オトナのアイのうた -ジャズ編-

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1What a Wonderful World
recording of:
What a Wonderful World
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong2:20
2A Lover’s Concerto
cover recording of:
A Lover’s Concerto
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
EMI Music Publishing (do not use as a release label!)
basiert auf:
Minuet in G major, BWV Anh. 114 (for keyboard)
Sarah Vaughan2:48
3The Girl from Ipanema
recording engineer:
Phil Ramone
Produzent(in):
Creed Taylor
Bassgitarre:
Tommy Williams (jazz bassist) (von 1963-03-18 bis 1963-03-19)
Gast-Klavier und Klavier:
Antônio Carlos Jobim (von 1963-03-18 bis 1963-03-19)
Gitarre:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Kontrabass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
Schlagzeug:
Milton Banana (von 1963-03-18 bis 1963-03-19)
Schlagzeug [drums]:
Milton Banana (in 1963-03)
Tenorsaxophon:
Stan Getz (von 1963-03-18 bis 1963-03-19)
vocals:
Astrud Gilberto (von 1963-03-18 bis 1963-03-19) und João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (von 1963-03-18 bis 1963-03-19)
Interpret(in):
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) und Antônio Carlos Jobim
aufgenommen bei:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (von 1963-03-18 bis 1963-03-19)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 461)
recording of:
The Girl From Ipanema (von 1963-03-18 bis 1963-03-19)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Stan Getz & João Gilberto45:26
4Fly Me to the Moon
Techniker(in):
Val Valentin
leitende(r) Produzent(in):
Ken Druker
Produzent(in):
Creed Taylor
vocals:
Astrud Gilberto (von 1964-10-21 bis 1965-02-04)
conductor:
Claus Ogerman (von 1964-10-21 bis 1965-02-04)
arranger:
Claus Ogerman
aufgenommen bei:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1964-10-21)
cover recording of:
Fly Me to the Moon (von 1964-10-21 bis 1965-02-04)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Astrud Gilberto2:22
5Calling You
cover recording of:
Calling You
Texter und Komponist(in):
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1988 nominee)
Natalie Cole5:02
6Timer after Time
cover recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Paul Anka4:03
7Our Love Is Here to Stay (mono)
cover recording of:
Love Is Here to Stay (am 1957-08-23)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
Ella Fitzgerald & Louis Armstrong4:01
8Love Letters (mono)
cover recording of:
Love Letters
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und Warner/Chappell Music Ltd. (1996–2019)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Peggy Lee2:49
9What a Difference a Day Made
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:31
10Takin’ a Chance on Love (mono)
recording of:
Taking a Chance on Love
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
Anita O’Day2:25
11You’d Be Nice to Come Home To (mono)
Produzent(in):
Quincy Jones
baritone saxophone und Bassklarinette:
Danny Bank (reeds) (am 1954-12-22)
Bass:
Milt Hinton (am 1954-12-22)
Gitarre:
Barry Galbraith (am 1954-12-22)
Instrumente:
Osie Johnson (am 1954-12-22)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1954-12-22)
Trompete:
Clifford Brown (trumpet) (am 1954-12-22)
Sologesang:
Helen Merrill (am 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (am 1954-12-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Helen Merrill4:23
12Everything Happens to Me
recording of:
Everything Happens to Me
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Chet Baker25:04
13The Look of Love
arranger:
Dave Grusin (American pianist and score composer)
cover recording of:
The Look of Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Sérgio Mendes & Brasil ’662:46
14The Man I Love
Produzent(in):
Robert Sadin
Mix:
Bruce Swedien
Bass:
Ira Coleman (von 1998-03 bis 1998-06)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (von 1998-03 bis 1998-06)
Schlagzeug:
Terri Lyne Carrington (von 1998-03 bis 1998-06)
Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer) (von 1998-03 bis 1998-06)
vocals:
Joni Mitchell (von 1998-03 bis 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Robert Sadin
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
The Man I Love (von 1998-03 bis 1998-06)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Herbie Hancock feat. Joni Mitchell5:59
15Moon River
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Jane Monheit4:45
16Ai No Corrida
Synthesizer-Programmierung:
Ian Underwood
Produzent(in):
Quincy Jones
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
David “Hawk” Wolinski
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hybrid-Piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
membranophone:
John “JR” Robinson (session drummer)
Perkussion, Perkussion [mouth percussion] und sonstiger Gesang:
Paulinho da Costa (Brazilian percussionist)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Saxophon:
Kim Hutchcroft und Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Synthesizer:
Craig Hundley, Greg Phillinganes und Ian Underwood
Trompete:
Chuck Findley (trumpet, trombone, horn player) und Jerry Hey
Hintergrundgesang:
Patti Austin, Tom Bahler und Jim Gilstrap
Sologesang:
Charles May
Blechblasinstrumente arranger:
Jerry Hey
Perkussion arranger:
Quincy Jones
Synthesizer arranger:
Jerry Hey und Quincy Jones
vocals arranger:
Patti Austin und Quincy Jones
cover recording of:
Ai no corrida
Verfasser(in):
Chaz Jankel (English musician and songwriter) und Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones46:27

Nennungen

Veröffentlichung

ASIN:JP: B001QL36J4 [Info]

Veröffentlichungsgruppe

Teil von:アイのうた (UNIVERSAL‐related series, all have a ♥‐shaped something on cover) (Reihenfolge: 3)