| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Love Changes Everything (from “Aspects of Love”) | Michael Ball & Il Divo | | 3:44 |
| 2 | Bring Him Home (from “Les Misérables”) | Alfie Boe | | 3:39 |
| 3 | Don’t Cry for Me Argentina (from “Evita”) | Elaine Paige | | 5:46 |
| 4 | All I Ask of You (from “The Phantom of the Opera”) | Michael Crawford & Barbara Bonney | | 4:52 |
| 5 | Somewhere (from “West Side Story”) | Katherine Jenkins | | 2:30 |
| 6 | Memory (from “Cats”) | Barbara Dickson | | 4:14 |
| 7 | Any Dream Will Do (from “Joseph and the Amazing Technicolor Dreamcoat”) | Jason Donovan | 4 | 3:55 |
| 8 | Let It Be Me (from “Dreamboats and Petticoats”) | Michael Ball & The Overtones | | 3:09 |
| 9 | Luck Be a Lady (from “Guys and Dolls”) | Donny Osmond | | 4:03 |
| 10 | Pure Imagination (from “Charlie and the Chocolate Factory”) | Jamie Cullum | 2 | 5:11 |
| 11 | My Eyes Adored You (from “Jersey Boys”) | Frankie Valli | | 3:32 |
| 12 | All That Jazz (from “Chicago”) | Liza Minnelli | | 3:06 |
| 13 | I Still Believe (from “Miss Saigon”) | Miss Saigon International Cast | | 4:10 |
| 14 | I Don’t Know How to Love Him (from “Jesus Christ Superstar”) | Barbara Dickson | | 3:58 |
| 15 | You’ll Never Walk Alone (from “Carousel”) | John Barrowman | | 3:37 |
| 16 | Summertime (from “Porgy and Bess”) | Meshell Dillon | | 2:18 |
| 17 | The Circle of Life (from “The Lion King”) | Andrew Halliday & Carmen Cusack | | 3:29 |
| 18 | Consider Yourself (from “Oliver”) | Irfan Ahmad & Dylan Harper | | 3:55 |
| 19 | I Won’t Send Roses (from “Mack and Mabel”) | Michael Ball | | 3:26 |
| 20 | It’s a Hard Knock Life (from “Annie”) | Sara French | | 3:40 |
| 21 | Goldfinger (from “Goldfinger”) | Shirley Bassey | 4.25 | 2:49 |
| 22 | Love at First Sight (from “Totally Blonde”) | Michael Bublé | 2.5 | 3:19 |
| 23 | Up Where We Belong (from “An Officer and a Gentleman”) | Joe Cocker & Jennifer Warnes | 3.5 | 3:46 |
| 24 | Out of Reach (from “Bridget Jones’s Diary”) | Gabrielle | 3.75 | 3:17 |
| 25 | Love Is All Around (from “Four Weddings and a Funeral”) | Wet Wet Wet | 3.85 | 3:59 |
| 26 | When You Say Nothing at All (from “Notting Hill”) | Ronan Keating | 2.75 | 4:15 |
| 27 | Unchained Melody (from “Ghost”)- Techniker(in):
- Larry Levine
- Produzent(in):
- Phil Spector
- Solo Sologesang:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographisches Urheberrecht (℗) von:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) und Universal Records (in 1966)
- aufgenommen bei:
- Radio Recorders Studios in West Hollywood, California , Vereinigte Staaten (in 1965-03)
- Teil von:
- The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- Texter:
- Hy Zaret
- Komponist(in):
- Alex North
- publisher:
- Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH , North Melody Publishing und Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- Teil von:
- The 28th Academy Award for Best Original Song (Nummer: 2)
| The Righteous Brothers | 3 | 3:37 |
| 28 | Stardust (from “Sleepless in Seattle”) | Nat King Cole | | 3:15 |
| 29 | Moon River (from “Breakfast at Tiffany’s”) | Andy Williams | | 2:45 |
| 30 | Love on the Rocks (from “The Jazz Singer”) | Russell Watson | | 3:50 |
| 31 | The Way We Were (from “The Way We Were”) | Gladys Knight & the Pips | | 4:34 |
| 32 | The Look of Love (from “Casino Royale”) | Dusty Springfield | 5 | 3:32 |
| 33 | Stand by Me (from “Stand by Me”)- recorded in:
- New York, New York, Vereinigte Staaten (am 1960-10-27)
- Produzent(in):
- Leiber and Stoller
- vocals:
- Ben E. King (am 1960-10-27)
- conductor:
- Stan Applebaum (am 1960-10-27)
- arranger:
- Stan Applebaum
- phonographisches Urheberrecht (℗) von:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
- recording of:
- Stand by Me (am 1960-10-27)
- publisher:
- Mike Stoller
- Verfasser(in):
- Ben E. King, Jerry Leiber und Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music und Universal Music Publishing
| Ben E. King | 4.65 | 2:59 |
| 34 | What the World Needs Now (from “Austin Powers”) | Dionne Warwick | | 3:09 |
| 35 | We Don’t Need Another Hero (from “Mad Max 3: Beyond Thunderdome”) | Tina Turner | 3.55 | 4:14 |
| 36 | Windmills of Your Mind (from “The Thomas Crown Affair”) | Noel Harrison | | 2:20 |
| 37 | It Must Have Been Love (from “Pretty Woman”) | Roxette | 3 | 3:52 |
| 38 | Everybody’s Talkin’ (from “Midnight Cowboy”) | Nilsson | 3.9 | 2:43 |
| 39 | Raindrops Keep Falling on My Head (from “Butch Cassidy and the Sundance Kid”)- vocals:
- B.J. Thomas
- conductor:
- Burt Bacharach
- phonographisches Urheberrecht (℗) von:
- Scepter (in 1970)
- Teil von:
- Billboard Year-End Hot 100 singles of 1970 (Nummer: 4) und Billboard: The 500 Best Pop Songs (Nummer: 345)
- recording of:
- Raindrops Keep Fallin’ on My Head
- Texter:
- Hal David
- Komponist(in):
- Burt Bacharach
- publisher:
- BMG Rights Management (UK) Ltd. (Hal David) , Casa David, Copyright Control , MCA Music , New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. , Universal Music Publishing , Universal Music Publishing Pty Ltd. , Warner Chappell Music , Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. , フジパシフィックミュージック und フジパシフィックミュージック 第2事業部
- Teil von:
- The 42nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1969 winner)
| B.J. Thomas | 4 | 3:00 |
| 40 | It Must Be Love (from “The Tall Guy”) | Madness | 4 | 3:20 |
| 41 | The Power of Love (from “Back to the Future”)- recording engineer:
- Jim Gaines und Robert Missbach
- assistierende(r) Techniker(in):
- Rob Beaton, Alex Haas , Tom Size und Jim “Watts” Vereecke
- zusätzliche(r) Techniker(in):
- Michael Christopher , Phil Kaffel und Malcolm Pollack
- Produzent(in):
- Bob Clearmountain, Jellybean und Huey Lewis and the News
- Mix:
- Robert Missbach
- Bassgitarre:
- Mario Cipollina
- Gitarre:
- Johnny Colla und Chris Hayes
- Keyboard:
- Sean Hopper
- Mundharmonika:
- Huey Lewis
- Perkussion und Schlagzeug:
- Bill Gibson
- Saxophon:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper und Huey Lewis
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
- aufgenommen bei:
- Fantasy Studios in Berkeley, California , Vereinigte Staaten, Studio D Recording in Sausalito, California , Vereinigte Staaten und The Plant Studios in Sausalito, California , Vereinigte Staaten
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, Vereinigte Staaten
- Musikvideos:
- The Power of Love von Huey Lewis and the News
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 108)
- recording of:
- The Power of Love
- Verfasser(in):
- Johnny Colla , Chris Hayes und Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music und WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
- Teil von:
- The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
- Teil von:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:55 |
| 42 | There’s Always Something There to Remind Me (from “Made in Dagenham”)- recording of:
- (There’s) Always Something There to Remind Me
- Texter:
- Hal David
- Komponist(in):
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) , Carlin Music Corporation, Copyright Control , Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (vom 2015-01-01 bis heute)
| Sandie Shaw | | 2:38 |
| 43 | Dream a Little Dream of Me (from “French Kiss”) | Mama Cass | 4.65 | 3:42 |
| 44 | Days (from “Sunny Afternoon”) | Kirsty MacColl | | 2:59 |
| 45 | Alfie (from “Alfie”) | Cilla Black | | 2:38 |
| 46 | Hallelujah (from “Shrek”) | Rufus Wainwright | 4.05 | 4:08 |
| 47 | Falling Slowly (from “Once”) | Michael Ball | | 4:17 |
| 48 | Try a Little Tenderness (from “The Commitments”) | Michael Bolton | | 4:45 |
| 49 | As Time Goes By (from “Casablanca”) | Bryan Ferry | | 2:35 |
| 50 | I Will Always Love You (from “The Bodyguard”) | Jane McDonald | | 4:35 |
| 51 | Thunderball (from “Thunderball”) | Tom Jones | 4.3 | 3:02 |
| 52 | The Music of the Night (from “The Phantom of the Opera”) | Michael Crawford | | 5:15 |
| 53 | Fight the Fight (from “From Here to Eternity”) | Michael Ball | | 3:34 |
| 54 | Over the Rainbow (from “The Wizard of Oz”)- vocals:
- Judy Garland (am 1939-07-28)
- Orchester:
- Victor Young and His Orchestra
- conductor:
- Victor Young (am 1939-07-28)
- phonographisches Urheberrecht (℗) von:
- Geffen Records (in 1939)
- recording of:
- Over the Rainbow (am 1939-07-28)
- Texter:
- Yip Harburg (in 1938)
- Komponist(in):
- Harold Arlen (in 1938)
- uraufgeführt von:
- Judy Garland (in 1939)
- publisher:
- EMI Feist Catalog Inc., EMI Music , EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell
- sub-publisher:
- 香港商百代音樂股份有限公司台灣分公司 , フジパシフィック音楽出版 SBK事業部 (bis 2014-12-31), ヤマハミュージックパブリッシング (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (vom 2017-04-01 bis heute)
- Teil von:
- The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
- Teil von:
- The Wizard of Oz
- Teil von:
- The Wizard of Oz
| Judy Garland | | 2:49 |
| 55 | Dancing Queen (from “Mamma Mia”)- Orchester:
- National Symphony Orchestra
- conductor:
- Julian Kelly
- phonographisches Urheberrecht (℗) von:
- Union Square Music Ltd. (in 2007)
- recording of:
- Dancing Queen
- Verfasser(in):
- Stig Anderson , Benny Andersson und Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing , Union Songs AB , Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. , Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
- Premiere bei:
- Kungliga Operan in Stockholm, Stockholms län , Schweden (am 1976-06-18)
- Teil von:
- Mamma Mia!
| Joanna Ampil | | 3:49 |
| 56 | Suddenly Seymour (from “Little Shop of Horrors”) | Little Shop of Horrors, New Broadway Cast | | 3:38 |
| 57 | Rule the World (from “Stardust”) | The Military Wives | | 3:55 |
| 58 | A Whole New World (from “Aladdin”) | Peter Andre & Katie Price | | 3:31 |
| 59 | Alone Again (Naturally) (from “Ice Age 3”) | Gilbert O’Sullivan | 5 | 3:38 |
| 60 | The Power of Love (from “Cashback”) | Frankie Goes to Hollywood | 4 | 5:29 |
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