Red Norvo: Volume Two

~ Release by The Red Norvo Trio (see all versions of this release, 2 available)

Tracklist

1▼Medium
#TitleRatingLength
1This Can't Be Love
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
1:57
2These Foolish Things
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
2:16
3Good Bait
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Good Bait
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
1:49
4September Song
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Knickerbocker Holiday: September Song (on 1950-10-31)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
2:30
5September in the Rain
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
September in the Rain
lyricist:
Al Dubin (in 1937)
composer:
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) and Peermusic (UK) Limited (in 1937)
2:22
6Tea for Two
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
1:44
7I Only Have Eyes for You
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
2:31
8Budo
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
recording of:
Budo
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bud Powell
is based on:
Hallucinations
1:59
9Sweet Georgia Brown
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Sweet Georgia Brown
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Francis Day (publisher), Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2:06
10Night and Day
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:23
11I Get a Kick Out of You
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
1:58
12Swedish Pastry
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
recording of:
Swedish Pastry
composer:
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
instrumental recording of:
Swedish Pastry
composer:
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
2:46
13The Blue Room
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Blue Room
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
1:41
14Move
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
recording of:
Move (on 1950-10-31)
composer:
Denzil Best
1:51
15If I Had You
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
If I Had You (jazz standard) (on 1951-04-13)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
2:04
16''C'' Jam Blues
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
2:13
17Time and Tide
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass:
Charlie Mingus (on 1950-05-03)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
guitar:
Tal Farlow (jazz guitarist) (on 1950-05-03)
vibraphone:
Red Norvo (from 1949 until 1950, on 1950-05-03)
recording of:
Time and Tide
composer:
Robert Bilder
2:27
18Godchild
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
recording of:
Godchild
composer:
George Wallington
2:32
19Rose Room
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Rose Room
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
1:46
20Crazy Rhythm
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
1:38
21Where or When
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
2:24
22East of the Sun
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
East of the Sun (and West of the Moon)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
2:12
23Begin the Beguine
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
2:36
24Honeysuckle Rose
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
2:05
25Exactly Like You
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Exactly Like You
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
2:04
26Zing! Went the Strings Out of My Heart
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Zing! Went the Strings of My Heart (on 1950-10-31)
lyricist and composer:
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
instrumental cover recording of:
Zing! Went the Strings of My Heart
lyricist and composer:
James F. Hanley
publisher:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:23
27My Blue Heaven
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
My Blue Heaven
lyricist:
George A. Whiting (popular songwriter) (in 1924)
composer:
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
composed at:
New York Friars Club in New York, New York, United States (in 1924)
1:51
28I'm Yours
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
I’m Yours (on 1951-04-13)
writer:
Hal Blair and Don Robertson (“Happy Whistler” songwriter)
publisher:
Don Robertson Music Corp. and Gladys Music Inc.
instrumental recording of:
I’m Yours
lyricist:
Yip Harburg
composer:
Johnny Green (composer and conductor, often credited as John Green)
2:55
29Sunday
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
1:38
30Cheek to Cheek
recorded in:
Los Angeles, California, United States (from 1949 until 1950)
double bass [bass]:
Charles Mingus (from 1949 until 1950)
electric guitar [guitar]:
Tal Farlowe (jazz guitarist) (from 1949 until 1950)
vibraphone:
Red Norvo (from 1949 until 1950)
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (on 1950-05-03)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
2:36
31Too Marvelous for Words
clarinet:
Aaron Sachs (on 1943-10-28)
double bass and double bass [bass]:
Clyde Lombardi (on 1943-10-28)
drums (drum set):
John Blowers (on 1943-10-28)
piano:
Ralph Burns (on 1943-10-28)
tenor saxophone:
Flip Phillips (on 1943-10-28)
trombone:
Dick Taylor (jazz trombonist) (on 1943-10-28)
trumpet:
Dale Pearce (on 1943-10-28)
vibraphone:
Red Norvo (on 1943-10-28)
vocals:
Helen Ward (on 1943-10-28)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1943-10-28)
recording of:
Too Marvelous for Words (on 1943-10-28)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:36
32Too Marvelous for Words (alternate take)
clarinet:
Aaron Sachs (on 1943-10-28)
double bass and double bass [bass]:
Clyde Lombardi (on 1943-10-28)
drums (drum set):
John Blowers (on 1943-10-28)
piano:
Ralph Burns (on 1943-10-28)
tenor saxophone:
Flip Phillips (on 1943-10-28)
trombone:
Dick Taylor (jazz trombonist) (on 1943-10-28)
trumpet:
Dale Pearce (on 1943-10-28)
vibraphone:
Red Norvo (on 1943-10-28)
vocals:
Helen Ward (on 1943-10-28)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1943-10-28)
recording of:
Too Marvelous for Words (on 1943-10-28)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:37
33I'll Be Around
clarinet:
Aaron Sachs (on 1943-10-28)
double bass and double bass [bass]:
Clyde Lombardi (on 1943-10-28)
drums (drum set):
John Blowers (on 1943-10-28)
piano:
Ralph Burns (on 1943-10-28)
tenor saxophone:
Flip Phillips (on 1943-10-28)
trombone:
Dick Taylor (jazz trombonist) (on 1943-10-28)
trumpet:
Dale Pearce (on 1943-10-28)
vibraphone:
Red Norvo (on 1943-10-28)
vocals:
Helen Ward (on 1943-10-28)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1943-10-28)
recording of:
I’ll Be Around (on 1943-10-28)
lyricist and composer:
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
3:33