1956 - 1962

~ Veröffentlichung von Anita O’Day (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Take the 'a' Train
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
Produzent(in):
Norman Granz
alto saxophone:
Med Flory
baritone saxophone:
Bill Perkins (jazz saxophonist)
Bass:
Buddy Clark (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Rowles
Posaune:
Pete Carpenter, Bob Fitzpatrick, Dick Nash und Dave Wells (US jazz trombonist, trumpeter & bass trumpeter)
Schlagzeug:
Mel Lewis (American jazz drummer)
Tenorsaxophon:
Herbie Mann und Bill Perkins (jazz saxophonist)
Trompete:
Frank Beach (trombone, trumpet), Buddy Childers (American jazz trumpeter & composer), Dick Collins (trumpet) und Jack Sheldon
Tuba:
John Kitzmiller
vocals:
Anita O’Day (am 1958-04-03)
arranger:
Marty Paich
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-03)
cover recording of:
Take the “A” Train (version with lyrics by Sherrill) (am 1958-04-03)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
2:53
2Early Autumn
recording of:
Early Autumn
Texter:
Johnny Mercer (in 1949)
Komponist(in):
Ralph Burns (in 1949) und Woody Herman (in 1949)
3:11
3Four Brothers
vocals:
Anita O’Day
Orchester:
Marty Paich Orchestra
arranger:
Russell Garcia
cover recording of:
Four Brothers
Komponist(in):
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (in 1947)
2:26
4My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
3:37
5Sing, Sing, Sing (with a Swing)
vocals:
Anita O’Day
Orchester:
Russ Garcia & His Orchestra
cover recording of:
Sing, Sing, Sing (With a Swing)
Texter und Komponist(in):
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (beendet) und EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
3:32
6What's Your Story, Morning Glory?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
Produzent(in):
Norman Granz
alto saxophone:
Benny Carter und Ronnie Lang
baritone saxophone:
Ronnie Lang
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
Gitarre:
Tony Rizzi
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Posaune:
Jim Amlotte, Bob Enevoldsen, Kent Larsen, Archie LeCoque und Ken Shroyer (trombonist)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Buddy Collette und Irving “Babe” Russin
Trompete:
Bill Catalano, Jules Chaikin, Phil Gilbert, Lee Katzman und Sam Noto
vocals:
Anita O’Day (am 1958-04-02)
arranger:
Russ Garcia
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-04-02)
recording of:
What's Your Story, Morning Glory?
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Mary Lou Williams (American jazz pianist and composer)
publisher:
Advanced Music corp.
3:50
7The Peanut Vendor (El Manisero)
cover recording of:
The Peanut Vendor
Texter:
L. Wolfe Gilbert und Marion Sunshine
Komponist(in):
Moisés Simons
übersetzte Version von:
El manisero
2:42
8Whisper Not
recording of:
Whisper Not (adaptation w/ lyrics by Leonard Feather) (in 1962-10)
Texter:
Leonard Feather (in 1962)
Komponist(in):
Benny Golson (American jazz saxophonist and composer) (in 1956)
Version von:
Whisper Not (original instrumental composition)
2:58
9Stompin' at the Savoy
cover recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:20
10Hershey Bar
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1959-04)
vocals:
Anita O’Day (in 1959-04)
arranger:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer)
cover recording of:
Hershey Bar (in 1959-04)
Komponist(in):
Johnny Mandel (American composer and arranger)
recording of:
Hershey Bar
Komponist(in):
Johnny Mandel (American composer and arranger)
2:08
11Don't Be That Way
recording of:
Don’t Be That Way
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
2:34
12Peel Me a Grape
Bassgitarre:
Fred Schreiber
Conga:
Wilfredo Vincente
Klavier:
Bob Corwin
Schlagzeug:
Johnny Rae (US jazz drummer/vibraphonist)
Vibraphon:
Cal Tjader
vocals:
Anita O’Day
cover recording of:
Peel Me a Grape
Texter und Komponist(in):
Dave Frishberg
3:06
13Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:09
14Love for Sale
recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
2:45
15Easy to Love
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-02)
Orchester:
Billy May & His Orchestra (am 1959-04-02)
recording of:
Easy to Love (am 1959-04-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:05
16I Get a Kick Out of You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I Get a Kick Out of You (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:23
17What Is This Thing Called Love?
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:33
18Night and Day
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:02
19Get Out of Town
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
Get Out of Town (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
2:32
20I've Got You Under My Skin
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I’ve Got You Under My Skin (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
1:51
21It's De-Lovely
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
It’s De‐Lovely (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
2:06
22Honeysuckle Rose
Bassgitarre:
Joe Mondragon
Gitarre:
Barney Kessel
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Posaune:
Milt Bernhart, Joe Howard (american trombone player), Lloyd Ulyate und Si Zentner
Schlagzeug:
Alvin Stoller
vocals:
Anita O’Day
arranger:
Buddy Bregman
cover recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
3:13
23Star Eyes
cover recording of:
Star Eyes
Komponist(in):
Gene de Paul und Don Raye
publisher:
EMI Feist Catalog Inc. und Red Cape Songs
Teil von:
I Dood It (1943)
2:53

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