Brava Berganza!: A Birthday Tribute

~ Release by Teresa Berganza (see all versions of this release, 1 available)

Annotation

El sombrero de tres picos
Recording: Boston Symphony Hall, 1976.10

El amor brujo
Recording: London, Henry Wood Hall, 1978.01

La vida breve:
Recording: London, Henry Wood Hall, 1978.01

Salud: Teresa Berganza (mezzo-soprano)
La abuela: Alicia Nafé (mezzo-soprano)
Carmela / Vendedora: Paloma Penez Iñigo (soprano)
Paco: José Carreras (tenor)
El tio sarvaor: Juan Pons (baritone)
El cantaor: Manuel Mairena (baritone)
Manuel: Ramón Contreras (baritone)
Una voz.: Manuel Cid (tenor)

El gato montes
Recording: Torrelodones (Madrid), Teatro Bulevar, 1991.12

Recording: Munich, Alter Herkules-Saal: 1976.12 (1-13) / 1975.03 (14-30)

Annotation last modified on 2008-06-14 10:50 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Carmen: Act I, IV. Havanaise. "L'amour est un oiseau rebelle" (Carmen, Chœur)
recorded in:
London (Greater London), England, United Kingdom (in 1977-09)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1977-09)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:25
2Carmen: Act I, IX. Chanson (Séguedille) et Duo. "Près des remparts de Séville" (Carmen, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:34
3Carmen: Act II, XI. Chanson. "Les triangles des sistres tintaient" (Carmen, Mercédès, Frasquita)
recorded in:
London (Greater London), England, United Kingdom (in 1977-09)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1977-09) and Alicia Nafé (mezzo-soprano) (in 1977-09)
soprano vocals:
Yvonne Kenny (Australian soprano) (in 1977-09)
orchestra:
London Symphony Orchestra (in 1977-09)
conductor:
Claudio Abbado (conductor) (in 1977-09)
balance engineer:
Karl-August Naegler (balance engineer)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:12
4Il barbiere di Seviglia: Act I, V. Cavatina. "Una voce poco fa" (Rosina)
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:36
5Il barbiere di Seviglia: Act I, VII. Duetto. "Dunque io son... tu non m'ingianni?" (Rosina, Figaro)
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
harpsichord:
Theodor Guschlbauer (conductor) (from 1971-09-11 until 1971-09-15)
baritone vocals [Figaro, barbiere]:
Hermann Prey (baritone) (from 1971-09-11 until 1971-09-15)
bass vocals [Bartolo, dottore in medicina]:
Enzo Dara (operatic bass) (from 1971-09-11 until 1971-09-15)
mezzo-soprano vocals [Rosina, pupilla di Bartolo]:
Teresa Berganza (mezzo-soprano) (from 1971-09-11 until 1971-09-15)
orchestra:
London Symphony Orchestra (from 1971-09-11 until 1971-09-15)
conductor:
Claudio Abbado (conductor) (from 1971-09-11 until 1971-09-15)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1971-09-11 until 1971-09-15)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1971-09-11 until 1971-09-15)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1971-09-11 until 1971-09-15)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:55
6Il barbiere di Seviglia: Act II, Xi. Aria. "Contro un cor che accende amore" (Rosina, Conte)
mezzo-soprano vocals [Rosina]:
Teresa Berganza (mezzo-soprano) (in 1971-09)
tenor vocals [Il Conte Almaviva]:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:43
7La clemenza di Tito: Act I, IX. Aria. "Parto, ma tu ben mio" (Sesto)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
bass clarinet:
Joachim Müller (engineer) (in 1979-01)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:48
8La clemenza di Tito: Act II, XIX. Rondo. "Deh per questo istante solo" (Sesto)
executive producer:
Werner Mayer (classical producer)
producer:
Reimar Bluth
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
conductor:
Karl Böhm (Austrian conductor) (in 1979-01)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1979-01)
recording of:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (in 1979-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart7:24
9La Cenerentola: Finale II, Rondo. "Nacqui all'affanno e al pianto"
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
baritone vocals:
Renato Capecchi (baritone) (in 1971-09)
bass vocals:
Paolo Montarsolo (operatic bass) (in 1971-09) and Ugo Trama (operatic bass) (in 1971-09)
choir vocals:
Scottish Opera Chorus (in 1971-09)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1971-09) and Laura Zannini (soprano) (in 1971-09)
soprano vocals:
Margherita Guglielmi (soprano) (in 1971-09)
tenor vocals:
Luigi Alva (tenor) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1971-09)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:06
10Madama Butterfly: Act II, Part I. Duetto. "Scuotti quella fronda di ciliegio" (Butterfly, Suzuki)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1987-04)
soprano vocals:
Mirella Freni (soprano) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:39
11Madama Butterfly: Act II, Part II. "Chi sia?" - "Zitta! Non la destar!" (Suzuki, Sharpless, Pinkerton)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
baritone vocals:
Juan Pons (baritone) (in 1987-04)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1987-04)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto III. “Chi sia?” (Suzuki, Pinkerton) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini3:09
12Madama Butterfly: Act II, Part II. "Io so che alle sue pene no ci sono conforti" (Sharpless, Pinkerton, Suzuki)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
baritone vocals:
Juan Pons (baritone) (in 1987-04)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1987-04)
tenor vocals:
José Carreras (Spanish tenor) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto III. “Io so che alle sue pene” (Sharpless, Suzuki, Pinkerton) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini2:28
13Pulcinella: VII. Allegretto: "Contento forse vivere"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Wolfgang Stengel
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1978-05)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-05)
tenor vocals:
Ryland Davies (tenor) (in 1978-05)
orchestra:
London Symphony Orchestra (in 1978-05)
conductor:
Claudio Abbado (conductor) (in 1978-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Pulcinella: Ancora poco meno "Contento forse vivere" (in 1978-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
Игорь Фёдорович Стравинский2:06
14Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Wolfgang Stengel
bass vocals:
John Shirley‐Quirk (bass-baritone) (in 1978-05)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1978-05)
tenor vocals:
Ryland Davies (tenor) (in 1978-05)
orchestra:
London Symphony Orchestra (in 1978-05)
conductor:
Claudio Abbado (conductor) (in 1978-05)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-05)
recording of:
Pulcinella: Allegro "Ncè sta quaccuna po" (in 1978-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
recording of:
Pulcinella: Andante "Sento dire no'ncè pace" (in 1978-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
recording of:
Pulcinella: Presto "Una te falan zemprece" (in 1978-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1920)
part of:
Pulcinella (ballet)
Игорь Фёдорович Стравинский4:55
15Siete canciones populares españolas: I. El Paño moruno
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 1: El paño moruno (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:12
16Siete canciones populares españolas: II. Seguidilla murcina
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1976-12, from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1976-12, from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-12, from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 2: Seguidilla murciana (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
recording of:
Siete canciones populares españolas, G. 40, nº 2: Seguidilla murciana (in 1976-12)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:26
17Siete canciones populares españolas: III. Asturiana
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 3: Asturiana (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla2:03
18Siete canciones populares españolas: IV. Jota
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 4: Jota (catch-all for arrangements) (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 4: Jota
Manuel de Falla3:00
19Siete canciones populares españolas: V. Nana
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1976-12, from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1976-12, from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-12, from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (in 1976-12)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:28
20Siete canciones populares españolas: VI. Canción
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 6: Canción (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:05
21Siete canciones populares españolas: VII. Polo
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 7: Polo (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:43
3▶CD
4▶CD

Credits

Release

ASIN:DE: B0007DHPRG [info]