The Very Best of New Woman

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Angels
Programmierung:
Steve Power und Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
Gitarre:
Andre Barreau, Chester Kamen und Gary Nuttall
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) und Steve Power
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Hintergrundgesang:
Andre Barreau, Gary Nuttall und Nicole Patterson
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 5)
recording of:
Angels
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) und Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:26
2When You Say Nothing at All
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:12
3Changes
assistierende(r) Techniker(in):
Jason Agel, Andy Brohard, Peter Doris, Jimmy Hoyson, Christina Paakkari, Geoff Rice (engineer), Alex Scannell, Devin Workman und Ghian Wright
Techniker(in) und Mix:
Bruce Sugar (engineer)
zusätzliche(r) Techniker(in):
Kevin Churko und David Frangioni
Produzent(in):
Mark Hudson (US songwriter/record producer)
Bassgitarre:
Chris Wyse
Gitarre:
Jerry Cantrell
Schlagzeug:
Mike Bordin (American drummer)
Sologesang:
Ozzy Osbourne
Interpret(in):
Kelly Osbourne
arranger:
Steve Dudas
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 27)
recording of:
Changes
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Rollerjoint Music, TRO Essex Music International, Inc., Westminster Music Ltd. und Onward Music Ltd. (in 1972)
Kelly Osbourne feat. Ozzy Osbourne24:09
4Nothing Compares 2 U
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer‐songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:07
5Let’s Stay Together
Techniker(in):
Walter Samuel (engineer) und Greg Walsh (producer and engineer)
Produzent(in):
Greg Walsh (producer and engineer) und Martyn Ware
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Tina Turner33:36
6It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:19
7Ordinary World
Produzent(in):
Duran Duran (English rock band) und John Jones (producer)
Mix:
David Richards (Swiss-based producer and engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Ordinary World
Texter:
Warren Cuccurullo, John Nigel Taylor (UK bassist for Duran Duran), Simon Le Bon (singer for Duran Duran) und Nick Rhodes
Komponist(in):
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
publisher:
KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., American Skintrade Music Inc (vom 1993 bis heute), EMI April Music Inc. (vom 1993 bis heute) und Private Parts Musicall (vom 1993 bis heute)
Duran Duran3.34:43
8Sitting Down Here
vocals:
Lene Marlin
arranger:
Jørn Dahl
phonographisches Urheberrecht (℗) von:
Virgin Records Norway (in 1999)
aufgenommen bei:
Disclab Oslo in Oslo, Norwegen
recording of:
Sitting Down Here
Texter und Komponist(in):
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lene Marlin33:54
9What I Am
recording of:
What I Am
Texter:
Edie Brickell (American singer-songwriter)
Komponist(in):
Edie Brickell (American singer-songwriter) und Kenny Withrow
publisher:
MCA Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tin Tin Out feat. Emma Bunton3:53
10Whole Again
Techniker(in):
Pete Craigie und Pat O'Shaughnessy
Produzent(in):
Engine (producer for Atomic Kitten)
zusätzliche(r) Produzent(in):
Jeremy Godfrey und Bill Padley
vocals:
Jenny Frost, Natasha Hamilton und Liz McClarnon
remixer:
Jem Godfrey und Bill Padley
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001)
produced for:
Wise Buddah Music und Z Management
Musikvideos:
Whole Again (UK video with Jenny Frost) von Atomic Kitten und Whole Again (US video) von Atomic Kitten
recording of:
Whole Again
Verfasser(in):
Jem Godfrey, Stuart Kershaw (OMD drummer), Andy McCluskey und Bill Padley
publisher:
EMI Music Publishing Ltd (PRS‐affiliated), Windwept Pacific Music Ltd und Wise Buddah Music Ltd
Atomic Kitten33:05
11I’m Not a Girl, Not Yet a Woman
recording engineer:
Max Martin (Swedish record producer), Rami (Swedish record producer and songwriter) und Michael Tucker (engineer) (Sologesang)
assistierende(r) Techniker(in):
Charles McCrorey (Sologesang)
Techniker(in):
John Amatiello
Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre [bass]:
Tomas Lindberg (Swedish bass player)
Gitarre [guitars]:
Esbjörn Öhrwall
Hintergrundgesang:
Max Martin (Swedish record producer) und Jeanette Olsson
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
produced for:
Maratone Productions
aufgenommen bei:
Battery Studios in Chicago, Illinois, Vereinigte Staaten (Sologesang) und Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
I’m Not a Girl, Not Yet a Woman von Britney Spears
recording of:
I’m Not a Girl, Not Yet a Woman
Verfasser(in):
Dido (English singer‐songwriter), Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
publisher:
Maratone, Oldmara‐MXM, Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und Zomba Enterprises, Inc.
Teil von:
Golden Raspberry Award for Worst Original Song (Nummer: 2002)
Britney Spears2.83:50
12But I Do Love You
sonstige Unterstützung:
Sara Lind (Aufgabe: technical assistant) und Robert Orton (Aufgabe: technical assistant)
Techniker(in) und Mix:
Steve MacMillan
zusätzliche(r) Techniker(in):
Austin Deptula, Greg Hunt (Texas based engineer), Gary Leach und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Bass:
Lee Sklar (bassist, session musician) und Jamie Muhoberac
Gitarre:
Tim Pierce (US session guitarist)
Keyboard [keyboards]:
Jamie Muhoberac
Klavier:
Alan Pasqua
Schlagzeug [drums]:
Curt Bisquera und John Robinson (session drummer)
Hintergrundgesang:
Sue Ann Carwell und Niki Harris (US singer and dancer)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2000)
aufgenommen bei:
Royal Tone Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Coast in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
But I Do Love You
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs
LeAnn Rimes23:18
13Guilty
conductor:
Simon Hale
recording of:
Guilty
Verfasser(in):
Gary Barlow, Duncan James (English singer and actor, member of “Blue”), Eliot Kennedy (songwriter, producer) und Timothy Woodcock
Blue2.53:45
14Love You Like Mad
Produzent(in):
StarGate (Norwegian production/songwriting team)
vocals:
VS (UK R&B group, active 2004-2005)
Interpret(in):
Mikkel Storleer Eriksen, Tor Erik Hermansen und Hallgeir Rustan (norwegian producer)
recording of:
Love You Like Mad
Verfasser(in):
Jaime Douglas (a.k.a. Jaime Jay/Jaime Summaz), Mikkel Storleer Eriksen, Tyran Graham, Tor Erik Hermansen, Marvin Humes, Hallgeir Rustan (norwegian producer) und Ryan Taylor (VS)
VS2.53:31
15Shoulda Woulda Coulda
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recording of:
Shoulda Woulda Coulda
Verfasser(in):
Beverley Knight und Craig Wiseman (country music songwriter)
Beverley Knight23:33
16How Can You Mend a Broken Heart?
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
cover recording of:
How Can You Mend a Broken Heart
geschrieben in:
Kensington, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:21
17Take the Box
Produzent(in):
Amy Winehouse
zusätzliche(r) Produzent(in):
Jony Rockstar
Mix:
Tom Elmhirst (mixing engineer)
Gitarre:
Jeremy Shaw (UK acid jazz producer, member of Naked Funk & Daddylonglegs)
Horn:
Timothy Hutton
zusätzlich Schlagzeug:
Richard Wilkinson (production music)
vocals:
Amy Winehouse
aufgenommen bei:
EMI Publishing Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Take the Box
Texter und Komponist(in):
Amy Winehouse
Verfasser(in):
Luke Smith (UK session and live keyboardist, producer, arranger, musical director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse3.353:21
18High and Dry
cover recording of:
High and Dry
Verfasser(in):
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) und Thom Yorke
publisher:
Warner Chappell Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
50/50
Jamie Cullum4:54

Nennungen

Veröffentlichung

Fotografie:Jason Bell (photographer)
liner notes:Sara Cremer
Zusammensteller:Ashley Abram
Stamm-Pressung von:EMI Uden (manufacturer)
Discogs:https://www.discogs.com/release/9814627 [Info]
ASIN:UK: B0001FUIQK [Info]