Carmen

~ Release by Georges Bizet; Aurora Buades, Benvenuto Franci, Aureliano Pertile, Ines Alfani Tellini, Irma Mion, Ebe Ticozzi, Coro & Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli (see all versions of this release, 1 available)

Annotation

Recorded Milan between 28 April and 19 May 1932

Conductor - Lorenzo Molajoli
Orchestra - Teatro alla Scala
Chorus - Teatro alla Scala

Carmen - Aurora Buades(-D'Alessio)
Don José - Aureliano Pertile
Micaëla - Ines Alfani-Tellini
Escamillo - Benvenuto Franci
Frasquita - Irma Mion
Mercédès - Ebe Ticozzi
Le Dancaïre - Aristide Baracchi
Le Remendado - Giuseppe Nessi
Moralès - Aristide Baracchi
Zuninga - Bruno Carmassi

Annotation last modified on 2022-12-04 15:34 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Carmen: Atto II. “Al quartier per l’appel?”
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “Voglio danzar pel tuo piacere” (Carmen, Don José) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet2:32
2Carmen: Atto II. “Il fior che avevi a me tu dato”
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “Il fior che avevi a me tu dato” (Don José, Carmen) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:53
3Carmen: Atto II. “No, tu non m’ami no”
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “No, tu non m'ami” (Don José, Carmen) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:26
4Carmen: Atto II. “Ola! Carmen ola!”
bass vocals [L'Ufficiale (Zuniga)]:
Bruno Carmassi (operatic bass) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto II. “Olà! Carmen! Olà!” (L'Ufficiale, Don José, Carmen) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet5:06
5Carmen: Atto III. Preludio
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet2:44
6Carmen: Atto III. “Ascolta, ascolta camerata, ascolta”
baritone vocals [Il Dancairo]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
tenor vocals [Il Remendado]:
Giuseppe Nessi (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Ascolta! ascolta” (Carmen, Don José, il Dancairo, il Remendado, Frasquita, Mercedes, Contrabbandieri) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet4:00
7Carmen: Atto III. “Ci riposiamo brev’ ora qui”
baritone vocals [Il Dancairo]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Ci riposiamo brev’ ora qui” (Le Dancaïre, Carmen, Don José) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III. Récitative « Reposons‐nous une heure ici » (Le Dancaïre, Carmen, Don José)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:52
8Carmen: Atto III. “Mischia! Alza!”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Mischia ! Alza!” (Carmen, Don José, Frasquita, Mercedes, Contrabbandieri) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet3:16
9Carmen: Atto III. “Andiam, la mia sorte sappiam!”
baritone vocals [Il Dancairo]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Andiam, la mia sorte sappiam!” (Carmen, il Dancairo, Frasquita) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III. Récitative « Eh bien ? … » (Carmen, Le Dancaïre, Frasquita)
Georges Bizet4:09
10Carmen: Atto III. “Ebben? Ebben, tenteremi di passar”
baritone vocals [Il Dancairo]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Il Remendado]:
Giuseppe Nessi (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Ebben? Ebben, tenteremi di passar” (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet3:08
11Carmen: Atto III. “Qui dei contrabandier”
soprano vocals [Micaela]:
Ines Alfani Tellini (soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Qui dei contrabbandieri è l'asilo nascosto” / “Io dico no, non son paurosa” (Micaela) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
translated version of:
Carmen : Acte III. Récitative « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet5:53
12Carmen: Atto III. “Ma non m’inganno”
soprano vocals [Micaela]:
Ines Alfani Tellini (soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Ma non m’inganno” (Micaela) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet3:38
13Carmen: Atto III. “Ola! Ola! Jose”
baritone vocals [Escamillo]:
Benvenuto Franci (italian baritone) (from 1932-04-28 until 1932-05-19)
baritone vocals [Il Dancairo]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
soprano vocals [Micaela]:
Ines Alfani Tellini (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
tenor vocals [Il Remendado]:
Giuseppe Nessi (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Olà! olà! José …” (Carmen, Escamillo, il Dancairo, Don José, il Remendado, Micaela) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:55
14Carmen: Atto III. “Alto! V’è la qualcun che si nasconde”
baritone vocals [Escamillo]:
Benvenuto Franci (italian baritone) (from 1932-04-28 until 1932-05-19)
baritone vocals [Il Dancairo]:
Aristide Baracchi (baritone) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Mercedes]:
Ebe Ticozzi (contralto) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
soprano vocals [Micaela]:
Ines Alfani Tellini (soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
tenor vocals [Il Remendado]:
Giuseppe Nessi (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto III. “Alto! V’è la qualcun che si nasconde” (Carmen, il Dancairo, Don José, il Remendado, Micaela, Frasquita, Mercedes, Escamillo) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet5:48
15Carmen: Atto IV. Preludio
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto IV (italian lyrics) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
part of:
Carmen (Italian lyrics)
Georges Bizet2:21
16Carmen: Atto IV. “Per due quarti, chi ne vuole?”
baritone vocals [Escamillo]:
Benvenuto Franci (italian baritone) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
soprano vocals [Frasquita]:
Irma Mion (soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto IV. “Eccoli! Ecco viene la quadriglia” (Coro, Escamillo, Carmen, Frasquita) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
part of:
Carmen: Atto IV (italian lyrics)
recording of:
Carmen: Atto IV. “Per tre quarti, chi ne vuole?” (Coro) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès)
part of:
Carmen: Atto IV (italian lyrics)
Georges Bizet5:01
17Carmen: Atto IV. “Se tu m’ami, Carmen”
baritone vocals [Escamillo]:
Benvenuto Franci (italian baritone) (from 1932-04-28 until 1932-05-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto IV. “Se tu m’ami, Carmen” (Escamillo, Carmen, coro) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur)
part of:
Carmen: Atto IV (italian lyrics)
Georges Bizet3:35
18Carmen: Atto IV. “Sei tu? Son io”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto IV. “Sei tu? Son io …” (Carmen, Don José, coro) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur)
part of:
Carmen: Atto IV (italian lyrics)
Georges Bizet5:53
19Carmen: Atto IV. “Dove vai?”
choir vocals:
Coro del Teatro alla Scala di Milano (from 1932-04-28 until 1932-05-19)
mezzo-soprano vocals [Carmen]:
Aurora Buades (mezzo-soprano) (from 1932-04-28 until 1932-05-19)
tenor vocals [Don José]:
Aureliano Pertile (tenor) (from 1932-04-28 until 1932-05-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1932-04-28 until 1932-05-19)
conductor:
Lorenzo Molajoli (conductor) (from 1932-04-28 until 1932-05-19)
recording of:
Carmen: Atto IV. “Dove vai?” (Carmen, Don José, coro) (from 1932-04-28 until 1932-05-19)
composer:
Georges Bizet (French composer)
translated version of:
Carmen : Acte IV. « Où vas‐tu ? – Laisse‐moi ! » (Don José, Carmen, Chœur)
part of:
Carmen: Atto IV (italian lyrics)
Georges Bizet3:03

Credits

Release

ASIN:DE: B000055ZX9 [info]