Not Fade Away: The Complete Studio Recordings and More

~ Release by Buddy Holly (see all versions of this release, 1 available)

Annotation

Note: Many tracks in this box set need to be assigned to the proper artist ("The Crickets").
KillWhenCooked

Annotation last modified on 2010-02-21 19:45 UTC.

Tracklist

1CD: 1949–1956: Family Home – Wichita Falls – Lubbock – Nashville – Clovis
2CD: 1956–1957: Nashville – Family Garage – Clovis
3CD: 1957–1958: Clovis – Oklahoma City – New York
4CD: 1958: Clovis – New York – Lubbock
5CD: 1959–1963: New York – Clovis
6CD: 1962–1968: Clovis
#TitleArtistRatingLength
1Baby Let’s Play House (I Wanna Play House With You) (overdubbed)
recorded in:
Wichita Falls, Texas, United States (in 1955) and Clovis, New Mexico, United States (from 1962-05 until 1964-12)
producer:
Norman Petty
bass:
Larry Welborn (in 1955) and Stan Lark (from 1962-05 until 1964-12)
drums (drum set):
Jerry Allison (in 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955), Keith McCormack (from 1962-05 until 1964-12) and George Tomsco (from 1962-05 until 1964-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955)
cover recording of:
Baby Let’s Play House (from 1955 until 1964-12)
lyricist and composer:
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. and LPGV Music (BMI)
Buddy Holly overdubbed by The Fireballs2:22
2Down the Line (overdubbed)
recorded in:
Clovis, New Mexico, United States (from 1962-05 until 1964-12)
producer:
Norman Petty
bass:
Larry Welborn (on 1955-06-07) and Stan Lark (from 1962-05 until 1964-12)
drums (drum set):
Jerry Allison (on 1955-06-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-06-07), Bob Montgomery (USA) (on 1955-06-07), Keith McCormack (from 1962-05 until 1964-12) and George Tomsco (from 1962-05 until 1964-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-06-07) and Bob Montgomery (USA) (on 1955-06-07)
recording of:
Down the Line (from 1955-06-07 until 1964-12)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Bob Montgomery (USA) and Norman Petty
publisher:
Wren Music Co.
Buddy Holly overdubbed by The Fireballs2:04
3Wait Till the Sun Shines Nellie (overdub version 2)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20) and Clovis, New Mexico, United States (on 1962-10-29)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
bass:
Stan Lark (on 1962-10-29)
drums (drum set):
Eric Budd (from The Fireballs) (on 1962-10-29)
guitar:
Keith McCormack (on 1962-10-29) and George Tomsco (on 1962-10-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Wait ’till the Sun Shines, Nellie (from 1959-01-01 until 1962-10-29)
lyricist:
Andrew B. Sterling (American lyricist)
composer:
Harry Von Tilzer
Buddy Holly overdubbed by The Fireballs1:56
4Reminiscing (overdubbed)
recorded in:
Clovis, New Mexico, United States (on 1958-09-10, from 1962-10-29 until 1963-11-14)
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-09-10) and Stan Lark (from 1962-10-29 until 1963-11-14)
drums (drum set):
Jerry Allison (on 1958-09-10) and Eric Budd (from The Fireballs) (from 1962-10-29 until 1963-11-14)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10), Keith McCormack (from 1962-10-29 until 1963-11-14) and George Tomsco (from 1962-10-29 until 1963-11-14)
tenor saxophone:
King Curtis (saxophonist) (on 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
cover recording of:
Reminiscing (from 1958-09-10 until 1963-11-14)
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
Buddy Holly overdubbed by The Fireballs1:56
5Flower of My Heart (overdubbed)
recorded in:
Clovis, New Mexico, United States and Wichita Falls, Texas, United States (from 1954 until 1955)
producer:
Norman Petty
bass:
Lynn Bailey, Stan Lark and Larry Welborn (from 1954 until 1955)
drums (drum set):
Doug Roberts (drummer)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Keith McCormack, George Tomsco, Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
steel guitar:
Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
Flower of My Heart (from 1954 to ????)
writer:
Don Guess (best known for his association with Buddy Holly) and Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly overdubbed by The Fireballs2:35
6Door to My Heart (overdubbed)
recorded in:
Clovis, New Mexico, United States and Wichita Falls, Texas, United States (from 1954 until 1955)
producer:
Norman Petty
bass:
Lynn Bailey, Stan Lark and Larry Welborn (from 1954 until 1955)
drums (drum set):
Doug Roberts (drummer)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Keith McCormack, George Tomsco, Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
steel guitar:
Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Door to My Heart (from 1954 to ????)
writer:
Bob Montgomery (USA)
publisher:
Wren Music Co.
Buddy Holly overdubbed by The Fireballs2:23
7Soft Place in My Heart (overdubbed)
recorded in:
Clovis, New Mexico, United States and Wichita Falls, Texas, United States (from 1954 until 1955)
producer:
Norman Petty
bass:
Lynn Bailey, Stan Lark and Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
drums (drum set):
Doug Roberts (drummer)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Keith McCormack, George Tomsco, Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
Soft Place in My Heart (from 1954 to ????)
lyricist and composer:
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly overdubbed by The Fireballs2:15
8I Gambled My Heart (overdubbed)
recorded in:
Clovis, New Mexico, United States and Wichita Falls, Texas, United States (from 1954 until 1955)
producer:
Norman Petty
bass:
Lynn Bailey, Stan Lark and Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
drums (drum set):
Doug Roberts (drummer)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Keith McCormack, George Tomsco, Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
I Gambled My Heart (from 1954 to ????)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly overdubbed by The Fireballs2:42
9Gotta Get You Near Me Blues (overdubbed)
recorded in:
Clovis, New Mexico, United States and Wichita Falls, Texas, United States (from 1954 until 1955)
producer:
Norman Petty
bass:
Lynn Bailey, Stan Lark and Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
drums (drum set):
Doug Roberts (drummer)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Keith McCormack, George Tomsco, Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
Gotta Get You Near Me Blues (from 1954 to ????)
writer:
Bob Montgomery (USA)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Buddy Holly overdubbed by The Fireballs1:53
10Gone (version 3, overdubbed)
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
bass:
Stan Lark
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
piano:
Vi Petty
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Gone (in 1956-11)
lyricist and composer:
Smokey Rogers
Buddy Holly overdubbed by The Fireballs1:11
11Rip It Up (overdubbed)
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
bass:
Stan Lark
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
piano:
Vi Petty
additional vocals:
Jerry Allison (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Rip It Up (from 1956-11 to ????)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
Buddy Holly overdubbed by The Fireballs1:27
12Honky Tonk (overdubbed)
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
bass:
Stan Lark
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
piano:
Vi Petty
cover recording of:
Honky Tonk (jazz instrumental) (from 1956-11 to ????)
composer:
Billy Butler (jazz guitarist), Bill Doggett, Clifford Scott and Berisford “Shep” Shepherd
Buddy Holly overdubbed by The Fireballs3:28
13Blue Suede Shoes (overdubbed)
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
phonographic copyright (℗) by:
Geffen Records (in 1964) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Blue Suede Shoes (from 1956-11 until 1956-12)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly overdubbed by The Fireballs41:54
14Shake Rattle and Roll (overdubbed)
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
bass:
Stan Lark
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
piano:
Vi Petty
additional vocals:
Jerry Allison (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Shake, Rattle and Roll (from 1956-11 to ????)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Buddy Holly overdubbed by The Fireballs1:23
15You and I Are Through (overdubbed)
recorded in:
Clovis, New Mexico, United States (from 1963-10 until 1964-12)
producer:
Norman Petty
bass:
Larry Welborn (on 1955-06-07)
drums (drum set):
Jerry Allison (on 1955-06-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-06-07), Bob Montgomery (USA) (on 1955-06-07), Keith McCormack (from 1963-10 until 1964-12) and George Tomsco (from 1963-10 until 1964-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-06-07) and Bob Montgomery (USA) (on 1955-06-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
You and I Are Through (from 1955-06-07 until 1964-12)
lyricist and composer:
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly overdubbed by The Fireballs2:06
16Baby It’s Love (overdubbed)
recorded in:
Lubbock, Texas, United States (in 1955-08) and Clovis, New Mexico, United States (from 1963-10 until 1964-12)
producer:
Norman Petty
bass:
Don Guess (best known for his association with Buddy Holly) (in 1955-08)
fiddle:
Sonny Curtis (in 1955-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955-08), Bob Montgomery (USA) (in 1955-08), Keith McCormack (from 1963-10 until 1964-12) and George Tomsco (from 1963-10 until 1964-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955-08) and Bob Montgomery (USA) (in 1955-08)
recording of:
Baby It’s Love (from 1955-08 until 1964-12)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly overdubbed by The Fireballs1:51
17Memories (overdubbed)
recorded in:
Lubbock, Texas, United States (in 1955-08) and Clovis, New Mexico, United States (from 1963-10 until 1964-12)
producer:
Norman Petty
bass:
Don Guess (best known for his association with Buddy Holly) (in 1955-08)
fiddle:
Sonny Curtis (in 1955-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955-08), Bob Montgomery (USA) (in 1955-08), Keith McCormack (from 1963-10 until 1964-12) and George Tomsco (from 1963-10 until 1964-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955-08) and Bob Montgomery (USA) (in 1955-08)
recording of:
Memories (from 1955-08 until 1964-12)
writer:
Bob Montgomery (USA)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Buddy Holly overdubbed by The Fireballs42:15
18Queen of the Ballroom (overdubbed)
recorded in:
Lubbock, Texas, United States (in 1955-08) and Clovis, New Mexico, United States (from 1963-10 until 1964-12)
producer:
Norman Petty
bass:
Don Guess (best known for his association with Buddy Holly) (in 1955-08)
fiddle:
Sonny Curtis (in 1955-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955-08), Bob Montgomery (USA) (in 1955-08), Keith McCormack (from 1963-10 until 1964-12) and George Tomsco (from 1963-10 until 1964-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955-08) and Bob Montgomery (USA) (in 1955-08)
recording of:
Queen of the Ballroom (from 1955-08 until 1964-12)
writer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly overdubbed by The Fireballs2:22
19Love’s Made a Fool of You (overdubbed)
recorded in:
Clovis, New Mexico, United States (on 1958-06-02, on 1964-01-07)
producer:
Norman Petty
bass:
George Atwood (on 1958-06-02)
drums (drum set):
Bo Clarke (on 1958-06-02)
guitar:
Tommy Allsup (on 1958-06-02) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
recording of:
Love’s Made a Fool of You (from 1958-06-02 until 1964-01-07)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
Buddy Holly overdubbed by The Fireballs2:01
20Wishing (mono, overdubbed)
recorded in:
Clovis, New Mexico, United States (from 1964-01 until 1964-12)
producer:
Norman Petty
recording of:
Wishing (until 1964-12)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Buddy Holly overdubbed by The Fireballs2:03
21Wishing (stereo, overdubbed)
recorded in:
Clovis, New Mexico, United States (from 1964-01 until 1964-12)
producer:
Norman Petty
recording of:
Wishing (until 1964-12)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Buddy Holly overdubbed by The Fireballs2:03
22Maybe Baby (overdubbed)
Buddy Holly overdubbed by The Fireballs1:57
23That’s My Desire (overdubbed)
recorded in:
Clovis, New Mexico, United States and New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg and Norman Petty
bass:
Stan Lark and Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-01-25)
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (on 1958-01-25)
guitar:
Keith McCormack, George Tomsco, Donald Amone (on 1958-01-25) and Al Caiola (on 1958-01-25)
piano:
Norman Petty (on 1958-01-25)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25)
cover recording of:
That’s My Desire (from 1958-01-25 to ????)
lyricist:
Carroll Loveday
composer:
Helmy Kresa
publisher:
Mills Music, Inc.
Buddy Holly overdubbed by The Fireballs2:25
24Have You Ever Been Lonely (version 1, overdubbed)
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Have You Ever Been Lonely? (from 1956-11 to ????)
lyricist:
George Brown (aka Billy Hill) (US songwriter)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Buddy Holly overdubbed by The Fireballs1:27
25Good Rockin’ Tonight (overdubbed)
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Good Rockin’ Tonight (from 1956-11 to ????)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
Buddy Holly overdubbed by The Fireballs2:02
26Blue Monday (overdubbed)
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Blue Monday (from 1956-11 to ????)
writer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Chappell Music (UK) and Chappell Music Ltd.
Buddy Holly overdubbed by The Fireballs2:03
27Ain’t Got No Home (overdubbed)
recorded in:
Lubbock, Texas, United States (from 1956-11 until 1956-12)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
cover recording of:
Ain’t Got No Home (from 1956-11 until 1956-12)
lyricist and composer:
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Buddy Holly overdubbed by The Fireballs42:05
28Holly Hop (overdubbed)
recorded in:
Clovis, New Mexico, United States and Lubbock, Texas, United States (from 1956-11 until 1956-12)
producer:
Norman Petty
drums (drum set):
Doug Roberts (drummer) and Jerry Allison (from 1956-11 until 1956-12)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
recording of:
Holly Hop (from 1956-11 to ????)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications, Inc. (ASCAP, not to get confused with Sir Paul McCartney’s company or the company that goes by the name MPL Communications)
Buddy Holly overdubbed by The Fireballs1:44
29Slippin’ and Slidin’ (overdubbed)
recorded in:
Clovis, New Mexico, United States and New York, New York, United States (from 1959-01-01 until 1959-01-20)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
drums (drum set):
Doug Roberts (drummer)
guitar:
Keith McCormack and George Tomsco
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (from 1959-01-01 to ????)
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
Buddy Holly overdubbed by The Fireballs2:34
30You’re the One (overdubbed)
recorded in:
Clovis, New Mexico, United States
producer:
Norman Petty
drums (drum set):
Doug Roberts (drummer)
guitar:
Keith McCormack, George Tomsco and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-27)
handclaps:
Slim Corbin (on 1958-12-27) and Waylon Jennings (US country musician) (on 1958-12-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-27)
recorded at:
Radio KLLL in Lubbock, Texas, United States (on 1958-12-27)
recording of:
You’re the One (from 1958-12-27 to ????)
writer:
Slim Corbin, Buddy Holly (1950s rock & roll singer‐songwriter) and Waylon Jennings (US country musician)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly overdubbed by The Fireballs2:05
31Love Is Strange (overdubbed)
recorded in:
Clovis, New Mexico, United States and New York, New York, United States (from 1959-01-01 until 1959-01-20)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
drums (drum set):
Doug Roberts (drummer)
guitar:
Keith McCormack and George Tomsco
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Love Is Strange (from 1959-01-01 to ????)
lyricist:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) and Sylvia Robinson
writer:
Ethel Smith
composer:
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. and Ben Ghazi Music, Inc. (publisher) (in 1956)
Buddy Holly overdubbed by The Fireballs3:06
32(Ummm, Oh Yeah) Dearest (overdubbed)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20) and Clovis, New Mexico, United States (from 1962 until 1963)
producer:
Norman Petty
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
drums (drum set):
Doug Roberts (drummer) (from 1962 until 1963)
guitar:
Keith McCormack (from 1962 until 1963) and George Tomsco (from 1962 until 1963)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Dearest (from 1959-01-01 until 1963)
writer:
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) and Twenty Nine Black Music (BMI)
Buddy Holly overdubbed by The Fireballs3.351:54
33Smokey Joe’s Café (overdubbed)
recorded in:
New York, New York, United States (from 1959-01-01 until 1959-01-20)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
cover recording of:
Smokey Joe’s Cafe (from 1959-01-01 until 1959-01-20)
writer:
Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Songs LLC
Buddy Holly overdubbed by The Fireballs2:13