オトナのアイのうた -ジャズ編-

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1What a Wonderful World
registrazione di:
What a Wonderful World
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong2:20
2A Lover’s Concerto
registrazione cover di:
A Lover’s Concerto
autore:
Sandy Linzer e Denny Randell
editore:
EMI Music Publishing (do not use as a release label!)
si basa su:
Minuet in G major, BWV Anh. 114 (for keyboard)
Sarah Vaughan2:48
3The Girl from Ipanema
tecnico di registrazione:
Phil Ramone
produttore:
Creed Taylor
batteria :
Milton Banana (dal 1963-03-18 al 1963-03-19)
batteria [drums] :
Milton Banana (nel 1963-03)
chitarra :
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (dal 1963-03-18 al 1963-03-19)
chitarra basso :
Tommy Williams (jazz bassist) (dal 1963-03-18 al 1963-03-19)
contrabbasso [bass] :
Tommy Williams (jazz bassist) (nel 1963-03)
pianoforte e pianoforte ospite :
Antônio Carlos Jobim (dal 1963-03-18 al 1963-03-19)
sassofono tenore :
Stan Getz (dal 1963-03-18 al 1963-03-19)
voce:
Astrud Gilberto (dal 1963-03-18 al 1963-03-19) e João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (dal 1963-03-18 al 1963-03-19)
esecutore:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) e Antônio Carlos Jobim
registrata presso:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (dal 1963-03-18 al 1963-03-19)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 461)
registrazione di:
The Girl From Ipanema (dal 1963-03-18 al 1963-03-19)
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, volume I)
Stan Getz & João Gilberto45:26
4Fly Me to the Moon
tecnico:
Val Valentin
produttore:
Creed Taylor
produttore esecutivo:
Ken Druker
voce:
Astrud Gilberto (dal 1964-10-21 al 1965-02-04)
direttore d'orchestra:
Claus Ogerman (dal 1964-10-21 al 1965-02-04)
arrangiatore:
Claus Ogerman
registrata presso:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1964-10-21)
registrazione cover di:
Fly Me to the Moon (dal 1964-10-21 al 1965-02-04)
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Astrud Gilberto2:22
5Calling You
registrazione cover di:
Calling You
paroliere e compositore:
Bob Telson (composer, songwriter and pianist)
editore:
Boodle Music (nel 1987)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 61st Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1988 nominee)
Natalie Cole5:02
6Timer after Time
registrazione cover di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Paul Anka4:03
7Our Love Is Here to Stay (mono)
registrazione cover di:
Love Is Here to Stay (il 1957-08-23)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
Ella Fitzgerald & Louis Armstrong4:01
8Love Letters (mono)
registrazione cover di:
Love Letters
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
Peggy Lee2:49
9What a Difference a Day Made
registrata a:
New York, New York, Stati Uniti (il 1959-02-19)
produttore:
Clyde Otis (American songwriter and record producer)
batteria :
Panama Francis (US swing jazz drummer) (il 1959-02-19)
chitarra :
Kenny Burrell (il 1959-02-19)
contrabbasso :
Milt Hinton (il 1959-02-19)
flauto :
Jerome Richardson (il 1959-02-19)
pianoforte :
Joe Zawinul (jazz and fusion keyboard player) (il 1959-02-19)
sassofono baritono :
Charles Davis (saxophone player) (il 1959-02-19)
voce:
Dinah Washington (il 1959-02-19)
voce principale:
Dinah Washington (il 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (il 1959-02-19)
direttore d'orchestra:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (il 1959-02-19)
arrangiatore:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
registrazione cover di:
What a Diff’rence a Day Made (il 1959-02-19)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington2.82:31
10Takin’ a Chance on Love (mono)
registrazione di:
Taking a Chance on Love
paroliere:
Ted Fetter e John Latouche
compositore:
Vernon Duke
editore:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. e Taking a Chance on Love Music Company
parte di:
Cabin in the Sky
Anita O’Day2:25
11You’d Be Nice to Come Home To (mono)
produttore:
Quincy Jones
basso :
Milt Hinton (il 1954-12-22)
chitarra :
Barry Galbraith (il 1954-12-22)
clarinetto basso e sassofono baritono :
Danny Bank (reeds) (il 1954-12-22)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1954-12-22)
strumenti:
Osie Johnson (il 1954-12-22)
tromba :
Clifford Brown (trumpet) (il 1954-12-22)
voce principale:
Helen Merrill (il 1954-12-22)
direttore d'orchestra:
Quincy Jones
arrangiatore:
Quincy Jones
registrata presso:
Fine Recording Studios in Manhattan, New York, New York, Stati Uniti (il 1954-12-22)
registrazione cover di:
You’d Be So Nice to Come Home To (il 1954-12-22)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Helen Merrill4:23
12Everything Happens to Me
registrazione di:
Everything Happens to Me
paroliere:
Tom Adair
compositore:
Matt Dennis (American singer, pianist, band leader)
editore:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Chet Baker25:04
13The Look of Love
arrangiatore:
Dave Grusin (American pianist and score composer)
registrazione cover di:
The Look of Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Sérgio Mendes & Brasil ’662:46
14The Man I Love
produttore:
Robert Sadin
tecnico di missaggio:
Bruce Swedien
basso :
Ira Coleman (dal 1998-03 al 1998-06)
batteria :
Terri Lyne Carrington (dal 1998-03 al 1998-06)
pianoforte :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (dal 1998-03 al 1998-06)
sassofono tenore :
Wayne Shorter (US jazz saxophonist and composer) (dal 1998-03 al 1998-06)
voce:
Joni Mitchell (dal 1998-03 al 1998-06)
arrangiatore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Robert Sadin
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
mixata presso:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
The Man I Love (dal 1998-03 al 1998-06)
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Herbie Hancock feat. Joni Mitchell5:59
15Moon River
registrazione cover di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Jane Monheit4:45
16Ai No Corrida
programmazione degli strumenti:
Ian Underwood
produttore:
Quincy Jones
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
David “Hawk” Wolinski
membranofono :
John “JR” Robinson (session drummer)
percussione , percussione [mouth percussion] e altra voce:
Paulinho da Costa (Brazilian percussionist)
pianoforte elettrico :
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
sassofono :
Kim Hutchcroft e Ernie Watts (jazz and blues saxophonist)
sintetizzatore :
Craig Hundley, Greg Phillinganes e Ian Underwood
tromba :
Chuck Findley (trumpet, trombone, horn player) e Jerry Hey
trombone :
Bill Reichenbach, Jr. (jazz trombonist)
voce di accompagnamento:
Patti Austin, Tom Bahler e Jim Gilstrap
voce principale:
Charles May
arrangiatore ottoni :
Jerry Hey
arrangiatore percussione :
Quincy Jones
arrangiatore sintetizzatore :
Jerry Hey e Quincy Jones
arrangiatore voci:
Patti Austin e Quincy Jones
registrazione cover di:
Ai no corrida
autore:
Chaz Jankel (English musician and songwriter) e Kenny Young
editore:
Lazy Lizard Music Inc.
Quincy Jones46:27

Accreditamenti

Pubblicazione

ASIN:JP: B001QL36J4 [info]

Gruppo di pubblicazioni

parte di:アイのうた (UNIVERSAL‐related series, all have a ♥‐shaped something on cover) (ordine: 3)