Annotation

Copyright: © 2001 EMI Records Ltd.
℗ 2001 This compilation ℗ 2001 EMI Records Ltd.

Annotation last modified on 2025-01-22 11:41 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Ich habe genug, BWV 82: No. 1, Aria. "Ich habe genug"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach6:52
2Ich habe genug, BWV 82: No. 2, Rezitativ. "Ich habe genug"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 82a "Ich habe genug": II. Recitativo (Soprano) "Ich habe genug"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach1:21
3Ich habe genug, BWV 82: No. 3, Aria. "Schlummert ein, ihr matten Augen"
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
balance engineer:
Neville Boyling (engineer)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen" (in 1966-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach9:47
4Ich habe genug, BWV 82: No. 4, Rezitativ. "Mein Gott! Wenn kömmt das schöne: Nun!"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 82a "Ich habe genug": IV. Recitativo (Soprano) "Mein Gott! wann kömmt das schöne: Nun!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach1:01
5Ich habe genug, BWV 82: No. 5, Aria. "Ich freue mich auf meinen Tod"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach4:01
6Gott soll allein mein Herze haben, BWV 169: No. 1, Sinfonia
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach8:17
7Gott soll allein mein Herze haben, BWV 169: No. 2, Ariaso und Rezitativ. "Gott soll allein mein Herze haben"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach2:49
8Gott soll allein mein Herze haben, BWV 169: No. 3, Aria. "Gott soll allein mein Herze haben"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach5:30
9Gott soll allein mein Herze haben, BWV 169: No. 4, Rezitativ. "Was ist die Liebe Gottes"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:58
10Gott soll allein mein Herze haben, BWV 169: No. 5, Aria. "Stirb in mir"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach4:16
11Gott soll allein mein Herze haben, BWV 169: No. 6, Rezitativ. "Doch meint es auch dabei"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:36
12Gott soll allein mein Herze haben, BWV 169: No. 7, Choral. "Du süße Liebe, schenk' uns deine Gunst"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 256)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach1:20
13Weihnachtsoratorium, BWV 248: Pt. 1: No. 4, Aria. "Bereite dich, Zion, mit zärtlichen Trieben"
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:08
14Singet dem Herrn ein neues Lied, BWV 190: No. 3, Aria. "Lobe, Zion, deinen Gott"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:25
15Gelobet sei der Herr, mein Gott, BWV 129: No. 4, Aria. "Gelobet sei der Herr, mein Gott, der ewig lebet"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
Johann Sebastian Bach5:58
16O ewiges Feuer, o Ursprung der Liebe, BWV 34: No. 3, Aria. "Wohl euch, ihr auserwählten Seelen"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach6:33
17Magnificat in D major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo"
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (on 1975-10-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:30
18Lobet Gott in seinen Reichen, BWV 11 "Himmelfahrtsoratorium": No. 4, Aria. "Ach, bleibe doch, mein liebstes Leben“
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (conductor) (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (on 1975-10-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach7:20
2Digital Media