Decca Sound: The Analogue Years

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Saint-Saëns: Tone Poems; Piano Concerto No.1
2CD: Bruckner: Symphony No.6
3CD: Shostakovich: Symphony No.4
4CD: Debussy: Piano Works
5CD: Sibelius: Pelléas Et Mélisande; The Tempest
6CD: Prokofiev: Symphony No.2; The Love for Three Oranges; Scythian Suite
7CD: Bartók: Suite No. 1; Two Pictures; Enescu: Roumanian Rhapsody
8CD: Prokofiev: Symphony No. 5; Rimsky-Korsakov: Russian Easter Festival Overture; Capriccio Espagnol
9CD: Debussy & Franck Violin Sonatas
10CD: Tchaikovsky: Manfred Symphony; Valse-Scherzo
11CD: Gershwin: An American in Paris; Copland: Appalachian Spring
12CD: Wolf-Ferrari: Il Segreto di Susanna
13CD: Surinach & Montsalvatge Piano Concertos
14CD: Shostakovich: String Quartets Nos. 15, 8 & 9
15CD: Schubert: Rosamunde
16CD: Stravinsky: Le Sacre Du Printemps
17CD: Schumann: Piano Concertos; Grieg: Piano Concertos
18CD: Haydn: Symphonies Nos.94, 100 & 104
19CD: Schumann: Szenen Aus Goethes Faust
20CD: Schumann: Szenen Aus Goethes Faust; Mozart: Symphony No.40 in G Minor, K.550
21CD: Walton & Stravinsky Violin Concertos
22CD: Chopin: Etudes
23CD: Offenbach: Le Papillon; Massenet: Le Cid
24CD: Holst: The Planets; Saint-Saæns: Symphony No.3
25CD: Scriabin: Piano Concerto; Prometheus; Le Poeme de L'Extase
26CD: Dvorak: Tone Poems & Overtures
27CD: Bloch: Schelomo; A Voice In the Wilderness; Rimsky-Korsakov: Capriccio Espagnol
28CD: Mendelssohn: Sextet; Borodin: Quintet
29CD: Mendelssohn: Symphonies Nos. 3 & 4
30CD: Verdi: Requiem
31CD: Mahler: Symphony No.2 - "Resurrection"
32CD: Beethoven: Symphony No.9 - "Choral"
33CD: Britten: Cello Symphony; Haydn: Cello Concerto
34CD: Kodaly: Hary Janos; Dances of Galanta; The Peacock Variations
35CD: Sibelius: Symphonies Nos.1 & 4; Karelia Suite
36CD: Mozart: Wind Serenades
37CD: Bruch: Scottish Fantasia; Hindemith Violin Concerto
38CD: Brahms: Piano Concerto No.1; Mozart: Piano Concerto No.27, K.595
39CD: Hérold: La Fille mal Gardée; Gounod: Ballet Music From "Faust"
40CD: Martin: Etudes; Concerto for Timpani & Winds; Honegger: Symphony No.2
41CD: Verdi: Otello Act 1,2
42CD: Verdi: Otello Act 3,4
#TitleArtistRatingLength
1Otello: Act III. “La vedetta del porto”
producer:
John Culshaw
bass vocals:
Libero Arbace (bass vocalist) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “La vedetta del porto ha segnalato” (Araldo, Otello, Iago) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:29
2Otello: Act III. “Continua”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Continua – Qui trarro Cassio e con astute” (Otello, Iago) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:11
3Otello: Act III. “Dio ti giocondi, o sposo”
producer:
John Culshaw
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Dio ti giocondi, o sposo dell’alma” (Desdemona, Otello) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi4:30
4Otello: Act III. “Esterrefatta fisso”
producer:
John Culshaw
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Esterrefatta fisso lo sguardo tuo tremendo” (Desdemona, Otello) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi5:22
5Otello: Act III. “Dio! mi potevi scagliar”
producer:
John Culshaw
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi3:07
6Otello: Act III. “Cassio è là!”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Cassio e là! - Là? Cielo! Oh, gioia!” (Iago, Otello) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi0:53
7Otello: Act III. “Vieni; l’aula è deserta”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05) and Nello Romanato (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Vieni, l’aula è deserta” (Iago, Cassio, Otello) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi0:46
8Otello: Act III. “...e intanto, giacchè non si stanca mai”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05) and Nello Romanato (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “… e intanto, giacché non si stanca mai” (Jago, Cassio, Otello) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi4:01
9Otello: Act III. “Quest’è il segnale ... Sì, qui l’adducci”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05) and Nello Romanato (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Quest'è il segnale che annuncia” (Iago, Cassio, Otello, Coro) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:45
10Otello: Act III. Ballet Music
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. Ballabile (Ballet Music) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
part of:
Otello: Atto III
Giuseppe Verdi6:24
11Otello: Act III. “Viva! Evviva! Viva il Leon di San Marco!”
producer:
John Culshaw
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Viva! Evviva! Viva il Leon di San Marco” (Tutti, Lodovico, Otello, Desdemona, Emilia, Iago) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi0:31
12Otello: Act III. “Il Doge ed il Senato salutano”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
bass vocals:
Fernando Corena (operatic bass) (in 1961-05)
mezzo-soprano vocals:
Ana Raquel Satre (mezzo-soprano)
solo choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1961-05)
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Il doge ed il senato salutano l'eroe” (Lodovico, Otello, Desdemona, Emilia, Jago, Coro) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi3:01
13Otello: Act III. “Messeri! Il Doge”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
tenor vocals:
Athos Cesarini (tenor) (in 1961-05), Mario Del Monaco (tenor) (in 1961-05) and Nello Romanato (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Messeri! Il Doge…” (Otello, Roderigo, Iago, Cassio, Lodovico) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi1:43
14Otello: Act III. “A terra! ... si ... nel livido fango”
producer:
John Culshaw
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “A terra… sì… nel livido fango…” (Desdemona, Emilia, Cassio, Roderigo, Lodovico, Dame, Cavalieri, Otello, Iago, Ciprioti) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi2:02
15Otello: Act III. “Quell’ innocente un fremito”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
bass vocals:
Fernando Corena (operatic bass) (in 1961-05)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1961-05)
mezzo-soprano vocals:
Ana Raquel Satre (mezzo-soprano) (in 1961-05)
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
tenor vocals:
Athos Cesarini (tenor) (in 1961-05), Mario Del Monaco (tenor) (in 1961-05) and Nello Romanato (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Quell'innocente un fremito” (Emilia, Cassio, Roderigo, Lodovico, Coro, Desdemona, Iago, Otello) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi4:29
16Otello: Act III. “Fuggite!”
producer:
John Culshaw
baritone vocals:
Aldo Protti (bass-baritone) (in 1961-05)
bass vocals:
Fernando Corena (operatic bass) (in 1961-05)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1961-05)
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto III. “Fuggite! - Ciel!” (Otello, Desdemona, Emilia, Cassio, Roderigo, Lodovico, Coro, Jago) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
Giuseppe Verdi2:28
17Otello: Act IV. “Era più calmo”
producer:
John Culshaw
mezzo-soprano vocals:
Ana Raquel Satre (mezzo-soprano) (in 1961-05)
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Era più calmo?” (Emilia, Desdemona) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi3:56
18Otello: Act IV. “Mia madre aveva una povera ancella”
producer:
John Culshaw
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi0:59
19Otello: Act IV. “Piangea cantando nell’erma landa...”
producer:
John Culshaw
mezzo-soprano vocals:
Ana Raquel Satre (mezzo-soprano) (in 1961-05)
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi7:13
20Otello: Act IV. “Ave Maria, piena di grazia”
producer:
John Culshaw
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:00
21Otello: Act IV. (Otello compare)
producer:
John Culshaw
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Chi è là? Otello?” (Desdemona, Otello) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi3:37
22Otello: Act IV. “Diceste questa sera le vostre preci?”
producer:
John Culshaw
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Diceste questa sera le vostre preci?” (Otello, Desdemona) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi3:03
23Otello: Act IV. “Aprite! Aprite!”
producer:
John Culshaw
baritone vocals:
Tom Krause (bass-baritone) (in 1961-05) and Aldo Protti (bass-baritone) (in 1961-05)
bass vocals:
Fernando Corena (operatic bass) (in 1961-05)
mezzo-soprano vocals:
Ana Raquel Satre (mezzo-soprano) (in 1961-05)
solo tenor vocals:
Nello Romanato (in 1961-05)
soprano vocals:
Renata Tebaldi (soprano) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Aprite! Aprite! - Chi è là?” (Emilia, Otello, Desdemona) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi3:18
24Otello: Act IV. “Niun mi tema”
producer:
John Culshaw
baritone vocals:
Tom Krause (bass-baritone) (in 1961-05)
bass vocals:
Fernando Corena (operatic bass) (in 1961-05)
tenor vocals:
Mario Del Monaco (tenor) (in 1961-05) and Nello Romanato (in 1961-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1961-05)
conductor:
Herbert von Karajan (conductor) (in 1961-05)
balance engineer:
Gordon Parry (engineer) (in 1961-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1961-05)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1961-05)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:53
43CD: Strauss: Thousand And One Nights
44CD: Tchaikovsky: Swan Lake - Scenes
45CD: Rossini: Overtures; Mendelssohn: Violin Concerto
46CD: Puccini: La Bohème Act 1, 2
47CD: Puccini: La Bohème Act 3, 4
48CD: Sibelius: Symphony No.2; Dvorak: Symphony No.7
49CD: Schubert: Symphonies Nos.8 & 9
50CD: Tchaikovsky: 1812; Capriccio Italien; Rachmaninov: Piano Concerto No.2
51CD: Grieg: Peer Gynt; Piano Concerto
52CD: Ravel: L'Enfant et les sortilèges
53CD: Rimsky-Korsakov: Antar; Glazunov: Stenka Razin
54CD: Rimsky-Korsakov: Antar; Glazunov: Stenka Razin (Orig. Mono)

Credits

Release group

includes:La bohème (1958 studio cast) by Giacomo Puccini (Italian composer); Renata Tebaldi (soprano), Carlo Bergonzi (tenor), Ettore Bastianini (baritone), Orchestra (Orchestra of the National Academy of Santa Cecilia) e Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Tullio Serafin (conductor)
Allmusic:https://www.allmusic.com/album/mw0002564751 [info]