The Very Best of New Woman

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Angels
programming:
Steve Power and Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
drums (drum set) [drums]:
Chris Sharrock
guitar:
Andre Barreau, Chester Kamen and Gary Nuttall
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) and Steve Power
percussion:
Andy Duncan (UK drummer and producer)
background vocals:
Andre Barreau, Gary Nuttall and Nicole Patterson
lead vocals:
Robbie Williams
orchestra:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
The Co-Op: Top 10 British Funeral Songs (number: 5)
recording of:
Angels
writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) and Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:26
2When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:12
3Changes
additional engineer:
Kevin Churko and David Frangioni
assistant engineer:
Jason Agel, Andy Brohard, Peter Doris, Jimmy Hoyson, Christina Paakkari, Geoff Rice (engineer), Alex Scannell, Devin Workman and Ghian Wright
engineer and mixer:
Bruce Sugar (engineer)
producer:
Mark Hudson (US songwriter/record producer)
bass guitar:
Chris Wyse
drums (drum set):
Mike Bordin (American drummer)
guitar:
Jerry Cantrell
lead vocals:
Ozzy Osbourne
performer:
Kelly Osbourne
arranger:
Steve Dudas
part of:
The Village Voice – The 50 Worst Songs of the ’00s (number: 27)
recording of:
Changes
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Rollerjoint Music, TRO Essex Music International, Inc., Westminster Music Ltd. and Onward Music Ltd. (in 1972)
Kelly Osbourne feat. Ozzy Osbourne24:09
4Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer‐songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:07
5Let’s Stay Together
engineer:
Walter Samuel (engineer) and Greg Walsh (producer and engineer)
producer:
Greg Walsh (producer and engineer) and Martyn Ware
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
cover recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Tina Turner33:36
6It Must Have Been Love
programming:
Clarence Öfwerman (from 1987 until 1990)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990) and Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 466)
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jimmy Fun Music
Roxette3.154:19
7Ordinary World
producer:
Duran Duran (English rock band) and John Jones (producer)
mixer:
David Richards (Swiss-based producer and engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Ordinary World
lyricist:
Warren Cuccurullo, John Nigel Taylor (UK bassist for Duran Duran), Simon Le Bon (singer for Duran Duran) and Nick Rhodes
composer:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes and John Taylor (UK bassist for Duran Duran)
publisher:
KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., American Skintrade Music Inc (from 1993 to present), EMI April Music Inc. (from 1993 to present) and Private Parts Musicall (from 1993 to present)
Duran Duran3.34:43
8Sitting Down Here
vocals:
Lene Marlin
arranger:
Jørn Dahl
phonographic copyright (℗) by:
Virgin Records Norway (in 1999)
recorded at:
Disclab Oslo in Oslo, Norway
recording of:
Sitting Down Here
lyricist and composer:
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lene Marlin33:54
9What I Am
recording of:
What I Am
lyricist:
Edie Brickell (American singer-songwriter)
composer:
Edie Brickell (American singer-songwriter) and Kenny Withrow
publisher:
MCA Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tin Tin Out feat. Emma Bunton3:53
10Whole Again
engineer:
Pete Craigie and Pat O'Shaughnessy
additional producer:
Jeremy Godfrey and Bill Padley
producer:
Engine (producer for Atomic Kitten)
vocals:
Jenny Frost, Natasha Hamilton and Liz McClarnon
remixer:
Jem Godfrey and Bill Padley
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001)
produced for:
Wise Buddah Music and Z Management
music videos:
Whole Again (UK video with Jenny Frost) by Atomic Kitten and Whole Again (US video) by Atomic Kitten
recording of:
Whole Again
writer:
Jem Godfrey, Stuart Kershaw (OMD drummer), Andy McCluskey and Bill Padley
publisher:
EMI Music Publishing Ltd (PRS‐affiliated), Windwept Pacific Music Ltd and Wise Buddah Music Ltd
Atomic Kitten33:05
11I’m Not a Girl, Not Yet a Woman
recording engineer:
Max Martin (Swedish record producer), Rami (Swedish record producer and songwriter) and Michael Tucker (engineer) (lead vocals)
assistant engineer:
Charles McCrorey (lead vocals)
engineer:
John Amatiello
producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
bass guitar [bass]:
Tomas Lindberg (Swedish bass player)
guitar [guitars]:
Esbjörn Öhrwall
background vocals:
Max Martin (Swedish record producer) and Jeanette Olsson
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
produced for:
Maratone Productions
recorded at:
Battery Studios in Chicago, Illinois, United States (lead vocals) and Maratone Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
Maratone Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
I’m Not a Girl, Not Yet a Woman by Britney Spears
recording of:
I’m Not a Girl, Not Yet a Woman
writer:
Dido (English singer‐songwriter), Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
publisher:
Maratone, Oldmara‐MXM, Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and Zomba Enterprises, Inc.
part of:
Golden Raspberry Award for Worst Original Song (number: 2002)
Britney Spears2.83:50
12But I Do Love You
miscellaneous support:
Sara Lind (task: technical assistant) and Robert Orton (task: technical assistant)
additional engineer:
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach and Tim Weidner (engineer)
engineer and mixer:
Steve MacMillan
producer:
Trevor Horn
bass:
Lee Sklar (bassist, session musician) and Jamie Muhoberac
drums (drum set) [drums]:
Curt Bisquera and John Robinson (session drummer)
guitar:
Tim Pierce (US session guitarist)
keyboard [keyboards]:
Jamie Muhoberac
piano:
Alan Pasqua
background vocals:
Sue Ann Carwell and Niki Harris (US singer and dancer)
orchestrator:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
recorded at:
Royal Tone Studios in North Hollywood, Los Angeles, California, United States and Sarm West Coast in Los Angeles, California, United States
recording of:
But I Do Love You
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs
LeAnn Rimes23:18
13Guilty
conductor:
Simon Hale
recording of:
Guilty
writer:
Gary Barlow, Duncan James (English singer and actor, member of “Blue”), Eliot Kennedy (songwriter, producer) and Timothy Woodcock
Blue2.53:45
14Love You Like Mad
producer:
StarGate (Norwegian production/songwriting team)
vocals:
VS (UK R&B group, active 2004-2005)
performer:
Mikkel Storleer Eriksen, Tor Erik Hermansen and Hallgeir Rustan (norwegian producer)
recording of:
Love You Like Mad
writer:
Jaime Douglas (a.k.a. Jaime Jay/Jaime Summaz), Mikkel Storleer Eriksen, Tyran Graham, Tor Erik Hermansen, Marvin Humes, Hallgeir Rustan (norwegian producer) and Ryan Taylor (VS)
VS2.53:31
15Shoulda Woulda Coulda
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recording of:
Shoulda Woulda Coulda
writer:
Beverley Knight and Craig Wiseman (country music songwriter)
Beverley Knight23:33
16How Can You Mend a Broken Heart?
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
recorded at:
Royal Studios in Memphis, Tennessee, United States
cover recording of:
How Can You Mend a Broken Heart
written in:
Kensington, Kensington and Chelsea, London (Greater London), England, United Kingdom
writer:
Barry Gibb and Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:21
17Take the Box
additional producer:
Jony Rockstar
producer:
Amy Winehouse
mixer:
Tom Elmhirst (mixing engineer)
additional drums (drum set):
Richard Wilkinson (production music)
guitar:
Jeremy Shaw (UK acid jazz producer, member of Naked Funk & Daddylonglegs)
horn:
Timothy Hutton
vocals:
Amy Winehouse
recorded at:
EMI Publishing Studios in London (Greater London), England, United Kingdom
recording of:
Take the Box
lyricist and composer:
Amy Winehouse
writer:
Luke Smith (UK session and live keyboardist, producer, arranger, musical director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse3.353:21
18High and Dry
cover recording of:
High and Dry
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
Warner Chappell Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
50/50
Jamie Cullum4:54

Credits

Release

photography:Jason Bell (photographer)
liner notes:Sara Cremer
compiler:Ashley Abram
glass mastered by:EMI Uden (manufacturer)
Discogs:https://www.discogs.com/release/9814627 [info]
ASIN:UK: B0001FUIQK [info]