100 Must-Have Movie Classics, Vol. 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Anmerkung zuletzt geändert am 2022-10-02 20:50 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Concerto No. 2 in E Major for Violin and Strings, BWV 1042: I. Allegro (From "The Twilight Saga: Breaking Dawn - Part 1")
Geige / Violine:
Christian Altenburger (German violinist)
Orchester:
Deutsche Bachsolisten
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach7:29
2Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": II. Adagio un poco mosso (From "The King's Speech")Ludwig van Beethoven7:54
324 Préludes, Op. 28: No. 15, in D-Flat Major "Raindrop" (From "Prometheus")
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1836 bis 1839)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 107) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 180)
Teil von:
24 Préludes pour le piano, op. 28
Fryderyk Chopin5:36
4Swan Lake, Op. 20, Act II: No.10 Scene (From "Black Swan")
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Swan Lake, op. 20: Act II
Teil von:
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:49
5Orpheus in the Underworld, Act II: Can-Can (From "Midnight in Paris")
Chorgesang:
WDR Rundfunkchor Köln
Orchester:
WDR Rundfunkorchester Köln
recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in der Unterwelt: Höllengalopp, widely known as “Can-can”)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:40
6Ave Maria (From "The American")
Orchester:
Simhah Chamber Collegium
recording of:
Ave Maria (Bach/Gounod)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles Gounod2:49
7Pomp and Circumstance, Op.39: March No. 1 in D Major (From "Austin Powers in Goldmember")
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:05
8Laudate Dominum, K. 339 (From "Philadelphia")
Chorgesang:
Jeunesses Musicales Chorus
Soprangesang:
Mária Zádori (soprano)
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester)
conductor:
Iván Fischer (conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1780)
Teil von:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:10
9Piano Sonata No. 14 in C-Sharp Minor, Op.27: No.2 "Moonlight": I. Adagio sostenuto (From "Crimson Tide")
Klavier:
Evelyne Dubourg (pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
enthalten in:
end of starchild (video game soundtrack)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven25:19
10An American in Paris (From "As Good As It Gets")
recording of:
An American in Paris
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
Premiere bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1928-12-13)
enthalten in:
An American in Paris (2015 Broadway musical)
George Gershwin18:16
11Tritsch-Tratsch-Polka, Op.214 (From "Moonraker")
Orchester:
People's Opera Orchestra, Vienna und Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz) und Alfred Scholz
Interpret(in):
Orchester der Wiener Volksoper
recording of:
Tritsch–Tratsch Polka, op. 214
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (bis 1858)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 214)
Johann Strauss II22:42
12Canon in D Major (From "The Proposal")
Orchester:
Neues Bachisches Collegium Musicum (von 1982 bis 1984)
conductor:
Max Pommer (conductor) (von 1982 bis 1984)
phonographisches Urheberrecht (℗) von:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
aufgenommen bei:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Deutschland (von 1982 bis 1984)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel24:24
13Serenade No.13 in G Major, K. 525, "Eine kleine Nachtmusik": IV. Rondo Allegro (From "There's Something About Mary")Wolfgang Amadeus Mozart4:03
14Kinderszenen (Scenes of Childhood), Op. 15: I. Von fremden Ländern und Menschen (Of Foreign Lands and People) (From "The Accompanist")
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
Komponist(in):
Robert Schumann (German classical composer) (in 1838)
Teil von:
Kinderszenen, op. 15
Robert Schumann1:36
15Peter and the Wolf, Op. 67: March (From "A Christmas Story")
teilweise recording of:
Peter and the Wolf, op. 67
Komponist(in) und Librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer) (in 1936)
Premiere bei:
Nezlobin Theatre in Moscow (Moskau), Russland (am 1936-05-02)
Teil von:
Works of Sergei Prokofiev by opus number (Nummer: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev4:05
16Faust: Ballet Music Waltz (From "The American President")
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester)
recording of:
Concert Waltz (from Faust) (for orchestra)
Komponist(in):
Charles Gounod (French composer)
Arrangement von:
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siébel) (Valse de Faust, Waltz; Faust-Walzer)
Charles Gounod2:41
17Il Trovatore, Act II: Anvil Chorus - "Vedi! Le fosche notturne" (From "D2: The Mighty Ducks")
Chorgesang:
Bulgarischer Nationalchor „Svetoslav Obretenov“, Nationalchor Sofia und Sofia National Opera Chorus
Chorgesang [Gypsies]:
Bulgarian National Choir ‘Svetoslav Obretenov’ (Bulgarischer Nationalchor „Svetoslav Obretenov“)
vocals:
Bulgarian National Choir "Svetoslav Obretonov” (Bulgarischer Nationalchor „Svetoslav Obretenov“)
Orchester:
Bulgarian National Orchestra (Bulgarian National Radio Symphony Orchestra, Bulgarian National Radio Symphony Orchestra), Sofia National Opera Orchestra und Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
conductor:
Georgi Robev (conductor) und Boris Hinchev (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:13
18Adagio in G Minor (From "Flashdance")
Tomaso Giovanni Albinoni9:50
19Don Giovanni, K. 527, Act I: "Là ci darem la mano" (Instrumental Version) (From "Babette's Feast")
Orchester:
Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
recording of:
Don Giovanni: “Là ci darem la mano” (catch-all for arrangements)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Arrangement von:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Wolfgang Amadeus Mozart3:17
20Water Music: Suite No.1 in F Major, HWV 348: III. Allegro (From "The Dead Poets Society")
Georg Friedrich Händel2:32
21La Boheme, Act I: Mimi's Aria - "Si, Mi chiamano Mimi" (Instrumental Version) (From "Deep Impact")
Orchester:
Sofia Philharmonic (Philharmonisches Orchester Sofia)
instrumental recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:49
22A Midsummer Night's Dream, Op. 61, Act II: Intermezzo (From "A Midsummer Night's Sex Comedy")
Felix Mendelssohn3:33
23Impromptu No. 3 in G-Flat Major, D. 899 (From "Gattaca")
recording of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
Komponist(in):
Franz Schubert (composer) (in 1827)
Teil von:
Classic 100: Piano (2004) (Nummer: 6)
Teil von:
4 Impromptus, op. 90, D. 899
Franz Schubert5:27
24Rigoletto, Act I: Ducas' Aria - "Questa o quella" (From "Wall Street")
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Giuseppe Verdi1:53
25The Nutcracker, Op. 71, Act II, Scene XII: E. Dance of the Toy Flutes (From "Inspector Gadget")
Pyotr Ilyich Tchaikovsky3:10
26Thunder and Lightning, Polka, Op.324 (From "Bright Young Things")
Geige / Violine:
André Rieu
Orchester:
Orchester der Wiener Volksoper, Strauss-Orchester Wien und The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Frank Meyer (conductor, pseudonym for Alfred Scholz) und Alfred Scholz
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Unter Donner und Blitz, op. 324
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1868)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 324)
Johann Strauss II3:14
27Requiem in D Minor, K. 626: IV. Rex Tremendae Majestatis (From "Eyes Wide Shut")
Baritongesang:
Gerhard Faulstich (baritone)
Chorgesang:
RIAS Chamber Chorus (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
Soprangesang:
Edith Wiens (soprano)
Tenor-Gesang:
Aldo Baldin (tenor)
Orchester:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Uwe Gronostay (chorus master and composer)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (catch-all for unknown editions)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:00
28Peer Gynt Suite No.1, Op.46: II. Ases Death (From "Affliction")
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester)
conductor:
János Sándor
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 3. akt: Åses død
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg5:11
29Prelude in C-Sharp Minor, Op.3: No.2 (From "Shine")
Klavier:
Margarete Babinsky (pianist)
recording of:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer)
Teil von:
Morceaux de fantaisie, op. 3
Сергей Васильевич Рахманинов5:10
30Symphony No. 8 in B Minor, "Unfinished": II. andante con moto (From "Double Indemnity")Franz Schubert10:20
31Voices of Spring, Op.410 (From "Drop Dead Gorgeous")
Orchester:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) und Wiener Johann Strauss Orchester
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 410)
Johann Strauss II6:59
32Horn Concerto No. 4 in E-Flat, K. 495: II. Romance andante cantabile (From "Blackball")
Horn:
Sebastian Weigle (hornist and conductor)
Orchester:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart4:35
33Humoresque in G-Flat Major, Op. 101 (From "Fanny and Alexander")
Klavier:
Jenő Jandó (pianist)
recording of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Komponist(in):
Antonín Dvořák (composer) (von 1894-08-07 bis 1894-08-27)
Teil von:
8 Humoresques, B. 187, op. 101
Antonín Dvořák2:43
34Tosca, Act II: Vissi d'arte (Instrumental Version) (From "Copycat")
Orchester:
Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
instrumental recording of:
Tosca: “Vissi d’arte” (catch‐all for arrangements)
Komponist(in):
Giacomo Puccini (Italian composer)
Arrangement von:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Giacomo Puccini3:15
35Carmen Suite No. 2: VI. Danse Boheme (From "There's Something About Mary")
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) und Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor und Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
Teil von:
Carmen Suite no. 2
Georges Bizet4:37
36Piano Sonata No. 2 in B-Flat Minor, Op.35: III. Marche funèbre (From "Paradise Road")Fryderyk Chopin6:08
37Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace (From "Maurice")
Orchester:
Prague Festival Orchestra (Prager Festivalorchester), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Marko Munih (conductor), Anton Nanut (conductor) und Pavel Urbanek (an Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Michele Audio Corp. (not for release label use!) (in 1987)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (Sinfonie Nr. 6 h-Moll, Op. 74 "Pathétique": III. Allegro molto vivace)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1893-02 bis 1893-08)
Teil von:
Symphony no. 6 in B minor, op. 74 “Pathétique” (Symphonie Nr. 6 h-Moll, Op. 74 "Pathétique")
Pyotr Ilyich Tchaikovsky9:15
38Requiem in D Minor, K. 626: I. Requiem aeternam (From "Elizabeth")
Baritongesang:
Gerhard Faulstich (baritone)
Chorgesang:
RIAS Chamber Chorus (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
Soprangesang:
Edith Wiens (soprano)
Tenor-Gesang:
Aldo Baldin (tenor)
Orchester:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Uwe Gronostay (chorus master and composer)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Requiem in D minor, K. 626 (catch-all for unknown editions)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart6:51
39Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet - VII. Badenerie (From "Father of the Bride")
flute:
Paul Meisen (flautist)
Orchester:
Deutsche Bachsolisten
conductor:
Helmuth Winschermann (oboist/conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2.52:58
40Waldscenen in B-Flat Minor, Op. 82: III. Einsame Blumen (From "L'accompagnatrice")
recording of:
Waldszenen, op. 82: III. Einsame Blumen. Einfach
Komponist(in):
Robert Schumann (German classical composer) (von 1848 bis 1849)
Teil von:
Waldszenen, op. 82
Robert Schumann2:04
41Piano Concerto No. 1 in B-Flat Minor, Op.23: I. Allegro non troppo e molto maestoso (Excerpt) (From "Misery")
Klavier:
Jenő Jandó (pianist)
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester)
conductor:
András Ligeti (violinist and conductor)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky2.59:01
42Wilhelm Tell, Act III: Soldier's Dance (From "E La Nave Va")
Orchester:
Budapest Philharmonic Orchestra (Budapester Philharmonisches Orchester)
conductor:
Janos Sandor und András Kórodi (conductor)
recording of:
Guillaume Tell : Acte III. No. 16 Divertissement: Pas de soldats: Allegro brillante - Allegro vivace (The Soldiers’ Dance)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
Teil von:
Guillaume Tell : Acte III
Gioachino Rossini5:16
43Symphony No. 9 in E Minor "From the New World": II. Largo (Excerpt) (From "Clear and Present Danger")
Orchester:
Prague Festival Orchestra (Prager Festivalorchester)
conductor:
Pavel Urbanek (an Alfred Scholz pseudonym)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák3:28
44Concierto de Aranjuez: I. Allegro con spirito (From "Brassed Off")
klassiche Gitarre:
Zoltán Tokos (Classical guitarist)
Orchester:
Budapesti Vonósok (Budapester Streichsolisten, Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Concierto de Aranjuez: I. Allegro con spirito
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo6:01
45The Magic Flute, K.620, Act II: Pamina's Aria "Ach, ich fühl's es ist verschwunden" (From "Face/Off")Wolfgang Amadeus Mozart3:58
46Impromptu No. 4 in A-Flat Major, D. 899 (From "Exotica")Franz Schubert6:43
47Flute Concerto No. 1 in G Major, K. 313: III. Rondo - Tempo di Minuetto (From "Green Card")
flute:
Kurt Berger (flautist, an Alfred Scholz pseudonym)
Orchester:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778)
Teil von:
Concerto for Flute and Orchestra in G major, K. 313/285c
Wolfgang Amadeus Mozart36:48
48St. Matthew Passion, BWV 244: No.78 Chorus - "Wir setzen uns mit Tränen nieder" (From "Casino")
Chorgesang:
Chorale des Jeunesses Musicales de France
Orchester:
Liszt Ferenc Kamarazenekar (Franz Liszt Kammerorchester, Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1976-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:30
49The Four Seasons: Concerto No.1 in E Major "Spring": I. Allegro (From "Flubber")
Geige / Violine:
Béla Bánfalvi (violinist, concert master of Budapest strings)
Instrumente und Orchester:
Budapest Strings (Budapester Streichsolisten, Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:36
50Moment Musical No. 3 in F Minor, Op. 94, D. 780 (From "E La Nave Va")Franz Schubert1:46
51Nocturne in D-Flat Major, Op. 27: No. 2 (From "Bodily Harm")
Klavier:
Dénes Várjon (pianist)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
Teil von:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 96) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 115)
Teil von:
Nocturnes, op. 27
Fryderyk Chopin6:00
52Artist's Life Waltz, Op. 316 (From "The Age of Innocence")
Orchester:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) und Wiener Johann Strauss Orchester
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Künstlerleben, op. 316 (Künstlerleben, Op. 316)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1867)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 316)
Johann Strauss II9:56
53Préludes, Book I, L. 117: VIII. La Fille Aux Cheveux De Lin (From "Le Chignon D'Olga")
flute:
Bálint János (flutist)
Harfe:
Deborah Sipkai (harpist)
recording of:
Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair, catch-all for arrangements)
Komponist(in):
Claude Debussy (French composer) (von 1909-12 bis 1910-02)
Arrangement von:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
Claude Debussy2:22
54La Boheme, Act I: Love Duet - "O suave fanciulla" (From "Awakenings")
Orchester:
Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:55
55String Quintet in C Major, D. 956: II. Adagio (Excerpt) (From "Notturno")
teilweise recording of:
String Quintet in C major, D. 956: II. Adagio
Komponist(in):
Franz Schubert (composer) (in 1828)
Teil von:
String Quintet in C major, D. 956
Franz Schubert4:46
56Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro (From "Cruel Intentions")
Orchester:
Berlin Chamber Orchestra
conductor:
Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:26
57Horn Concerto No. 3 in E-Flat, K. 447: II. Romance Larghetto (From "Fame")
Horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
Orchester:
Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1784 bis 1787)
Teil von:
Concerto for Horn no. 3 in E-flat major, K. 447
Wolfgang Amadeus Mozart4:10
58Organ Concerto in F Major, HWV 295, "The Cuckoo and the Nightingale": IV. Allegro (From "Dangerous Liaisons")
Georg Friedrich Händel2:55
59Flute Concerto in D Major, Op.10: No. 3 "Il Gardellino": II. (Without Indication) (From "Jungle 2")Antonio Vivaldi3:24
60Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto (From "Slaughterhouse 5")
Orchester:
Berlin Chamber Orchestra
conductor:
Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach5:11
61Divertimento for String Quartet in D Major, "Salzburg Symphony No.1", K. 136: II. Andante (From "Simpatico")Wolfgang Amadeus Mozart3:58
62Tosca, Act I: Cavaradossi's Aria - "Recondita armonia" (From "The Love Letter")
Bass-Gesang [Sagrestano]:
Gregor József (Hungarian operatic bass)
Tenor-Gesang [Cavaradossi]:
B. Nagy János (tenor)
Orchester:
Hungarian State Opera Orchestra (Orchester der Ungarischen Staatsoper, Hungarian State Opera Orchestra)
conductor:
Adam Medvecky (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:16
63Piano Concerto No. 1 in E Minor, Op.11: II. Romance - Larghetto (From "The Truman Show")
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
Fryderyk Chopin10:16
64Horn Concerto No. 2 in E-Flat, K. 417: III. Rondo Allegro (From "JFK")
Horn:
Sebastian Weigle (hornist and conductor)
Orchester:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Jörg‐Peter Weigle (chorus master)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart23:40
65Aida, Act II: Triumphal March and Chorus - "Gloria all'Egitto" (From "Revenge of the Nerds")
Chorgesang:
Bulgarian National Choir (Bulgarischer Nationalchor „Svetoslav Obretenov“) und Chor Ljubljana (RTV Slovenia Chamber Choir)
Orchester:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
conductor:
Georgi Robev (conductor) und Marko Munih (conductor)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Akt II
Teil von:
Aida: Atto II
recording of:
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Teil von:
Aida: Atto II
Giuseppe Verdi12:48
66Tristan und Isolde, WWV 90: Overture (From "Melancholia")
Richard Wagner9:26
67Sheherazade, Op. 35: I. Largo e maestoso (From "Nijinsky")Nikolai Rimsky-Korsakov10:13
68Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo - Allegro (From "Fearless")Ludwig van Beethoven11:23
69The Magic Flute, K. 620, Act II: Sarastro's Aria - "In diesen heil'gen Hallen" (From "The General's Daughter")
Bass-Gesang [Sarastro]:
Nicola Ghiuselev (operatic bass)
Orchester:
Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:23
70Roses from the South Waltz, Op. 388 (From "Ghost Rider")
Orchester:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) und Wiener Johann Strauss Orchester
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Rosen aus dem Süden, op. 388 (Roses from the South)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1880)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 388)
Johann Strauss II9:15
71Tosca, Act II: Cavaradossi's Aria - "E lucevan le stelle" (From "Heavenly Creatures")
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:26
72Préludes, Book I, L. 117: X. La cathédrale engloutie (From "Escape From New York")
Klavier:
Zheni Zaharieva (pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
Komponist(in):
Claude Debussy (French composer) (von 1909-12 bis 1910-02)
Premiere bei:
[concert] (1910-05-25)
Teil von:
Préludes, Livre I, L. 117, CD 125
Claude Debussy5:43
73The Four Seasons: Concerto No. 4 in F Minor "Winter": I. Allegro non molto (From "Tin Cup")
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:29
74Concerto for Violin, Strings and Continuo in A Minor, BWV 1041: II. Andante (From "The Portrait of A Lady")
Geige / Violine:
Christian Altenburger (German violinist)
Orchester:
Deutsche Bachsolisten
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach5:33
75Horn Concerto No. 1 in D Major, K. 412: I. Allegro (From "The Truman Show")
Horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
Orchester:
Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 412: I. Allegro
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
Wolfgang Amadeus Mozart5:10
76The Four Seasons: Concerto No. 3 in F Major "Autumn": II. Adagio molto (From "Exit to Eden")
Geige / Violine:
Béla Bánfalvi (violinist, concert master of Budapest strings)
Orchester:
Budapest Strings (Budapester Streichsolisten, Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:46
77Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro (From "Rounders")
Orchester:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:28
78Symphony No. 6 in F Major, Op.68 "Pastorale": I. Allegro ma non troppo (Awakening of Happy Feelings On Arriving in the Country) (From "Immortal Beloved")
Orchester:
Nemzeti Filharmonikus Zenekar (Ungarische Nationalphilharmonie)
conductor:
János Ferencsik (conductor)
Herausgeber:
Delta Music Inc. (US subsidary of Delta Music GmbH) (in 1988)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphonie Nr. 6 F-Dur, Op. 68 "Sinfonia pastorale": I. "Erwachen heiterer Empfindungen bei der Ankunft auf dem Land". Allegro ma non troppo)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1808)
Teil von:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:40
79Moment Musical No.2 in A-Flat Major D 780,2 (From "Au Revoir Les Enfants")Franz Schubert6:41
80Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro (From "Die Hard")
Orchester:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:39
81Concerto for Flute, Harp and Orchestra in C Major, K. 299: II. Andantino (From "Cousin Bette")
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) und Akiko Miyazashi (flautist)
Harfe:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) und Taki Ozawa (harpist)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Festival Orchester Belgien, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Sinfonieorchester Baden‐Baden und Freiburg) und Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) und Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart58:36
82La Boheme, Act III: Mimi's Aria - "Addio...D'onde lieta usci" (From "Moonstruck")
Soprangesang [Mimì]:
Virginia Zeani (soprano)
Orchester:
Romanian Opera Orchestra, Bucharest (Bucharest National Opera Orchestra)
conductor:
Mihai Brediceanu (composer and conductor)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:18
83Madama Butterfly, Act I: Love Duet (Instrumental Version) (From "Death in Venice")
Orchester:
Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
instrumental recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:16
84La Traviata, Act I: Violetta's Aria - "E strano! E strano!" (From "The Adventures of Priscilla")
Soprangesang:
Anna Tomowa‐Sintow (soprano)
Orchester:
Sofia Philharmonic Orchestra (Philharmonisches Orchester Sofia)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi7:32
85Concerto for Violin and Orchestra in D Major, Op.35: II. Andante (From "Anna Karenina")
Geige / Violine:
Emmy Verhey (violinist)
Interpret(in):
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (Konzert für Violine und Orchester D-Dur, Op. 35: II. Canzonetta. Andante)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1878)
Teil von:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky6:55
86Concerto for Violin and Orchestra in D Major, Op.35: III. Allegro vivacissimo (From "Exposed")
Geige / Violine:
Emmy Verhey (violinist)
Orchester:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo (Konzert für Violine und Orchester D-Dur, Op. 35: III. Finale. Allegro vivacissimo)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1878)
Teil von:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky10:05
87Wine, Women and Song Waltz, Op.333 (From "Darkman")
Orchester:
Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek
recording of:
Wein, Weib und Gesang, op. 333 (Wine, Woman and Song)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 333)
Johann Strauss II6:16
88Madama Butterfly, Act II: Humming Chorus (From "Heavenly Creatures")
Chorgesang:
Sofia National Opera Chorus (in 1987)
Orchester:
Sofia National Opera Orchestra (in 1987)
conductor:
Rouslan Raichev (Rouslan Raytchev, conductor) (in 1987)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:11
89Ave Maria (From "Eat Drink Man Woman")
Chorgesang:
Bulgarian National Chorus (Bulgarischer Nationalchor „Svetoslav Obretenov“)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01, in 1887)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi5:47
90Sinfonia Concertante in E-Flat Major, K. 364: I. Allegro maestoso (From "Amadeus")Wolfgang Amadeus Mozart13:17
91Piano Sonata No. 23 in F Minor, Op.57 "Appassionata": III. Allegro ma non troppo - Presto (From "Hard Target")Ludwig van Beethoven7:14
92Lohengrin: Overture (From "Ludwig")
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Teil von:
Lohengrin, WWV 75
Richard Wagner6:55
93Piano Concerto No. 1 in B-Flat Minor, Op.23: II. Andantino semplice (From "The Music Lovers")
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky6:46
94The Magic Flute, K.620: Overture (From "Watch It")
Orchester:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), South German Philharmonic Orchestra (an Alfred Scholz pseudonym) und Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die Zauberflöte: Ouvertüre (Die Zauberflöte, K. 620: Ouvertüre)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:26
95Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (From "Solitaire For Two")
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:58
96Piano Sonata in A Major, K. 331: I. Andante grazioso (From "Frances")
Klavier:
Margarete Babinsky (pianist)
phonographisches Urheberrecht (℗) von:
Delta Entertainment Corporation (not for release label use! US affiliate of Delta Music GMBH) (in 2003)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart12:39
97Rhapsody On a Theme of Paganini, Op. 43 (From "Dead Again")
Klavier:
Nicolai Evrov (pianist)
Orchester:
Bulgarian Symphony Orchestra
recording of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Premiere bei:
[concert] (1934-11-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd (in 1934)
Premiere bei:
Modell Performing Arts Center at the Lyric in Baltimore, Maryland, Vereinigte Staaten (am 1934-11-07)
Teil von:
Classic 100: Piano (2025) (Nummer: 9) und Works of Sergei Rachmaninoff by opus number (Nummer: op. 43)
basiert auf:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Sergei Rachmaninoff23:14
98Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun) (From "Nijinsky")
Orchester:
Leipzig Radio Symphony Orchestra (MDR Sinfonieorchester)
conductor:
Max Pommer (conductor)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
Komponist(in):
Claude Debussy (French composer) (von 1891 bis 1894-09)
gewidmet:
Raymond Bonheur (composer, 1861-1939)
Premiere bei:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
Teil von:
Classic 100: Music of France (2012) (Nummer: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (Nummer: L. 86) und Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (Nummer: CD 87)
Claude Debussy10:39
99The Planets: IV. Jupiter, the Bringer of Jollity (From "Annie Hall")
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:57
100Radetzky March, Op. 228 (From "The Age of Innocence")
Orchester:
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) und Wiener Johann Strauss Orchester
conductor:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Paul Kantschieder (conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) und Alfred Scholz
recording of:
Radetzky‐Marsch, op. 228 (Radetzky-Marsch, Op. 228)
Komponist(in):
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
gewidmet:
Joseph Radetzky von Radetz
Premiere bei:
Wasserglacis in Wien, Österreich (am 1848-08-31)
Teil von:
Works of Johann Strauss Sr. by opus number (Nummer: op. 228)
Johann Strauss I2:54

Nennungen

Veröffentlichung

ASIN:US: B00AY6MA6W [Info]