (trombone, aka Jerry Valentine) (am 1946-10-05), Walter Knox (am 1946-10-05) und Chippy Outcalt (am 1946-10-05)
Schlagzeug:
Art Blakey (am 1946-10-05)
Tenorsaxophon:
Gene Ammons (am 1946-10-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-10-05), Hobart Dotson (am 1946-10-05), Leonard Hawkins (am 1946-10-05) und King Kolax (am 1946-10-05)
vocals:
Billy Eckstine (am 1946-10-05)
recording of:
Jelly, Jelly (am 1946-10-05)
Verfasser(in):
Billy Eckstine und Earl Hines (jazz pianist and bandleader)
3:19
9Don’t Sing Me the Blues
Gitarre:
Connie Wainwright (am 1946-10-18)
Klavier:
Linton Garner (am 1946-10-18)
Kontrabass:
Tommy Potter (am 1946-10-18)
Schlagzeug:
Art Blakey (am 1946-10-18)
Tenorsaxophon:
Gene Ammons (am 1946-10-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-10-18)
vocals:
Earl Coleman (am 1946-10-18)
2:54
10I’ve Always Got the Blues
Gitarre:
Connie Wainwright (am 1946-10-18)
Klavier:
Linton Garner (am 1946-10-18)
Kontrabass:
Tommy Potter (am 1946-10-18)
Schlagzeug:
Art Blakey (am 1946-10-18)
Tenorsaxophon:
Gene Ammons (am 1946-10-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-10-18)
vocals:
Ann Baker (am 1946-10-18)
3:10
11Don’t Explain to Me Baby
Gitarre:
Connie Wainwright (am 1946-10-18)
Klavier:
Linton Garner (am 1946-10-18)
Kontrabass:
Tommy Potter (am 1946-10-18)
Schlagzeug:
Art Blakey (am 1946-10-18)
Tenorsaxophon:
Gene Ammons (am 1946-10-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-10-18)
vocals:
Earl Coleman (am 1946-10-18)
2:55
12Baby, Won’t You Make Up Your Mind
Gitarre:
Connie Wainwright (am 1946-10-18)
Klavier:
Linton Garner (am 1946-10-18)
Kontrabass:
Tommy Potter (am 1946-10-18)
Schlagzeug:
Art Blakey (am 1946-10-18)
Tenorsaxophon:
Gene Ammons (am 1946-10-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-10-18)
vocals:
Ann Baker (am 1946-10-18)
3:12
13Ain’t Misbehavin’
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (am 1950-05-18)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
3:01
14Goodnight My Love
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
George Treadwell & His All Stars (am 1950-05-18)
cover recording of:
Goodnight, My Love (1936) (am 1950-05-18)
Texter:
Harry Revel (British-born American composer)
Komponist(in):
Mack Gordon
3:28
15Can’t Get Out of This Mood
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Solo-Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Solo-Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Solo-Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
cover recording of:
Can’t Get Out of This Mood (am 1950-05-18)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
2:50
16It Might as Well Be Spring
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1950-05-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3:13
17Mean to Me
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
recording of:
Mean to Me (am 1950-05-19)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:54
18Come Rain or Come Shine
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
recording of:
Come Rain or Come Shine (am 1950-05-19)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
3:25
19Nice Work If You Can Get It
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
recording of:
Nice Work If You Can Get It (am 1950-05-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:36
20East of the Sun
E-Gitarre:
Mundell Lowe (am 1950-05-19)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-19)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-19)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-19)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-19)
Schlagzeug:
J.C. Heard (am 1950-05-19)
Tenorsaxophon:
Budd Johnson (am 1950-05-19)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-19)
vocals:
Sarah Vaughan (am 1950-05-19)
recording of:
East of the Sun (and West of the Moon) (am 1950-05-19)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
3:06