100 Must-Have Movie Classics, Vol. 2

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Annotation

Annotation modifiée en dernier le 2022-10-02 20:50 UTC.

Liste de pistes

1Support numérique
noTitreArtisteÉvaluationDurée
1Concerto No. 2 in E Major for Violin and Strings, BWV 1042: I. Allegro (From "The Twilight Saga: Breaking Dawn - Part 1")
violon :
Christian Altenburger (German violinist)
orchestre :
Deutsche Bachsolisten (German Bach Soloists)
conductor :
Helmut Winschermann (oboist/conductor)
recording of :
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach7:29
2Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": II. Adagio un poco mosso (From "The King's Speech")Ludwig van Beethoven7:54
324 Préludes, Op. 28: No. 15, in D-Flat Major "Raindrop" (From "Prometheus")
recording of :
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (du 1836 au 1839)
partie de :
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (numéro : B. 107) et Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numéro : C. 180)
partie de :
24 Préludes pour le piano, op. 28
Fryderyk Chopin5:36
4Swan Lake, Op. 20, Act II: No.10 Scene (From "Black Swan")
recording of :
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
compositeur :
Pyotr Ilyich Tchaikovsky (Piotr Ilitch Tchaïkovski, Russian romantic composer)
partie de :
Swan Lake, op. 20: Act II
partie de :
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:49
5Orpheus in the Underworld, Act II: Can-Can (From "Midnight in Paris")
chœurs :
WDR Rundfunkchor Köln
orchestre :
WDR Rundfunkorchester Köln
recording of :
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
compositeur :
Jacques Offenbach (German-French composer, cellist and impresario)
partie de :
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:40
6Ave Maria (From "The American")
orchestre :
Simhah Chamber Collegium
recording of :
Ave Maria (Méditation sur le 1er prélude de piano de S. Bach, Bach/Gounod)
parolier :
[anonymous] (special purpose artist)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) et Charles Gounod (French composer) (le 1853)
est basée sur :
Méditation sur le Premier Prélude de Piano de S. Bach
est basée sur :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles Gounod2:49
7Pomp and Circumstance, Op.39: March No. 1 in D Major (From "Austin Powers in Goldmember")
recording of :
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
première en :
Liverpool, Merseyside, England, Royaume-Uni (le 1901-10-19)
éditeur :
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
compositeur :
Edward Elgar (composer) (le 1901)
éditeur :
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
partie de :
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:05
8Laudate Dominum, K. 339 (From "Philadelphia")
chœurs :
Jeunesses Musicales Chorus
voix de soprano :
Mária Zádori (soprano)
orchestre :
Budapest Philharmonic Orchestra
conductor :
Iván Fischer (conductor)
recording of :
Vesperae solennes de confessore, K. 339: V. Laudate dominum
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1780)
partie de :
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:10
9Piano Sonata No. 14 in C-Sharp Minor, Op.27: No.2 "Moonlight": I. Adagio sostenuto (From "Crimson Tide")
piano :
Evelyne Dubourg (pianist)
recording of :
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate pour piano No. 14 en do dièse mineur, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto)
compositeur :
Ludwig van Beethoven (German composer) (le 1801)
inclus dans :
end of starchild (video game soundtrack)
partie de :
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Sonate pour piano n° 14 en do dièse mineur, opus 27 n° 2 dite "Sonate au clair de lune")
Ludwig van Beethoven25:19
10An American in Paris (From "As Good As It Gets")
recording of :
An American in Paris
compositeur :
George Gershwin (composer) (le 1928)
éditeur :
Chappell Music Ltd.
première à :
Carnegie Hall dans Midtown Manhattan, New York, New York, États-Unis (le 1928-12-13)
inclus dans :
An American in Paris (2015 Broadway musical)
George Gershwin18:16
11Tritsch-Tratsch-Polka, Op.214 (From "Moonraker")
orchestre :
People's Opera Orchestra, Vienna et Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Joseph Francek (conductor, pseudonym for Alfred Scholz) et Alfred Scholz
interprète :
Orchester der Wiener Volksoper
recording of :
Tritsch–Tratsch Polka, op. 214
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (jusqu’au 1858)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 214)
Johann Strauss II22:42
12Canon in D Major (From "The Proposal")
orchestre :
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (du 1982 au 1984)
conductor :
Max Pommer (conductor) (du 1982 au 1984)
droits phonographiques (℗) par :
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (le 1985)
enregistré à :
Paul-Gerhardt-Kirche dans Leipzig, Sachsen (Saxony), Allemagne (du 1982 au 1984)
recording of :
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon et Gigue en ré majeur, T. 377 : 1. Canon)
compositeur :
Johann Pachelbel (composer)
partie de :
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel24:24
13Serenade No.13 in G Major, K. 525, "Eine kleine Nachtmusik": IV. Rondo Allegro (From "There's Something About Mary")
orchestre :
Liszt Ferenc Kamarazenekar (Orchestre de Chambre Ferenc Liszt, Franz Liszt Chamber Orchestra)
recording of :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1787)
partie de :
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart4:03
14Kinderszenen (Scenes of Childhood), Op. 15: I. Von fremden Ländern und Menschen (Of Foreign Lands and People) (From "The Accompanist")
recording of :
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
compositeur :
Robert Schumann (German classical composer) (le 1838)
partie de :
Kinderszenen, op. 15
Robert Schumann1:36
15Peter and the Wolf, Op. 67: March (From "A Christmas Story")
partiel recording of :
Peter and the Wolf, op. 67
compositeur et librettiste :
Сергей Сергеевич Прокофьев (Sergueï Prokofiev, Russian composer) (le 1936)
première à :
Nezlobin Theatre dans Moscow, Russie (le 1936-05-02)
partie de :
Works of Sergei Prokofiev by opus number (numéro : op. 67)
adaptations :
פטר והזאב
Sergei Prokofiev4:05
16Faust: Ballet Music Waltz (From "The American President")
orchestre :
Budapest Philharmonic Orchestra
recording of :
Concert Waltz (from Faust) (for orchestra)
compositeur :
Charles Gounod (French composer)
arrangement de :
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siébel) (Valse de Faust, Waltz; Faust-Walzer)
Charles Gounod2:41
17Il Trovatore, Act II: Anvil Chorus - "Vedi! Le fosche notturne" (From "D2: The Mighty Ducks")
chœurs :
Bulgarischer Nationalchor „Svetoslav Obretenov“ (Chœur national bulgare Svetoslav Obretenov), Nationalchor Sofia et Sofia National Opera Chorus
chœurs [Gypsies] :
Bulgarian National Choir ‘Svetoslav Obretenov’ (Chœur national bulgare Svetoslav Obretenov)
voix :
Bulgarian National Choir "Svetoslav Obretonov” (Chœur national bulgare Svetoslav Obretenov)
orchestre :
Bulgarian National Orchestra (Bulgarian National Radio Symphony Orchestra, Bulgarian National Radio Symphony Orchestra), Sofia National Opera Orchestra et Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor :
Georgi Robev (conductor) et Boris Hinchev (conductor)
recording of :
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Salvadore Cammarano (Italian librettist)
partie de :
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:13
18Adagio in G Minor (From "Flashdance")
Tomaso Giovanni Albinoni9:50
19Don Giovanni, K. 527, Act I: "Là ci darem la mano" (Instrumental Version) (From "Babette's Feast")
orchestre :
Sofia Philharmonic Orchestra (Sofia Philharmonic)
recording of :
Don Giovanni: “Là ci darem la mano” (catch-all for arrangements)
compositeur :
Wolfgang Amadeus Mozart (classical composer)
arrangement de :
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart3:17
20Water Music: Suite No.1 in F Major, HWV 348: III. Allegro (From "The Dead Poets Society")
Georg Friedrich Händel2:32
21La Boheme, Act I: Mimi's Aria - "Si, Mi chiamano Mimi" (Instrumental Version) (From "Deep Impact")
orchestre :
Sofia Philharmonic
instrumental recording of :
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
compositeur :
Giacomo Puccini (Italian composer)
librettiste :
Giuseppe Giacosa et Luigi Illica
partie de :
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:49
22A Midsummer Night's Dream, Op. 61, Act II: Intermezzo (From "A Midsummer Night's Sex Comedy")
Felix Mendelssohn3:33
23Impromptu No. 3 in G-Flat Major, D. 899 (From "Gattaca")
recording of :
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
compositeur :
Franz Schubert (composer) (le 1827)
partie de :
Classic 100: Piano (2004) (numéro : 6)
partie de :
4 Impromptus, op. 90, D. 899
Franz Schubert5:27
24Rigoletto, Act I: Ducas' Aria - "Questa o quella" (From "Wall Street")
recording of :
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
compositeur :
Giuseppe Verdi (Italian opera composer) (du 1850 au 1851-03-11)
librettiste :
Francesco Maria Piave (du 1850 au 1851-03-11)
partie de :
Rigoletto: Atto I
Giuseppe Verdi1:53
25The Nutcracker, Op. 71, Act II, Scene XII: E. Dance of the Toy Flutes (From "Inspector Gadget")
Pyotr Ilyich Tchaikovsky3:10
26Thunder and Lightning, Polka, Op.324 (From "Bright Young Things")
violon :
André Rieu
orchestre :
Orchester der Wiener Volksoper, Strauss-Orchester Wien et The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Frank Meyer (conductor, pseudonym for Alfred Scholz) et Alfred Scholz
droits phonographiques (℗) par :
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (le 1984)
recording of :
Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1868)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 324)
Johann Strauss II3:14
27Requiem in D Minor, K. 626: IV. Rex Tremendae Majestatis (From "Eyes Wide Shut")
chœurs :
RIAS Chamber Chorus (German chamber choir)
voix de baryton :
Gerhard Faulstich (baritone)
voix de contralto :
Gabriele Schreckenbach (contralto)
voix de soprano :
Edith Wiens (soprano)
voix de ténor :
Aldo Baldin (tenor)
orchestre :
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor :
Uwe Gronostay (chorus master and composer)
recording of :
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (catch-all for unknown editions)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1791)
partie de :
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:00
28Peer Gynt Suite No.1, Op.46: II. Ases Death (From "Affliction")
orchestre :
Budapest Philharmonic Orchestra
conductor :
János Sándor
recording of :
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
compositeur :
Edvard Grieg (composer) (le 1875)
révisé par :
Edvard Grieg (composer) (le 1888)
version de :
Peer Gynt, op. 23: 3. akt: Åses død
partie de :
Peer Gynt Suite no. 1, op. 46
Edvard Grieg5:11
29Prelude in C-Sharp Minor, Op.3: No.2 (From "Shine")
piano :
Margarete Babinsky (pianist)
recording of :
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow)
compositeur :
Sergei Rachmaninoff (Serge Rachmaninoff, Russian composer)
partie de :
Morceaux de fantaisie, op. 3
Сергей Васильевич Рахманинов5:10
30Symphony No. 8 in B Minor, "Unfinished": II. andante con moto (From "Double Indemnity")Franz Schubert10:20
31Voices of Spring, Op.410 (From "Drop Dead Gorgeous")
orchestre :
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) et Wiener Johann Strauss Orchester
conductor :
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of :
Frühlingsstimmen, op. 410 (Voices of Spring)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1882)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 410)
Johann Strauss II6:59
32Horn Concerto No. 4 in E-Flat, K. 495: II. Romance andante cantabile (From "Blackball")
cor :
Sebastian Weigle (hornist and conductor)
orchestre :
Dresdner Philharmonie (Orchestre Philharmonique de Dresde)
conductor :
Jörg‐Peter Weigle (chorus master)
recording of :
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1786)
partie de :
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart4:35
33Humoresque in G-Flat Major, Op. 101 (From "Fanny and Alexander")
piano :
Jenő Jandó (pianist)
recording of :
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
compositeur :
Antonín Dvořák (composer) (du 1894-08-07 au 1894-08-27)
partie de :
8 Humoresques, B. 187, op. 101
Antonín Dvořák2:43
34Tosca, Act II: Vissi d'arte (Instrumental Version) (From "Copycat")
orchestre :
Sofia Philharmonic Orchestra (Sofia Philharmonic)
instrumental recording of :
Tosca: “Vissi d’arte” (catch‐all for arrangements)
compositeur :
Giacomo Puccini (Italian composer)
arrangement de :
Tosca: Atto II. “Vissi d’arte” (Tosca)
Giacomo Puccini3:15
35Carmen Suite No. 2: VI. Danse Boheme (From "There's Something About Mary")
orchestre :
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) et Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor :
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor et Alfred Scholz
recording of :
Carmen Suite no. 2: VI. Danse bohème
compositeur :
Georges Bizet (French composer)
est basée sur :
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
partie de :
Carmen Suite no. 2
Georges Bizet4:37
36Piano Sonata No. 2 in B-Flat Minor, Op.35: III. Marche funèbre (From "Paradise Road")Fryderyk Chopin6:08
37Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace (From "Maurice")
orchestre :
Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) et Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor :
Marko Munih (conductor), Anton Nanut (conductor) et Pavel Urbanek (an Alfred Scholz pseudonym)
droits phonographiques (℗) par :
Michele Audio Corp. (not for release label use!) (le 1987)
recording of :
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (Symphonie No. 6 en si mineur, Op. 74 "Pathétique": III. Allegro molto vivace)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1893-02 au 1893-08)
partie de :
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky9:15
38Requiem in D Minor, K. 626: I. Requiem aeternam (From "Elizabeth")
chœurs :
RIAS Chamber Chorus (German chamber choir)
voix de baryton :
Gerhard Faulstich (baritone)
voix de contralto :
Gabriele Schreckenbach (contralto)
voix de soprano :
Edith Wiens (soprano)
voix de ténor :
Aldo Baldin (tenor)
orchestre :
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor :
Uwe Gronostay (chorus master and composer)
recording of :
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1791)
partie de :
Requiem in D minor, K. 626 (catch-all for unknown editions)
recording of :
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1791)
partie de :
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart6:51
39Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet - VII. Badenerie (From "Father of the Bride")
flûte :
Paul Meisen (flautist)
orchestre :
Deutsche Bachsolisten (German Bach Soloists)
conductor :
Helmuth Winschermann (oboist/conductor)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2.52:58
40Waldscenen in B-Flat Minor, Op. 82: III. Einsame Blumen (From "L'accompagnatrice")
recording of :
Waldszenen, op. 82: III. Einsame Blumen. Einfach
compositeur :
Robert Schumann (German classical composer) (du 1848 au 1849)
partie de :
Waldszenen, op. 82
Robert Schumann2:04
41Piano Concerto No. 1 in B-Flat Minor, Op.23: I. Allegro non troppo e molto maestoso (Excerpt) (From "Misery")
piano :
Jenő Jandó (pianist)
orchestre :
Budapest Philharmonic Orchestra
conductor :
András Ligeti (violinist and conductor)
partiel recording of :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1874-11 au 1875-02)
partie de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky2.59:01
42Wilhelm Tell, Act III: Soldier's Dance (From "E La Nave Va")Gioachino Rossini5:16
43Symphony No. 9 in E Minor "From the New World": II. Largo (Excerpt) (From "Clear and Present Danger")
orchestre :
Prague Festival Orchestra
conductor :
Pavel Urbanek (an Alfred Scholz pseudonym)
partiel recording of :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
compositeur :
Antonín Dvořák (composer) (du 1893-01-10 au 1893-05-24)
partie de :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphonie n° 9 en mi mineur, op. 95 « Du Nouveau Monde »)
recording of :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
compositeur :
Antonín Dvořák (composer) (du 1893-01-10 au 1893-05-24)
partie de :
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphonie n° 9 en mi mineur, op. 95 « Du Nouveau Monde »)
Antonín Dvořák3:28
44Concierto de Aranjuez: I. Allegro con spirito (From "Brassed Off")
guitare classique :
Zoltán Tokos (Classical guitarist)
orchestre :
Budapesti Vonósok (Budapest Strings, Budapest String Orchestra; Budapest Strings)
conductor :
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of :
Concierto de Aranjuez: I. Allegro con spirito
compositeur :
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (le 1939)
partie de :
Concierto de Aranjuez
Joaquín Rodrigo6:01
45The Magic Flute, K.620, Act II: Pamina's Aria "Ach, ich fühl's es ist verschwunden" (From "Face/Off")Wolfgang Amadeus Mozart3:58
46Impromptu No. 4 in A-Flat Major, D. 899 (From "Exotica")Franz Schubert6:43
47Flute Concerto No. 1 in G Major, K. 313: III. Rondo - Tempo di Minuetto (From "Green Card")
flûte :
Kurt Berger (flautist, an Alfred Scholz pseudonym)
orchestre :
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor :
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of :
Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1778)
partie de :
Concerto for Flute and Orchestra in G major, K. 313/285c
Wolfgang Amadeus Mozart36:48
48St. Matthew Passion, BWV 244: No.78 Chorus - "Wir setzen uns mit Tränen nieder" (From "Casino")
chœurs :
Chorale des Jeunesses Musicales de France
orchestre :
Liszt Ferenc Kamarazenekar (Orchestre de Chambre Ferenc Liszt, Franz Liszt Chamber Orchestra)
conductor :
Frigyes Sándor (conductor)
recording of :
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (le 1976-05)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
librettiste :
Picander
partie de :
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:30
49The Four Seasons: Concerto No.1 in E Major "Spring": I. Allegro (From "Flubber")
instruments et orchestre :
Budapest Strings (Budapest String Orchestra; Budapest Strings)
violon :
Béla Bánfalvi (violinist, concert master of Budapest strings)
conductor :
Károly Botvay (cellist and conductor)
recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:36
50Moment Musical No. 3 in F Minor, Op. 94, D. 780 (From "E La Nave Va")Franz Schubert1:46
51Nocturne in D-Flat Major, Op. 27: No. 2 (From "Bodily Harm")
piano :
Dénes Várjon (pianist)
recording of :
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto
compositeur :
Fryderyk Chopin (Frédéric Chopin, composer) (le 1836)
partie de :
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (numéro : B. 96) et Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numéro : C. 115)
partie de :
Nocturnes, op. 27
Fryderyk Chopin6:00
52Artist's Life Waltz, Op. 316 (From "The Age of Innocence")
orchestre :
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) et Wiener Johann Strauss Orchester
conductor :
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of :
Künstlerleben, op. 316 (Artist’s Life, op. 316)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1867)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 316)
Johann Strauss II9:56
53Préludes, Book I, L. 117: VIII. La Fille Aux Cheveux De Lin (From "Le Chignon D'Olga")
flûte :
Bálint János (flutist)
harpe :
Deborah Sipkai (harpist)
recording of :
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair, catch-all for arrangements)
compositeur :
Claude Debussy (French composer) (du 1909-12 au 1910-02)
arrangement de :
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:22
54La Boheme, Act I: Love Duet - "O suave fanciulla" (From "Awakenings")
orchestre :
Sofia Philharmonic Orchestra (Sofia Philharmonic)
recording of :
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
compositeur :
Giacomo Puccini (Italian composer) (le 1896)
librettiste :
Luigi Illica et Giuseppe Giacosa (le 1896)
partie de :
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:55
55String Quintet in C Major, D. 956: II. Adagio (Excerpt) (From "Notturno")
partiel recording of :
String Quintet in C major, D. 956: II. Adagio
compositeur :
Franz Schubert (composer) (le 1828)
partie de :
String Quintet in C major, D. 956
Franz Schubert4:46
56Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro (From "Cruel Intentions")
orchestre :
Berlin Chamber Orchestra
conductor :
Peter Wohlert (conductor, Alfred Scholz related)
recording of :
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:26
57Horn Concerto No. 3 in E-Flat, K. 447: II. Romance Larghetto (From "Fame")
cor :
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestre :
Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
recording of :
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1784 au 1787)
partie de :
Concerto for Horn no. 3 in E-flat major, K. 447
Wolfgang Amadeus Mozart4:10
58Organ Concerto in F Major, HWV 295, "The Cuckoo and the Nightingale": IV. Allegro (From "Dangerous Liaisons")
Georg Friedrich Händel2:55
59Flute Concerto in D Major, Op.10: No. 3 "Il Gardellino": II. (Without Indication) (From "Jungle 2")Antonio Vivaldi3:24
60Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto (From "Slaughterhouse 5")
orchestre :
Berlin Chamber Orchestra
conductor :
Peter Wohlert (conductor, Alfred Scholz related)
recording of :
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach5:11
61Divertimento for String Quartet in D Major, "Salzburg Symphony No.1", K. 136: II. Andante (From "Simpatico")Wolfgang Amadeus Mozart3:58
62Tosca, Act I: Cavaradossi's Aria - "Recondita armonia" (From "The Love Letter")
voix de basse [Sagrestano] :
Gregor József (Hungarian operatic bass)
voix de ténor [Cavaradossi] :
B. Nagy János (tenor)
orchestre :
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor :
Adam Medvecky (conductor)
recording of :
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
compositeur :
Giacomo Puccini (Italian composer) (du 1896 au 1899)
librettiste :
Giuseppe Giacosa (du 1896 au 1899) et Luigi Illica (du 1896 au 1899)
partie de :
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:16
63Piano Concerto No. 1 in E Minor, Op.11: II. Romance - Larghetto (From "The Truman Show")Fryderyk Chopin10:16
64Horn Concerto No. 2 in E-Flat, K. 417: III. Rondo Allegro (From "JFK")
cor :
Sebastian Weigle (hornist and conductor)
orchestre :
Dresdner Philharmonie (Orchestre Philharmonique de Dresde)
conductor :
Jörg‐Peter Weigle (chorus master)
recording of :
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1783)
partie de :
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart23:40
65Aida, Act II: Triumphal March and Chorus - "Gloria all'Egitto" (From "Revenge of the Nerds")
chœurs :
Bulgarian National Choir (Chœur national bulgare Svetoslav Obretenov) et Chor Ljubljana (RTV Slovenia Chamber Choir)
orchestre :
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) et Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor :
Georgi Robev (conductor) et Marko Munih (conductor)
recording of :
Aida: Atto II, scena 2. Ballabile (orchestra)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Antonio Ghislanzoni
partie de :
Aida: Akt II
partie de :
Aida: Atto II
recording of :
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Antonio Ghislanzoni
partie de :
Aida: Atto II
recording of :
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Antonio Ghislanzoni
partie de :
Aida: Akt II
partie de :
Aida: Atto II
recording of :
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
compositeur :
Giuseppe Verdi (Italian opera composer) (le 1871)
partie de :
Aida: Atto II
Giuseppe Verdi12:48
66Tristan und Isolde, WWV 90: Overture (From "Melancholia")
Richard Wagner9:26
67Sheherazade, Op. 35: I. Largo e maestoso (From "Nijinsky")
recording of :
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
compositeur :
Николай Андреевич Римский‐Корсаков (Nikolaï Rimski-Korsakov, Russian composer) (le 1888)
partie de :
Scheherazade, op. 35
Nikolai Rimsky-Korsakov10:13
68Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo - Allegro (From "Fearless")Ludwig van Beethoven11:23
69The Magic Flute, K. 620, Act II: Sarastro's Aria - "In diesen heil'gen Hallen" (From "The General's Daughter")
voix de basse [Sarastro] :
Nicola Ghiuselev (operatic bass)
orchestre :
Sofia Philharmonic Orchestra (Sofia Philharmonic)
recording of :
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1791)
librettiste :
Emanuel Schikaneder
partie de :
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:23
70Roses from the South Waltz, Op. 388 (From "Ghost Rider")
orchestre :
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) et Wiener Johann Strauss Orchester
conductor :
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of :
Rosen aus dem Süden, op. 388 (Roses from the South)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (le 1880)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 388)
Johann Strauss II9:15
71Tosca, Act II: Cavaradossi's Aria - "E lucevan le stelle" (From "Heavenly Creatures")
recording of :
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
compositeur :
Giacomo Puccini (Italian composer) (du 1896 au 1899)
librettiste :
Giuseppe Giacosa (du 1896 au 1899) et Luigi Illica (du 1896 au 1899)
partie de :
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:26
72Préludes, Book I, L. 117: X. La cathédrale engloutie (From "Escape From New York")
piano :
Zheni Zaharieva (pianist)
recording of :
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
compositeur :
Claude Debussy (French composer) (du 1909-12 au 1910-02)
première à :
[concert] (1910-05-25)
partie de :
Préludes, Livre I, L. 117, CD 125
Claude Debussy5:43
73The Four Seasons: Concerto No. 4 in F Minor "Winter": I. Allegro non molto (From "Tin Cup")
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:29
74Concerto for Violin, Strings and Continuo in A Minor, BWV 1041: II. Andante (From "The Portrait of A Lady")
violon :
Christian Altenburger (German violinist)
orchestre :
Deutsche Bachsolisten (German Bach Soloists)
conductor :
Helmut Winschermann (oboist/conductor)
recording of :
Violin Concerto in A minor, BWV 1041: II. Andante
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach5:33
75Horn Concerto No. 1 in D Major, K. 412: I. Allegro (From "The Truman Show")
cor :
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestre :
Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
recording of :
Concerto for French Horn no. 1 in D major, K. 386b / KV 412: I. Allegro
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1791)
partie de :
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
Wolfgang Amadeus Mozart5:10
76The Four Seasons: Concerto No. 3 in F Major "Autumn": II. Adagio molto (From "Exit to Eden")
violon :
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestre :
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor :
Károly Botvay (cellist and conductor)
recording of :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:46
77Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro (From "Rounders")
orchestre :
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor :
Peter Wohlert (conductor, Alfred Scholz related)
recording of :
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:28
78Symphony No. 6 in F Major, Op.68 "Pastorale": I. Allegro ma non troppo (Awakening of Happy Feelings On Arriving in the Country) (From "Immortal Beloved")
orchestre :
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic)
conductor :
János Ferencsik (conductor)
éditeur :
Delta Music Inc. (US subsidary of Delta Music GmbH) (le 1988)
recording of :
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphonie No. 6 en Fa majeur, Op. 68 "Pastorale": I. Allegro ma non troppo (Eveil D'Impressions Joyeuses En Arrivant À La Campagne))
compositeur :
Ludwig van Beethoven (German composer) (le 1808)
partie de :
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:40
79Moment Musical No.2 in A-Flat Major D 780,2 (From "Au Revoir Les Enfants")Franz Schubert6:41
80Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro (From "Die Hard")
orchestre :
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor :
Peter Wohlert (conductor, Alfred Scholz related)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:39
81Concerto for Flute, Harp and Orchestra in C Major, K. 299: II. Andantino (From "Cousin Bette")
flûte :
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) et Akiko Miyazashi (flautist)
harpe :
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) et Taki Ozawa (harpist)
orchestre :
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) et Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor :
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) et Kurt Redel (German flautist and conductor)
recording of :
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1778-04)
partie de :
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart58:36
82La Boheme, Act III: Mimi's Aria - "Addio...D'onde lieta usci" (From "Moonstruck")
voix de soprano [Mimì] :
Virginia Zeani (soprano)
orchestre :
Romanian Opera Orchestra, Bucharest (Bucharest National Opera Orchestra)
conductor :
Mihai Brediceanu (composer and conductor)
recording of :
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
compositeur :
Giacomo Puccini (Italian composer)
librettiste :
Giuseppe Giacosa et Luigi Illica
partie de :
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:18
83Madama Butterfly, Act I: Love Duet (Instrumental Version) (From "Death in Venice")Giacomo Puccini7:16
84La Traviata, Act I: Violetta's Aria - "E strano! E strano!" (From "The Adventures of Priscilla")
voix de soprano :
Anna Tomowa‐Sintow (soprano)
orchestre :
Sofia Philharmonic Orchestra (Sofia Philharmonic)
recording of :
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
compositeur :
Giuseppe Verdi (Italian opera composer)
librettiste :
Francesco Maria Piave
partie de :
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi7:32
85Concerto for Violin and Orchestra in D Major, Op.35: II. Andante (From "Anna Karenina")
violon :
Emmy Verhey (violinist)
interprète :
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
recording of :
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (Concerto pour violon et orchestre en ré majeur, Op. 35: II. Canzonetta. Andante)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1878)
partie de :
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky6:55
86Concerto for Violin and Orchestra in D Major, Op.35: III. Allegro vivacissimo (From "Exposed")
violon :
Emmy Verhey (violinist)
orchestre :
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
recording of :
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo (Concerto pour violon et orchestre en ré majeur, Op. 35: III. Finale. Allegro vivacissimo)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (le 1878)
partie de :
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky10:05
87Wine, Women and Song Waltz, Op.333 (From "Darkman")
orchestre :
Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor :
Joseph Francek
recording of :
Wein, Weib und Gesang, op. 333 (Aimer, boire et chanter)
compositeur :
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
partie de :
Works of Johann Strauss Jr. by opus number (numéro : op. 333)
Johann Strauss II6:16
88Madama Butterfly, Act II: Humming Chorus (From "Heavenly Creatures")
chœurs :
Sofia National Opera Chorus (le 1987)
orchestre :
Sofia National Opera Orchestra (le 1987)
conductor :
Rouslan Raichev (conductor) (le 1987)
recording of :
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (le 1987)
compositeur :
Giacomo Puccini (Italian composer)
librettiste :
Giuseppe Giacosa et Luigi Illica
partie de :
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:11
89Ave Maria (From "Eat Drink Man Woman")
chœurs :
Bulgarian National Chorus (Chœur national bulgare Svetoslav Obretenov)
recording of :
Otello: Atto IV. “Ave Maria” (Desdemona)
compositeur :
Giuseppe Verdi (Italian opera composer) (du 1884 au 1886-11-01, le 1887)
librettiste :
Arrigo Boito (librettist, composer)
partie de :
Otello: Atto IV
Giuseppe Verdi5:47
90Sinfonia Concertante in E-Flat Major, K. 364: I. Allegro maestoso (From "Amadeus")Wolfgang Amadeus Mozart13:17
91Piano Sonata No. 23 in F Minor, Op.57 "Appassionata": III. Allegro ma non troppo - Presto (From "Hard Target")Ludwig van Beethoven7:14
92Lohengrin: Overture (From "Ludwig")
recording of :
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
compositeur :
Richard Wagner (composer) (du 1846 au 1848)
partie de :
Lohengrin, WWV 75
Richard Wagner6:55
93Piano Concerto No. 1 in B-Flat Minor, Op.23: II. Andantino semplice (From "The Music Lovers")
recording of :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
compositeur :
Пётр Ильич Чайковский (Piotr Ilitch Tchaïkovski, Russian romantic composer) (du 1874-11 au 1875-02)
partie de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
révision de :
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky6:46
94The Magic Flute, K.620: Overture (From "Watch It")
orchestre :
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym), Mozart Festival Orchestra (an Alfred Scholz pseudonym), South German Philharmonic Orchestra (an Alfred Scholz pseudonym) et Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor :
Cesare Cantieri (an Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz et Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of :
Die Zauberflöte: Ouvertüre (La Flûte enchantée, K. 620: Ouverture)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1791)
partie de :
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:26
95Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (From "Solitaire For Two")
recording of :
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
compositeur :
Max Bruch (composer and conductor) (du 1866 au 1867)
partie de :
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:58
96Piano Sonata in A Major, K. 331: I. Andante grazioso (From "Frances")
piano :
Margarete Babinsky (pianist)
droits phonographiques (℗) par :
Delta Entertainment Corporation (not for release label use! US affiliate of Delta Music GMBH) (le 2003)
recording of :
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso
composé en :
Paris, Île-de-France, France (le 1778)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1783)
partie de :
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart12:39
97Rhapsody On a Theme of Paganini, Op. 43 (From "Dead Again")
piano :
Nicolai Evrov (pianist)
orchestre :
Bulgarian Symphony Orchestra
recording of :
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
compositeur :
Sergei Rachmaninoff (Serge Rachmaninoff, Russian composer) (du 1934-07-03 au 1934-08-18)
première à :
[concert] (1934-11-07)
éditeur :
Boosey & Hawkes Music Publishers, Ltd (le 1934)
première à :
Modell Performing Arts Center at the Lyric dans Baltimore, Maryland, États-Unis (le 1934-11-07)
partie de :
Classic 100: Piano (2025) (numéro : 9) et Works of Sergei Rachmaninoff by opus number (numéro : op. 43)
est basée sur :
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
citations musicales de :
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Sergei Rachmaninoff23:14
98Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun) (From "Nijinsky")
orchestre :
Leipzig Radio Symphony Orchestra (MDR Leipzig Radio Symphony Orchestra)
conductor :
Max Pommer (conductor)
recording of :
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
compositeur :
Claude Debussy (French composer) (du 1891 au 1894-09)
dédié à :
Raymond Bonheur (composer, 1861-1939)
première à :
[concert] (1894-12-22)
éditeur :
Eugène Fromont (le 1895-10)
partie de :
Classic 100: Music of France (2012) (numéro : 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (numéro : L. 86) et Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (numéro : CD 87)
Claude Debussy10:39
99The Planets: IV. Jupiter, the Bringer of Jollity (From "Annie Hall")
recording of :
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (Les Planetes, Op. 32: IV. Jupiter, Porteur de Joie)
compositeur :
Gustav Holst (composer) (du 1914 au 1916)
orchestration de :
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
partie de :
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:57
100Radetzky March, Op. 228 (From "The Age of Innocence")
orchestre :
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) et Wiener Johann Strauss Orchester
conductor :
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Paul Kantschieder (conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) et Alfred Scholz
recording of :
Radetzky‐Marsch, op. 228 (Marche de Radetzky, Op. 228)
compositeur :
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (le 1848)
dédié à :
Joseph Radetzky von Radetz
première à :
Wasserglacis dans Wien (Vienna), Autriche (le 1848-08-31)
partie de :
Works of Johann Strauss Sr. by opus number (numéro : op. 228)
Johann Strauss I2:54

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