Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▼CD: Puccini: Tosca (II)
#TitleArtistRatingLength
1Tosca: Atto II. “Tosca è un buon falco!” (Scarpia, Sciarrone)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:13
2Tosca: Atto II. “Ha più forte sapore la conquista violenta ... Spoletta è giunto” (Scarpia, Sciarrone)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:19
3Tosca: Atto II. “O galant uomo, come andò la caccia?” (Spoletta, Scarpia, Cavaradossi, coro, Tosca)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:29
4Tosca: Atto II. “Ov'è Angelotti? ... Mario, tu qui?!” (Scarpia, Sciarrone, Tosca, Cavaradossi)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:12
5Tosca: Atto II. “Sciarrone: che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:05
6Tosca: Atto II. “Orsu, Tosca, parlate ... Mario, consenti, ch'io parti?” (Scarpia, Tosca, Cavaradossi, Spoletta)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:45
7Tosca: Atto II. “Floria... - Amore ... Nel pozzo del giardino. Va, Spoletta! ... Eccellenza, quali nuove!” (Cavaradossi, Tosca, Scarpia, Sciarrone)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:35
8Tosca: Atto II. “Vittoria! Vittoria!” (Cavaradossi, Tosca, Scarpia)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:38
9Tosca: Atto II. “Quanto?” (Tosca, Scarpia)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:37
10Tosca: Atto II. “Vissi d’arte” (Tosca, Scarpia)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:34
11Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:06
12Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Scarpia]:
Sherrill Milnes (baritone) (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini7:36
13Tosca: Atto III. “Io de' sospiri” (Un pastore)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
solo treble vocals [Un pastore]:
Walter Baratti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:50
14Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
bass vocals [Carceriere]:
John Tomlinson (English operatic bass) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:25
15Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) and National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:56
16Tosca: Atto III. “Ah! Franchigia a Floria Tosca...” (Cavaradossi, Tosca)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:37
17Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca, Carceriere)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini7:47
18Tosca: Atto III. “Come è lunga l’attesa!” (Tosca)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:29
19Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Sciarrone, Spoletta, soldati)
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1978-05-31 until 1978-08-01)
choir vocals:
London Opera Chorus (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (soprano) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:33
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]