Jazz From A to Z Part 6

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Quicksilver
Art Blakey & Clifford Brown6:35
2Comin' Up
Bud Powell8:00
3The Jam
Bobby Gregg & His Friends2:29
4Duid Deed
double bass:
Paul Chambers (US jazz bassist) (on 1958-12-28)
drums (drum set):
Art Taylor (on 1958-12-28)
piano:
Bud Powell (on 1958-12-28)
recording of:
Duid Deed (on 1958-12-28)
composer:
Bud Powell
Bud Powell5:10
5Blues Walk
Biréli Lagrène5:47
6Havana
Bill Cunliffe7:49
7Pure Imagination
Bill Mays8:48
8I'll Remember April
The Clifford Brown–Max Roach Quintet13:12
9Salt Peanuts
recording of:
Salt Peanuts (in 1945)
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
adaptations:
Salt Peanuts (Pointer Sisters version, with lyrics)
Dizzy Gillespie's All-Star Quintet3:16
10Moon Samba (Moonlight in Vermont)
Carrie Wicks5:19
11I Remember You
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player)
double bass:
Milt Hinton
drums (drum set):
Panama Francis (US swing jazz drummer) (in 1959)
flute:
Jerome Richardson
guitar:
Kenny Burrell
piano:
Joe Zawinul (jazz and fusion keyboard player)
lead vocals:
Dinah Washington
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
I Remember You (from 1959-06 until 1959-08)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
Dinah Washington12:49
12What a Little Moonlight Can Do
clarinet:
Anat Cohen (on 2009-07-05)
double bass:
Peter Washington (American jazz double bassist) (on 2009-07-05)
drums (drum set):
Lewis Nash (American jazz drummer) (on 2009-07-05)
piano:
Benny Green (jazz pianist) (on 2009-07-05)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 2009-07-05)
live instrumental recording of:
What a Little Moonlight Can Do (on 2009-07-05)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
Anat Cohen7:24
13Shag Carpet
Brian Bromberg7:16
14Love Has Come Around
Donald Byrd7:50
15Boo-Dah
Duke Ellington3:31
16Serenata
engineer and mixer:
Patrick Springer
producer:
Rainer Haarmann
piano:
Alan Broadbent (from 2013-06-07 until 2013-06-08)
recorded at:
Classic Pianos in Portland, Oregon, United States (from 2013-06-07 until 2013-06-08)
Alan Broadbent7:25
17Lester Left Town
recording engineer:
Rudy van Gelder (on 1960-03-06)
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1960-03-06)
drums (drum set):
Art Blakey (on 1960-03-06)
piano:
Bobby Timmons (on 1960-03-06)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1960-03-06)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1960-03-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-03-06)
recording of:
Lester Left Town (on 1960-03-06)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Art Blakey & The Jazz Messengers6:27
18Kalinda
Andy Narell9:13
19Just One of Those Things
double bass:
Red Callender (on 1956-01-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1956-01-27)
piano:
Art Tatum (US jazz pianist) (on 1956-01-27)
recording of:
Just One of Those Things (on 1956-01-27)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Art Tatum7:14
20Come Fly With Me
Dave Valentin5:49
21Rhythm-a-ning
recording engineer:
Jack Higgins (recording engineer) (on 1957-08-12)
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
baritone saxophone:
Gerry Mulligan (on 1957-08-12)
bass:
Wilbur Ware (on 1957-08-12)
drums (drum set):
Shadow Wilson (on 1957-08-12)
piano:
Thelonious Monk (on 1957-08-12)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-08-12)
recording of:
Rhythm‐a‐ning (on 1957-08-12)
composer:
Thelonious Monk
publisher:
Thelonious Music and Thelonious Music Corporation (publisher, affiliated to BMI)
Gerry Mulligan & Thelonious Monk5:17
22Bebop
recording of:
Be-Bop
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Dizzy Gillespie6:22
23Ah-Leu-Cha
assistant engineer:
Peter Doris
engineer:
Robert Friedrich (American Grammy-award winning engineer)
producer:
Geri Allen (jazz pianist) and Elaine Martone (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 2006-03-16 until 2006-03-17)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 2006-03-16 until 2006-03-17)
piano:
Geri Allen (jazz pianist) (from 2006-03-16 until 2006-03-17)
trumpet:
Wallace Roney (jazz trumpeter) (from 2006-03-16 until 2006-03-17)
recorded at:
Avatar Studios, Studio A in New York, New York, United States (from 2006-03-16 until 2006-03-17)
recording of:
Ah-Leu-Cha (in 2006-03)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Geri Allen4:52
24Walkin'
recorded in:
New York, New York, United States (in 1962-02)
guitar:
Paul Weeden (in 1962-02)
membranophone:
Billy James (US jazz drummer) (in 1962-02)
organ:
Don Patterson (organist) (in 1962-02)
tenor saxophone:
Gene Ammons (in 1962-02) and Sonny Stitt (in 1962-02)
Gene Ammons & Sonny Stitt5:24
25One for Jerry
archtop guitar [Gibson ES-355]:
Grant Geissman
double bass:
Trey Henry
drums (drum set):
Ray Brinker
grand piano:
Tom Ranier (American jazz pianist, clarinetist, composer & arranger)
guest archtop guitar [1952 Gibson L-7]:
Jerry Hahn (guitar, post-bop jazz artist)
guest Hammond organ [Hammond B-3]:
Mike Finnigan (keyboardist)
percussion:
Alex Acuña and Brian Kilgore
recording of:
One For Jerry
writer and arranger:
Grant Geissman
publisher:
General Confusion Music
Grant Geissman7:32
26African Waltz
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009)
Cannonball Adderley2:12
27Watermelon Man
recording of:
Watermelon Man (with Lyrics)
lyricist:
Jon Hendricks
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
is based on:
Watermelon Man
version of:
Watermelon Man
Herbie Hancock7:09
28Be Mine (Tonight)
Grady Tate & Grover Washington, Jr.6:23
29Jammin' in Four
Edmond Hall4:21
30The Best Is Yet to Come
bass:
Cedric Napoleon
drums (drum set):
Darryl Washington (percussionist/drummer)
guitar:
James Herb Smith
keyboard:
James Lloyd (jazz keyboard/piano)
percussion:
Leonard Gibbs (percussionist)
shakers:
Ralph MacDonald
synthesizer:
Dexter Wansel
tenor saxophone:
Grover Washington, Jr.
background vocals and lead vocals:
Patti LaBelle
arranger:
Dexter Wansel and Grover Washington, Jr.
recording of:
The Best Is Yet to Come
writer:
Cynthia Biggs and Dexter Wansel
publisher:
Assorted Music, Cynthia Demari Biggs El and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Grover Washington, Jr.46:00
31Seventh Avenue Bill
recording engineer:
Rudy van Gelder (on 1968-03-21)
producer:
Duke Pearson
alto clarinet and tenor saxophone:
Frank Foster (saxophonist) (on 1968-03-21)
baritone saxophone:
Kenny Rodgers (saxophone) (on 1968-03-21)
double bass:
Bob Cranshaw (on 1968-03-21)
drums (drum set):
Mickey Roker (Drummer) (on 1968-03-21)
piano:
Richard Wyands (on 1968-03-21)
trombone:
Garnett Brown (on 1968-03-21)
trumpet:
Marvin Stamm (on 1968-03-21)
phonographic copyright (℗) by:
Blue Note Label Group
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1968-03-21)
Frank Foster11:52
32Black Fox
Freddy Robinson5:06
33Old Devil Moon
George Shearing & Cannonball Adderley6:43
34Puffin' on Down the Track
Hugh Masekela2:33
35Blue Train
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1957-09-15)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1957-09-15)
compilation of:
Blue Train (Part 1) by John Coltrane and Blue Train (Part 2) by John Coltrane
recording of:
Blue Train (on 1957-09-15)
composer:
John Coltrane
publisher:
Jowcol Music
John Coltrane10:44
36The Scene Is Clean
Grant Stewart6:54
37Opus de Funk
recording of:
Opus de Funk
composer:
Horace Silver
Horace Silver3:33
38Pat 'n' Chat
Hank Mobley, Donald Byrd, Freddie Hubbard & Herbie Hancock6:28
39Minor Swing
Ken Peplowski4:36
40The Dummy Song
recording of:
The Dummy Song
writer:
Lew Brown, Ray Henderson and Billy Rose (lyricist and Broadway producer)
Louis Armstrong2:22
41A Foggy Day
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
recording of:
A Foggy Day (in London Town) (on 1957-02-07)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Cannonball Adderley3:51
42One O'Clock Jump
engineer:
Irv Greenbaum
producer:
Creed Taylor
bass:
Eddie Jones (US jazz double bassist) (from 1957-08-26 until 1957-11-26)
drums (drum set):
Sonny Payne (from 1957-08-26 until 1957-11-26)
guitar:
Freddie Green (from 1957-08-26 until 1957-11-26)
piano:
Nat Pierce (from 1957-08-26 until 1957-11-26)
vocals:
Jon Hendricks (from 1957-08-26 until 1957-11-26), Dave Lambert (jazz vocalist) (from 1957-08-26 until 1957-11-26) and Annie Ross (from 1957-08-26 until 1957-11-26)
recorded at:
Beltone Studios in New York, New York, United States (from 1957-08-26 until 1957-11-26)
recording of:
One O’Clock Jump (from 1957-08-26 until 1957-11-26)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Lambert, Hendricks & Ross3:03
43Spontaneous Samba
Jermaine Landsberger & Biréli Lagrène4:44
44Middle Class White Boy
live recording of:
Middle Class White Boy
composer:
Mose Allison
Mose Allison2:53
45Greensleeves
recording engineer:
Rudy van Gelder (on 1961-05-23)
producer:
Creed Taylor
alto saxophone, alto saxophone, bass clarinet and flute, bass clarinet and flute:
Eric Dolphy (on 1961-05-23)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1961-05-23)
double bass:
Reggie Workman (on 1961-05-23)
double bass [bass]:
Jimmy Garrison (on 1961-05-23)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-23)
euphonium:
Charles Greenlee (on 1961-05-23) and Julian Priester (on 1961-05-23)
French horn:
Bob Northern (aka Brother Ah, French hornist and radio host) (on 1961-05-23), Donald Corrado (on 1961-05-23), Jim Buffington (US jazz, studio and classical hornist) (on 1961-05-23), Robert Swisshelm (on 1961-05-23) and Julius Watkins (on 1961-05-23)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-23)
piccolo, piccolo and woodwind and reeds:
Garvin Bushell (on 1961-05-23)
soprano saxophone:
John Coltrane (on 1961-05-23)
trumpet:
Freddie Hubbard (on 1961-05-23) and Booker Little (on 1961-05-23)
tuba:
Bill Barber (Jazz tuba player) (on 1961-05-23)
conductor:
Eric Dolphy (on 1961-05-23)
instruments arranger:
McCoy Tyner (jazz pianist)
arranger:
McCoy Tyner (jazz pianist) (on 1961-05-23)
orchestrator:
Eric Dolphy
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1995)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-05-23)
recording of:
Greensleeves (arrangement for John Coltrane by McCoy Tyner) (on 1961-05-23)
composer:
[traditional] (special purpose artist)
arranger:
McCoy Tyner (jazz pianist) (in 1961)
John Coltrane10:02
46Minor Chant
recording engineer:
Rudy van Gelder (on 1960-04-25)
producer:
Alfred Lion
drums (drum set):
Donald Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1960-04-25)
recording of:
Minor Chant (on 1960-04-25)
composer:
Stanley Turrentine
publisher:
Groove Music
Jimmy Smith7:34
47All Blues
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
All Blues (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
Miles Davis4.4511:36
48Footprints
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1967-10-28)
drums (drum set):
Tony Williams (American jazz drummer) (on 1967-10-28)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1967-10-28)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1967-10-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1967-10-28)
recorded at:
Koningin Elisabethzaal (Queen Elisabeth Hall) in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (on 1967-10-28)
live recording of:
Footprints (on 1967-10-28)
composer:
Wayne Shorter (US jazz saxophonist and composer)
publisher:
Miyako Music (Music publishing company for Wayne Shorter's compositions.)
Miles Davis9:28
49The Jive Samba
Cannonball Adderley11:02
50My Baby Just Cares for Me (Special extended version)
bass:
Jimmy Bond
drums (drum set):
Albert “Tootie” Heath
piano:
Nina Simone
vocals:
Nina Simone
cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone4.55:17
51Butch and Butch
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
recording of:
Butch and Butch (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer)
publisher:
Noslen Music Company (Oliver Nelson)
Oliver Nelson4:37
52I Want to Talk About You
double bass:
Jimmy Garrison (on 1963-11-02)
drums (drum set):
Elvin Jones (jazz drummer) (on 1963-11-02)
piano:
McCoy Tyner (jazz pianist) (on 1963-11-02)
tenor saxophone:
John Coltrane (on 1963-11-02)
recorded at:
Auditorium Maximum Freie Universität Berlin in Berlin, Germany (on 1963-11-02)
live instrumental cover recording of:
I Want to Talk About You (on 1963-11-02)
lyricist and composer:
Billy Eckstine
publisher:
Belinda Scandinavia AB
John Coltrane8:14
53Samba D'Blue
assistant engineer:
Ross Petersen (studio professional)
engineer:
Joe Ferla (from 2002-06-05 until 2002-06-06)
producer:
Mulgrew Miller
mixer:
Joe Ferla
bass:
Richie Goods (from 2002-06-05 until 2002-06-06)
drums (drum set):
Karriem Riggins (from 2002-06-05 until 2002-06-06)
piano:
Mulgrew Miller (from 2002-06-05 until 2002-06-06)
recording of:
Samba D’Blue (in 2002-06)
composer:
Mulgrew Miller
Mulgrew Miller & Wingspan4:59
54Four on Six
recording engineer:
Kirk Yano (from 2006-08-09 until 2006-08-10)
mixer:
Kirk Yano
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2006-08-09 until 2006-08-10)
mixed at:
Planet 2 Planet in New York, New York, United States
cover recording of:
Four on Six (in 2006-08)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
Pat Martino6:05
55Up Tight
Ramsey Lewis2:49
56If I'm Still Around Tomorrow
Roberta Flack & 渡辺貞夫4:26
57East to Wes
Sheryl Bailey & The Three Rivers Jazz Orchestra5:13
58Village of the Pharoahs
Pharoah Sanders16:59
59Way Back Home
live recording of:
Way Back Home
composer:
Wilton Felder
The Crusaders8:38
60When the Saints Go Marching In
Steve Davis & Hank Jones4:47
61Bossa Beguine
Resonance Big Band5:24
62Blue in Green
engineer:
Jon Rosenberg (engineer) (on 2006-07-03)
producer:
Russell Gunn
drums (drum set):
Montez Coleman (drums) (on 2006-07-03)
electric bass guitar [bass]:
Mark Kelley (US bassist, member of The Roots) (on 2006-07-03)
keyboard:
Orrin Evans (US jazz pianist) (on 2006-07-03)
percussion:
Kahlil Kwame Bell (on 2006-07-03)
trumpet:
Russell Gunn (on 2006-07-03)
recording of:
Blue in Green (on 2006-07-03)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Russell Gunn6:38
63Blue Minor
Sonny Clark10:20
64Namesake
Ray Mantilla5:05
65Azule Serape
recording engineer:
Rudy van Gelder (on 1962-02-04)
producer:
Alfred Lion
bass:
Andy Simpkins (on 1962-02-04)
drums (drum set):
Bill Dowdy (on 1962-02-04)
piano:
Gene Harris (on 1962-02-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-02-04)
The Three Sounds4:20
66Bloke's Blues
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Sam Jones (US jazz bassist) (from 1961-01-06 until 1961-01-11)
drums (drum set):
Louis Hayes (from 1961-01-06 until 1961-01-11)
piano:
Victor Feldman (jazz musician) (from 1961-01-06 until 1961-01-11) and Hank Jones (piano) (from 1961-01-06 until 1961-01-11)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-01-06 until 1961-01-11)
Victor Feldman5:35
67The Lady in My Life
Stanley Jordan6:23
68Chronic Blues
engineer:
Al Perrotta
producer:
Wayne Escoffery
mixer:
Rob Hunter (Wacko!, engineer)
double bass:
Hans Glawischnig (from 2007-11-28 until 2007-11-29)
drums (drum set):
Lewis Nash (American jazz drummer) (from 2007-11-28 until 2007-11-29)
tenor saxophone:
Wayne Escoffery (from 2007-11-28 until 2007-11-29)
trumpet:
Tom Harrell
vibraphone:
Joe Locke (United States jazz vibraphonist) (from 2007-11-28 until 2007-11-29)
recorded at:
Bennett Studios in Englewood, New Jersey, United States (from 2007-11-28 until 2007-11-29)
cover recording of:
Chronic Blues (from 2007-11-28 until 2007-11-29)
composer:
John Coltrane
publisher:
Jowcol Music
Wayne Escoffery8:05
69Round About Midnight
recorded in:
Paris, Île-de-France, France (on 1954-06-07)
producer:
Henri Renaud (French 1940–60s jazz pianist)
solo piano:
Thelonious Monk (on 1954-06-07)
instrumental recording of:
’Round Midnight (on 1954-06-07)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk5:17
70Benny's Tune
Terence Blanchard7:42
71Marciac Fun
Wynton Marsalis5:20
72Zoot Swings the Blues
Zoot Sims8:44
73They Say It's Wonderful
double bass [bass]:
Bob Cranshaw (on 1995-08-30)
drums (drum set):
Jack DeJohnette (on 1995-08-30)
piano:
Stephen Scott (jazz pianist) (on 1995-08-30)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1995-08-30)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (on 1995-08-30)
instrumental recording of:
They Say It’s Wonderful (from “Annie Get Your Gun”) (on 1995-10-07)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Co. and Irving Berlin Music Corp.
part of:
Annie Get Your Gun
Sonny Rollins6:15
74Tenor Madness
edit of:
Tenor Madness (studio, 1956-05-24) by Sonny Rollins Quartet
Sonny Rollins & John Coltrane15:32