The Great Guitar Concertos

~ Release by John Williams (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Concerto for Guitar & String Orchestra in D major: I. Allegro
engineer:
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music) (in 1968-10) and Hellmuth Kolbe (in 1968-10)
producer:
Paul Myers (classical record producer) (in 1968-10)
classical guitar:
John Williams (classical guitarist) (in 1968-10)
harpsichord:
Colin Tilney (harpsichordist) (in 1968-10)
orchestra:
English Chamber Orchestra (in 1968-10)
conductor:
Sir Charles Groves (conductor) (in 1968-10) and John Williams (classical guitarist) (in 1968-10)
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto (in 1968-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi3:34
2Concerto for Guitar & String Orchestra in D major: II. Largo
engineer:
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music) (in 1968-10) and Hellmuth Kolbe (in 1968-10)
producer:
Paul Myers (classical record producer) (in 1968-10)
classical guitar:
John Williams (classical guitarist) (in 1968-10)
harpsichord:
Colin Tilney (harpsichordist) (in 1968-10)
orchestra:
English Chamber Orchestra (in 1968-10)
conductor:
Sir Charles Groves (conductor) (in 1968-10) and John Williams (classical guitarist) (in 1968-10)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1968-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi4:15
3Concerto for Guitar & String Orchestra in D major: III. Allegro
engineer:
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music) (in 1968-10) and Hellmuth Kolbe (in 1968-10)
producer:
Paul Myers (classical record producer) (in 1968-10)
classical guitar:
John Williams (classical guitarist) (in 1968-10)
harpsichord:
Colin Tilney (harpsichordist) (in 1968-10)
orchestra:
English Chamber Orchestra (in 1968-10)
conductor:
Sir Charles Groves (conductor) (in 1968-10) and John Williams (classical guitarist) (in 1968-10)
recording of:
Concerto for Lute in D major, RV 93: III. Allegro (in 1968-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi2:19
4Concierto de Aranjuez: I. Allegro con spirito
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:05
5Concierto de Aranjuez: II. Adagio
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (from 1983-03-06 until 1983-03-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Concierto de Aranjuez: II. Adagio (from 1983-03-06 until 1983-03-07)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:26
6Concierto de Aranjuez: IIII. Allegro gentile
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Concierto de Aranjuez: III. Allegro gentile (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:09
7Fantasía para un gentilhombre: I. Villano y Ricercare: Adagietto – Andante moderato
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Fantasía para un gentilhombre: I. Villano y ricercare (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:59
8Fantasía para un gentilhombre: II. Españoleta y Fanfare de la Caballería de Nápoles: Adagio – Allegretto, molto ritmico: Tempo de Españoleta
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo9:34
9Fantasía para un gentilhombre: III. Danza de las Hachas: Allegro con brio
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Fantasía para un gentilhombre: III. Danza de las hachas (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo2:00
10Fantasía para un gentilhombre: IV. Canario: Allegro ma non troppo
engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (from 1983-03-06 until 1983-03-07)
producer:
John Williams (classical guitarist) (in 1983-03) and David Mottley (producer) (from 1983-03-06 until 1983-03-07)
classical guitar:
John Williams (classical guitarist) (from 1983-03-06 until 1983-03-07)
cor anglais:
Christine Pendrill (in 1983-03)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1983-03-06 until 1983-03-07)
conductor:
Louis Frémaux (conductor) (from 1983-03-06 until 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-03-06 until 1983-03-07)
recording of:
Fantasía para un gentilhombre: IV. Canario (in 1983)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:52
11Concerto no. 1 in D, Op. 99: I. Allegretto
engineer:
Mike Ross‐Trevor (engineer) (in 1977)
producer:
Roy Emerson (producer, engineer, classical) (in 1977) and Michael Gore (producer) (in 1977)
classical guitar:
John Williams (classical guitarist) (in 1977)
orchestra:
English Chamber Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: I. Allegretto (in 1977)
composer:
Mario Castelnuovo‐Tedesco (Italian composer)
part of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99
Mario Castelnuovo‐Tedesco6:36
12Concerto no. 1 in D, Op. 99: II. Andantino alla romanza
engineer:
Mike Ross‐Trevor (engineer) (in 1977)
producer:
Roy Emerson (producer, engineer, classical) (in 1977) and Michael Gore (producer) (in 1977)
classical guitar:
John Williams (classical guitarist) (in 1977)
orchestra:
English Chamber Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: II. Andantino alla romanza (in 1977)
composer:
Mario Castelnuovo‐Tedesco (Italian composer)
part of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99
Mario Castelnuovo‐Tedesco7:31
13Concerto no. 1 in D, Op. 99: III. Ritmico e cavalleresco
engineer:
Mike Ross‐Trevor (engineer) (in 1977)
producer:
Roy Emerson (producer, engineer, classical) (in 1977) and Michael Gore (producer) (in 1977)
classical guitar:
John Williams (classical guitarist) (in 1977)
orchestra:
English Chamber Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: III. Ritmico e cavalleresco (in 1977)
composer:
Mario Castelnuovo‐Tedesco (Italian composer)
part of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99
Mario Castelnuovo‐Tedesco6:38
2▶CD

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Release

ASIN:US: B0000026P7 [info]