The Great Guitar Concertos

~ Veröffentlichung von John Williams (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Concerto for Guitar & String Orchestra in D major: I. Allegro
Techniker(in):
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music) (in 1968-10) und Hellmuth Kolbe (in 1968-10)
Produzent(in):
Paul Myers (classical record producer) (in 1968-10)
Cembalo:
Colin Tilney (harpsichordist) (in 1968-10)
klassiche Gitarre:
John Williams (classical guitarist) (in 1968-10)
Orchester:
English Chamber Orchestra (in 1968-10)
conductor:
Sir Charles Groves (conductor) (in 1968-10) und John Williams (classical guitarist) (in 1968-10)
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto (in 1968-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
Antonio Vivaldi3:34
2Concerto for Guitar & String Orchestra in D major: II. Largo
Techniker(in):
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music) (in 1968-10) und Hellmuth Kolbe (in 1968-10)
Produzent(in):
Paul Myers (classical record producer) (in 1968-10)
Cembalo:
Colin Tilney (harpsichordist) (in 1968-10)
klassiche Gitarre:
John Williams (classical guitarist) (in 1968-10)
Orchester:
English Chamber Orchestra (in 1968-10)
conductor:
Sir Charles Groves (conductor) (in 1968-10) und John Williams (classical guitarist) (in 1968-10)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1968-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
Antonio Vivaldi4:15
3Concerto for Guitar & String Orchestra in D major: III. Allegro
Techniker(in):
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music) (in 1968-10) und Hellmuth Kolbe (in 1968-10)
Produzent(in):
Paul Myers (classical record producer) (in 1968-10)
Cembalo:
Colin Tilney (harpsichordist) (in 1968-10)
klassiche Gitarre:
John Williams (classical guitarist) (in 1968-10)
Orchester:
English Chamber Orchestra (in 1968-10)
conductor:
Sir Charles Groves (conductor) (in 1968-10) und John Williams (classical guitarist) (in 1968-10)
recording of:
Concerto for Lute in D major, RV 93: III. Allegro (in 1968-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
Antonio Vivaldi2:19
4Concierto de Aranjuez: I. Allegro con spirito
Techniker(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”) (von 1983-03-06 bis 1983-03-07)
Produzent(in):
John Williams (classical guitarist) (in 1983-03) und David Mottley (producer) (von 1983-03-06 bis 1983-03-07)
Englischhorn:
Christine Pendrill (in 1983-03)
klassiche Gitarre:
John Williams (classical guitarist) (von 1983-03-06 bis 1983-03-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1983-03-06 bis 1983-03-07)
conductor:
Louis Frémaux (conductor) (von 1983-03-06 bis 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-03-06 bis 1983-03-07)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (in 1983)
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo6:05
5Concierto de Aranjuez: II. Adagio
Techniker(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”) (von 1983-03-06 bis 1983-03-07)
Produzent(in):
John Williams (classical guitarist) (in 1983-03) und David Mottley (producer) (von 1983-03-06 bis 1983-03-07)
Englischhorn:
Christine Pendrill (von 1983-03-06 bis 1983-03-07)
klassiche Gitarre:
John Williams (classical guitarist) (von 1983-03-06 bis 1983-03-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1983-03-06 bis 1983-03-07)
conductor:
Louis Frémaux (conductor) (von 1983-03-06 bis 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-03-06 bis 1983-03-07)
recording of:
Concierto de Aranjuez: II. Adagio (von 1983-03-06 bis 1983-03-07)
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo10:26
6Concierto de Aranjuez: IIII. Allegro gentile
Techniker(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”) (von 1983-03-06 bis 1983-03-07)
Produzent(in):
John Williams (classical guitarist) (in 1983-03) und David Mottley (producer) (von 1983-03-06 bis 1983-03-07)
Englischhorn:
Christine Pendrill (in 1983-03)
klassiche Gitarre:
John Williams (classical guitarist) (von 1983-03-06 bis 1983-03-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1983-03-06 bis 1983-03-07)
conductor:
Louis Frémaux (conductor) (von 1983-03-06 bis 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-03-06 bis 1983-03-07)
recording of:
Concierto de Aranjuez: III. Allegro gentile (in 1983)
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo5:09
7Fantasía para un gentilhombre: I. Villano y Ricercare: Adagietto – Andante moderato
Techniker(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”) (von 1983-03-06 bis 1983-03-07)
Produzent(in):
John Williams (classical guitarist) (in 1983-03) und David Mottley (producer) (von 1983-03-06 bis 1983-03-07)
Englischhorn:
Christine Pendrill (in 1983-03)
klassiche Gitarre:
John Williams (classical guitarist) (von 1983-03-06 bis 1983-03-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1983-03-06 bis 1983-03-07)
conductor:
Louis Frémaux (conductor) (von 1983-03-06 bis 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-03-06 bis 1983-03-07)
recording of:
Fantasía para un gentilhombre: I. Villano y ricercare (in 1983)
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
Teil von:
Fantasía para un gentilhombre
Joaquín Rodrigo4:59
8Fantasía para un gentilhombre: II. Españoleta y Fanfare de la Caballería de Nápoles: Adagio – Allegretto, molto ritmico: Tempo de Españoleta
Techniker(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”) (von 1983-03-06 bis 1983-03-07)
Produzent(in):
John Williams (classical guitarist) (in 1983-03) und David Mottley (producer) (von 1983-03-06 bis 1983-03-07)
Englischhorn:
Christine Pendrill (in 1983-03)
klassiche Gitarre:
John Williams (classical guitarist) (von 1983-03-06 bis 1983-03-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1983-03-06 bis 1983-03-07)
conductor:
Louis Frémaux (conductor) (von 1983-03-06 bis 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-03-06 bis 1983-03-07)
recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (in 1983)
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
Teil von:
Fantasía para un gentilhombre
Joaquín Rodrigo9:34
9Fantasía para un gentilhombre: III. Danza de las Hachas: Allegro con brio
Techniker(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”) (von 1983-03-06 bis 1983-03-07)
Produzent(in):
John Williams (classical guitarist) (in 1983-03) und David Mottley (producer) (von 1983-03-06 bis 1983-03-07)
Englischhorn:
Christine Pendrill (in 1983-03)
klassiche Gitarre:
John Williams (classical guitarist) (von 1983-03-06 bis 1983-03-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1983-03-06 bis 1983-03-07)
conductor:
Louis Frémaux (conductor) (von 1983-03-06 bis 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-03-06 bis 1983-03-07)
recording of:
Fantasía para un gentilhombre: III. Danza de las hachas (in 1983)
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
Teil von:
Fantasía para un gentilhombre
Joaquín Rodrigo2:00
10Fantasía para un gentilhombre: IV. Canario: Allegro ma non troppo
Techniker(in):
Peter Brown (sound engineer, last name often misprinted as “Brown”) (von 1983-03-06 bis 1983-03-07)
Produzent(in):
John Williams (classical guitarist) (in 1983-03) und David Mottley (producer) (von 1983-03-06 bis 1983-03-07)
Englischhorn:
Christine Pendrill (in 1983-03)
klassiche Gitarre:
John Williams (classical guitarist) (von 1983-03-06 bis 1983-03-07)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1983-03-06 bis 1983-03-07)
conductor:
Louis Frémaux (conductor) (von 1983-03-06 bis 1983-03-07)
engineered at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-03-06 bis 1983-03-07)
recording of:
Fantasía para un gentilhombre: IV. Canario (in 1983)
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
Teil von:
Fantasía para un gentilhombre
Joaquín Rodrigo4:52
11Concerto no. 1 in D, Op. 99: I. Allegretto
Techniker(in):
Mike Ross‐Trevor (engineer) (in 1977)
Produzent(in):
Roy Emerson (producer, engineer, classical) (in 1977) und Michael Gore (producer) (in 1977)
klassiche Gitarre:
John Williams (classical guitarist) (in 1977)
Orchester:
English Chamber Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: I. Allegretto (in 1977)
Komponist(in):
Mario Castelnuovo‐Tedesco (Italian composer)
Teil von:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99
Mario Castelnuovo‐Tedesco6:36
12Concerto no. 1 in D, Op. 99: II. Andantino alla romanza
Techniker(in):
Mike Ross‐Trevor (engineer) (in 1977)
Produzent(in):
Roy Emerson (producer, engineer, classical) (in 1977) und Michael Gore (producer) (in 1977)
klassiche Gitarre:
John Williams (classical guitarist) (in 1977)
Orchester:
English Chamber Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: II. Andantino alla romanza (in 1977)
Komponist(in):
Mario Castelnuovo‐Tedesco (Italian composer)
Teil von:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99
Mario Castelnuovo‐Tedesco7:31
13Concerto no. 1 in D, Op. 99: III. Ritmico e cavalleresco
Techniker(in):
Mike Ross‐Trevor (engineer) (in 1977)
Produzent(in):
Roy Emerson (producer, engineer, classical) (in 1977) und Michael Gore (producer) (in 1977)
klassiche Gitarre:
John Williams (classical guitarist) (in 1977)
Orchester:
English Chamber Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: III. Ritmico e cavalleresco (in 1977)
Komponist(in):
Mario Castelnuovo‐Tedesco (Italian composer)
Teil von:
Concerto for Guitar and Orchestra no. 1 in D major, op. 99
Mario Castelnuovo‐Tedesco6:38
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ASIN:US: B0000026P7 [Info]