| no | Titre | Artiste | Évaluation | Durée |
|---|
| 1 | Love Changes Everything (from “Aspects of Love”) | Michael Ball & Il Divo | | 3:44 |
| 2 | Bring Him Home (from “Les Misérables”) | Alfie Boe | | 3:39 |
| 3 | Don’t Cry for Me Argentina (from “Evita”) | Elaine Paige | | 5:46 |
| 4 | All I Ask of You (from “The Phantom of the Opera”) | Michael Crawford & Barbara Bonney | | 4:52 |
| 5 | Somewhere (from “West Side Story”) | Katherine Jenkins | | 2:30 |
| 6 | Memory (from “Cats”) | Barbara Dickson | | 4:14 |
| 7 | Any Dream Will Do (from “Joseph and the Amazing Technicolor Dreamcoat”) | Jason Donovan | 4 | 3:55 |
| 8 | Let It Be Me (from “Dreamboats and Petticoats”) | Michael Ball & The Overtones | | 3:09 |
| 9 | Luck Be a Lady (from “Guys and Dolls”) | Donny Osmond | | 4:03 |
| 10 | Pure Imagination (from “Charlie and the Chocolate Factory”) | Jamie Cullum | 2 | 5:11 |
| 11 | My Eyes Adored You (from “Jersey Boys”) | Frankie Valli | | 3:32 |
| 12 | All That Jazz (from “Chicago”) | Liza Minnelli | | 3:06 |
| 13 | I Still Believe (from “Miss Saigon”) | Miss Saigon International Cast | | 4:10 |
| 14 | I Don’t Know How to Love Him (from “Jesus Christ Superstar”) | Barbara Dickson | | 3:58 |
| 15 | You’ll Never Walk Alone (from “Carousel”) | John Barrowman | | 3:37 |
| 16 | Summertime (from “Porgy and Bess”) | Meshell Dillon | | 2:18 |
| 17 | The Circle of Life (from “The Lion King”) | Andrew Halliday & Carmen Cusack | | 3:29 |
| 18 | Consider Yourself (from “Oliver”) | Irfan Ahmad & Dylan Harper | | 3:55 |
| 19 | I Won’t Send Roses (from “Mack and Mabel”) | Michael Ball | | 3:26 |
| 20 | It’s a Hard Knock Life (from “Annie”) | Sara French | | 3:40 |
| 21 | Goldfinger (from “Goldfinger”) | Shirley Bassey | 4.25 | 2:49 |
| 22 | Love at First Sight (from “Totally Blonde”) | Michael Bublé | 2.5 | 3:19 |
| 23 | Up Where We Belong (from “An Officer and a Gentleman”) | Joe Cocker & Jennifer Warnes | 3.5 | 3:46 |
| 24 | Out of Reach (from “Bridget Jones’s Diary”) | Gabrielle | 3.75 | 3:17 |
| 25 | Love Is All Around (from “Four Weddings and a Funeral”) | Wet Wet Wet | 3.85 | 3:59 |
| 26 | When You Say Nothing at All (from “Notting Hill”) | Ronan Keating | 2.75 | 4:15 |
| 27 | Unchained Melody (from “Ghost”)- ingénieur :
- Larry Levine
- producteur :
- Phil Spector
- voix principale solo :
- Bobby Hatfield (le 1965-03)
- arrangeur :
- Jack Nitzsche
- droits phonographiques (℗) par :
- Spectrum Music , PolyGram Records, Inc. (le 1965, le 1968) et Universal Records (le 1966)
- enregistré à :
- Radio Recorders Studios dans West Hollywood, California , États-Unis (le 1965-03)
- partie de :
- The Co-Op: Top 10 British Funeral Songs (numéro : 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numéro : 269) et Rolling Stone: 500 Greatest Songs of All Time (numéro : 366)
- reprise recording of :
- Unchained Melody (le 1965-03)
- éditeur :
- Hy Zaret
- parolier :
- Hy Zaret
- compositeur :
- Alex North
- éditeur :
- Frank Music Corp. (terminé), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH , North Melody Publishing et Unchained Melody Publishing, LLC
- sous-éditeur :
- 日音 Synch事業部
- partie de :
- The 28th Academy Award for Best Original Song (numéro : 2)
| The Righteous Brothers | 3 | 3:37 |
| 28 | Stardust (from “Sleepless in Seattle”) | Nat King Cole | | 3:15 |
| 29 | Moon River (from “Breakfast at Tiffany’s”) | Andy Williams | | 2:45 |
| 30 | Love on the Rocks (from “The Jazz Singer”) | Russell Watson | | 3:50 |
| 31 | The Way We Were (from “The Way We Were”) | Gladys Knight & the Pips | | 4:34 |
| 32 | The Look of Love (from “Casino Royale”) | Dusty Springfield | 5 | 3:32 |
| 33 | Stand by Me (from “Stand by Me”)- enregistré en :
- New York, New York, États-Unis (le 1960-10-27)
- producteur :
- Leiber and Stoller
- voix :
- Ben E. King (le 1960-10-27)
- conductor :
- Stan Applebaum (le 1960-10-27)
- arrangeur :
- Stan Applebaum
- droits phonographiques (℗) par :
- HHO Ltd. , WEA International Inc. (le 1960, le 1961), Atlantic Recording Corporation (le 1961, le 1986), Progressive Music Publishing Company Inc. (le 1981) et Trio Music Co., Inc. (le 1981)
- partie de :
- Dave Marsh: The Best of the Top 40 Singles: 1961 (numéro : 1), Billboard: The 500 Best Pop Songs (numéro : 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (numéro : 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numéro : 131) et BILLIONS CLUB
- recording of :
- Stand by Me (le 1960-10-27)
- éditeur :
- Mike Stoller
- auteur :
- Ben E. King, Jerry Leiber et Mike Stoller
- éditeur :
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music et Universal Music Publishing
| Ben E. King | 4.65 | 2:59 |
| 34 | What the World Needs Now (from “Austin Powers”) | Dionne Warwick | | 3:09 |
| 35 | We Don’t Need Another Hero (from “Mad Max 3: Beyond Thunderdome”) | Tina Turner | 3.55 | 4:14 |
| 36 | Windmills of Your Mind (from “The Thomas Crown Affair”) | Noel Harrison | | 2:20 |
| 37 | It Must Have Been Love (from “Pretty Woman”) | Roxette | 3 | 3:52 |
| 38 | Everybody’s Talkin’ (from “Midnight Cowboy”) | Nilsson | 3.9 | 2:43 |
| 39 | Raindrops Keep Falling on My Head (from “Butch Cassidy and the Sundance Kid”)- voix :
- B.J. Thomas
- conductor :
- Burt Bacharach
- droits phonographiques (℗) par :
- Scepter (le 1970)
- partie de :
- Billboard Year-End Hot 100 singles of 1970 (numéro : 4) et Billboard: The 500 Best Pop Songs (numéro : 345)
- recording of :
- Raindrops Keep Fallin’ on My Head
- parolier :
- Hal David
- compositeur :
- Burt Bacharach
- éditeur :
- BMG Rights Management (UK) Ltd. (Hal David) , Casa David, Copyright Control , MCA Music , New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. , Universal Music Publishing , Universal Music Publishing Pty Ltd. , Warner Chappell Music , Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. , フジパシフィックミュージック et フジパシフィックミュージック 第2事業部
- partie de :
- The 42nd Academy Award for Best Original Song (numéro : 1) et Academy Award for Best Original Song (numéro : 1969 winner)
| B.J. Thomas | 4 | 3:00 |
| 40 | It Must Be Love (from “The Tall Guy”) | Madness | 4 | 3:20 |
| 41 | The Power of Love (from “Back to the Future”)- ingénieur du son :
- Jim Gaines et Robert Missbach
- ingénieur assistant :
- Rob Beaton, Alex Haas , Tom Size et Jim “Watts” Vereecke
- ingénieur supplémentaire :
- Michael Christopher , Phil Kaffel et Malcolm Pollack
- producteur :
- Bob Clearmountain, Jellybean et Huey Lewis and the News
- mixeur :
- Robert Missbach
- batterie et percussions :
- Bill Gibson
- clavier :
- Sean Hopper
- guitare :
- Johnny Colla et Chris Hayes
- guitare basse :
- Mario Cipollina
- harmonica :
- Huey Lewis
- saxophone :
- Johnny Colla
- voix :
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper et Huey Lewis
- droits phonographiques (℗) par :
- Chrysalis Records, Inc. (le 1984, le 1985, le 1986) et Chrysalis (le 1985)
- enregistré à :
- Fantasy Studios dans Berkeley, California , États-Unis, Studio D Recording dans Sausalito, California , États-Unis et The Plant Studios dans Sausalito, California , États-Unis
- mixé à :
- Power Station Studios dans Hell's Kitchen, New York, New York, États-Unis
- clips :
- The Power of Love par Huey Lewis and the News
- partie de :
- Billboard: The 500 Best Pop Songs (numéro : 108)
- recording of :
- The Power of Love
- auteur :
- Johnny Colla , Chris Hayes et Huey Lewis
- éditeur :
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music et WB Music Corp.
- sous-éditeur :
- Warner/Chappell Music Japan, Synch division et Yamaha Music Entertainment Holdings, Inc.
- partie de :
- The 58th Academy Award for Best Original Song (numéro : 2) et Academy Award for Best Original Song (numéro : 1985 nominee)
- partie de :
- Back to the Future: the Musical
- recording of :
- The Power of Love
- auteur :
- Peter Gill , Holly Johnson, Brian Nash et Mark O’Toole
- éditeur :
- Perfect Songs Ltd. et Rubet Music Publishing, Inc.
| Huey Lewis & the News | 4 | 3:55 |
| 42 | There’s Always Something There to Remind Me (from “Made in Dagenham”)- recording of :
- (There’s) Always Something There to Remind Me
- parolier :
- Hal David
- compositeur :
- Burt Bacharach
- éditeur :
- Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) , Carlin Music Corporation, Copyright Control , Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (jusqu’au 2014-12-31), フジパシフィック音楽出版 第2事業部 (jusqu’au 2014-12-31), フジパシフィックミュージック BMG事業部 (du 2015-01-01 à ce jour) et フジパシフィックミュージック 第2事業部 (du 2015-01-01 à ce jour)
| Sandie Shaw | | 2:38 |
| 43 | Dream a Little Dream of Me (from “French Kiss”) | Mama Cass | 4.65 | 3:42 |
| 44 | Days (from “Sunny Afternoon”) | Kirsty MacColl | | 2:59 |
| 45 | Alfie (from “Alfie”) | Cilla Black | | 2:38 |
| 46 | Hallelujah (from “Shrek”) | Rufus Wainwright | 4.05 | 4:08 |
| 47 | Falling Slowly (from “Once”) | Michael Ball | | 4:17 |
| 48 | Try a Little Tenderness (from “The Commitments”) | Michael Bolton | | 4:45 |
| 49 | As Time Goes By (from “Casablanca”) | Bryan Ferry | | 2:35 |
| 50 | I Will Always Love You (from “The Bodyguard”) | Jane McDonald | | 4:35 |
| 51 | Thunderball (from “Thunderball”) | Tom Jones | 4.3 | 3:02 |
| 52 | The Music of the Night (from “The Phantom of the Opera”) | Michael Crawford | | 5:15 |
| 53 | Fight the Fight (from “From Here to Eternity”) | Michael Ball | | 3:34 |
| 54 | Over the Rainbow (from “The Wizard of Oz”)- voix :
- Judy Garland (le 1939-07-28)
- orchestre :
- Victor Young and His Orchestra
- conductor :
- Victor Young (le 1939-07-28)
- droits phonographiques (℗) par :
- Geffen Records (le 1939)
- recording of :
- Over the Rainbow (le 1939-07-28)
- parolier :
- Yip Harburg (le 1938)
- compositeur :
- Harold Arlen (le 1938)
- première par :
- Judy Garland (le 1939)
- éditeur :
- EMI Feist Catalog Inc., EMI Music , EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. et Warner/Chappell
- sous-éditeur :
- 香港商百代音樂股份有限公司台灣分公司 , フジパシフィック音楽出版 SBK事業部 (jusqu’au 2014-12-31), ヤマハミュージックパブリッシング (jusqu’au 2017-03-31), フジパシフィックミュージック SBK事業部 (du 2015-01-01 à ce jour) et ヤマハミュージックエンタテインメントホールディングス (du 2017-04-01 à ce jour)
- partie de :
- The 12th Academy Award for Best Original Song (numéro : 1) et Academy Award for Best Original Song (numéro : 1939 winner)
- partie de :
- The Wizard of Oz
- partie de :
- The Wizard of Oz
| Judy Garland | | 2:49 |
| 55 | Dancing Queen (from “Mamma Mia”)- orchestre :
- National Symphony Orchestra
- conductor :
- Julian Kelly
- droits phonographiques (℗) par :
- Union Square Music Ltd. (le 2007)
- recording of :
- Dancing Queen
- auteur :
- Stig Anderson , Benny Andersson et Björn Ulvaeus
- éditeur :
- Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing , Union Songs AB , Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. , Universal–Songs of PolyGram International, Inc., EMI Waterford Music (du 1976 à ce jour), Universal PolyGram International Publishing, Inc. (du 1976 à ce jour) et Universal/Union Songs Musikförlag AB (du 1976 à ce jour)
- première à :
- Kungliga Operan dans Stockholm, Stockholms län , Suède (le 1976-06-18)
- partie de :
- Mamma Mia!
| Joanna Ampil | | 3:49 |
| 56 | Suddenly Seymour (from “Little Shop of Horrors”) | Little Shop of Horrors, New Broadway Cast | | 3:38 |
| 57 | Rule the World (from “Stardust”) | The Military Wives | | 3:55 |
| 58 | A Whole New World (from “Aladdin”) | Peter Andre & Katie Price | | 3:31 |
| 59 | Alone Again (Naturally) (from “Ice Age 3”) | Gilbert O’Sullivan | 5 | 3:38 |
| 60 | The Power of Love (from “Cashback”) | Frankie Goes to Hollywood | 4 | 5:29 |
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