Milestones of a Jazz Legend: Paul Desmond

~ Veröffentlichung von Paul Desmond (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Desmond (1955) (1-9) / The Paul Desmond Quartet Featuring Don Elliott (1956) (10-17)
2▶CD: Jazz at the College of the Pacific (1954) (1-6) / Jazz at Storyville (1953) (7-11)
3▶CD: Gerry Mulligan - Paul Desmond Quartet (1957)
4▶CD: First Place Again (1960) (1-7) / Jazz Interwoven (1955) (8-10)
5▼CD: Desmond Blue (1962) (1-9) / Two of a Mind (1962) (10-15)
Nr.TitelKünstlerBewertungLänge
1My Funny Valentine
Techniker(in):
Ray Hall (engineer) (am 1961-09-14)
Produzent(in):
George Avakian (US 1940–90s record producer) (am 1961-09-14)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962)
Harfe:
Gene Bianco (am 1961-09-14)
Kontrabass:
Milt Hinton (am 1961-09-14)
Saxophon:
Paul Desmond (am 1961-09-14)
Schlagzeug:
Connie Kay (am 1961-09-14)
Waldhorn:
Al Richmond (am 1961-09-14)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-14)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-14)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (am 1961-09-14)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Paul Desmond With Strings3:52
2Desmond Blue
Techniker(in):
Ray Hall (engineer) (am 1961-10-02)
Produzent(in):
George Avakian (US 1940–90s record producer) (am 1961-10-02)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-10-02)
Harfe:
Gloria Agostini (Harp) (am 1961-10-02)
Kontrabass:
Milt Hinton (am 1961-10-02)
Saxophon:
Paul Desmond (am 1961-10-02)
Waldhorn:
Al Richmond (am 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
Paul Desmond With Strings3:40
3Then I'll Be Tired of You
Techniker(in):
Ray Hall (engineer) (am 1961-10-02)
Produzent(in):
George Avakian (US 1940–90s record producer) (am 1961-10-02)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-10-02)
Kontrabass:
Milt Hinton (am 1961-10-02)
Saxophon:
Paul Desmond (am 1961-10-02)
Waldhorn:
Al Richmond (am 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
instrumental recording of:
Then I’ll Be Tired of You (am 1961-10-02)
Texter:
Yip Harburg
Komponist(in):
Arthur Schwartz
Paul Desmond With Strings4:06
4I've Got You Under My Skin
Techniker(in):
Ray Hall (engineer) (am 1961-10-02)
Produzent(in):
George Avakian (US 1940–90s record producer) (am 1961-10-02)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-10-02)
Harfe:
Gloria Agostini (Harp) (am 1961-10-02)
Kontrabass:
Milt Hinton (am 1961-10-02)
Saxophon:
Paul Desmond (am 1961-10-02)
Waldhorn:
Al Richmond (am 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (in 1962)
instrumental recording of:
I’ve Got You Under My Skin (am 1961-10-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Paul Desmond With Strings4:33
5Late Lament
Techniker(in):
Ray Hall (engineer) (am 1961-09-28)
Produzent(in):
George Avakian (US 1940–90s record producer) (am 1961-09-28)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-09-28)
Harfe:
Gloria Agostini (Harp) (am 1961-09-28)
Kontrabass:
Milt Hinton (am 1961-09-28)
Saxophon:
Paul Desmond (am 1961-09-28)
Waldhorn:
Al Richmond (am 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
recording of:
Late Lament (am 1961-09-28)
Komponist(in):
Paul Desmond
Paul Desmond With Strings4:09
6I Should Care
Techniker(in):
Ray Hall (engineer) (am 1961-09-28)
Produzent(in):
George Avakian (US 1940–90s record producer) (am 1961-09-28)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-09-28)
Harfe:
Gloria Agostini (Harp) (am 1961-09-28)
Kontrabass:
Milt Hinton (am 1961-09-28)
Saxophon:
Paul Desmond (am 1961-09-28)
Waldhorn:
Al Richmond (am 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
instrumental recording of:
I Should Care (am 1961-09-28)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Paul Desmond With Strings3:53
7Like Someone in Love
Techniker(in):
Ray Hall (engineer) (am 1961-09-28)
Produzent(in):
George Avakian (US 1940–90s record producer) (am 1961-09-28)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-09-28)
Harfe:
Gloria Agostini (Harp) (am 1961-09-28)
Kontrabass:
Milt Hinton (am 1961-09-28)
Saxophon:
Paul Desmond (am 1961-09-28)
Waldhorn:
Al Richmond (am 1961-09-28)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-09-28)
instrumental cover recording of:
Like Someone in Love (am 1961-09-28)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Desmond With Strings4:12
8Ill Wind
Techniker(in):
Ray Hall (engineer) (am 1961-10-02)
Produzent(in):
George Avakian (US 1940–90s record producer) (am 1961-10-02)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1961-10-02)
Harfe:
Gloria Agostini (Harp) (am 1961-10-02)
Kontrabass:
Milt Hinton (am 1961-10-02)
Saxophon:
Paul Desmond (am 1961-10-02)
Waldhorn:
Al Richmond (am 1961-10-02)
conductor:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
arranger:
Bob Prince (Jazz composer, arranger, conductor & producer) (am 1961-10-02)
instrumental recording of:
Ill Wind (am 1961-10-02)
Texter:
Ted Koehler (in 1934)
Komponist(in):
Harold Arlen (in 1934)
Paul Desmond With Strings3:51
9Body and Soul
recording engineer:
Ray Hall (engineer)
Produzent(in):
George Avakian (US 1940–90s record producer)
instrumental recording of:
Body and Soul (am 1961-10-02)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Desmond With Strings4:57
10All the Things You Are
recording engineer:
Mickey Crofford, Ray Hall (engineer) und Bob Simpson (US jazz engineer/producer)
Produzent(in):
George Avakian (US 1940–90s record producer), Bob Prince (Jazz composer, arranger, conductor & producer) und Bob Prince (Robert Graham Prince; Jazz composer, arranger, conductor, producer)
alto saxophone:
Paul Desmond (am 1962-07-03)
baritone saxophone:
Gerry Mulligan (am 1962-07-03)
Kontrabass [bass]:
Wendell Marshall (am 1962-07-03)
Schlagzeug:
Connie Kay (am 1962-07-03)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1962-07-03)
instrumental cover recording of:
All the Things You Are (from “Very Warm for May”) (am 1962-07-03)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
Paul Desmond & Gerry Mulligan5:50
11Stardust
recording engineer:
Mickey Crofford, Ray Hall (engineer) und Bob Simpson (US jazz engineer/producer)
Produzent(in):
George Avakian (US 1940–90s record producer), Bob Prince (Jazz composer, arranger, conductor & producer) und Bob Prince (Robert Graham Prince; Jazz composer, arranger, conductor, producer)
alto saxophone:
Paul Desmond (am 1962-07-03)
baritone saxophone:
Gerry Mulligan (am 1962-07-03)
Kontrabass [bass]:
Wendell Marshall (am 1962-02-08)
Schlagzeug:
Connie Kay (am 1962-07-03)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1962-07-03)
instrumental cover recording of:
Stardust (the jazz standard) (am 1962-07-03)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Paul Desmond & Gerry Mulligan8:22
12Two of a Mind
Paul Desmond & Gerry Mulligan5:59
13Blight of the Fumble Bee
alto saxophone:
Paul Desmond (am 1962-06-26)
baritone saxophone:
Gerry Mulligan (am 1962-06-26)
Kontrabass [bass]:
John Beal (American Broadway bassist) (am 1962-06-26)
Schlagzeug:
Connie Kay (am 1962-06-26)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1962-06-26)
recording of:
Blight of the Fumble Bee
Komponist(in):
Gerry Mulligan
Paul Desmond & Gerry Mulligan7:00
14The Way You Look Tonight
recording engineer:
Mickey Crofford, Ray Hall (engineer) und Bob Simpson (US jazz engineer/producer)
Produzent(in):
George Avakian (US 1940–90s record producer), Bob Prince (Jazz composer, arranger, conductor & producer) und Bob Prince (Robert Graham Prince; Jazz composer, arranger, conductor, producer)
alto saxophone:
Paul Desmond (am 1962-06-26)
baritone saxophone:
Gerry Mulligan (am 1962-06-26)
Kontrabass [bass]:
John Beal (American Broadway bassist) (am 1962-06-26)
Schlagzeug:
Connie Kay (am 1962-06-26)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1962-06-26)
instrumental cover recording of:
The Way You Look Tonight (from “Swing Time”) (am 1962-06-26)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Paul Desmond & Gerry Mulligan7:21
15Out of Nowhere
Paul Desmond & Gerry Mulligan6:29
6▶CD: Dave Brubeck Octet (1956)
7▶CD: Jazz at Oberlin (1953) (1-5) / Jazz at the Blackhawk (1956) (6-13)
8▶CD: Jazz Goes to College (1954)
9▶CD: Dave Brubeck and Jay & Kai at Newport (1956)
10▶CD: Tonight Only! (1961)

Nennungen