A Baroque Festival (1600-1750)

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1▶cd: A Baroque Festival
2▼cd: A Baroque Festival
#TitelArtiestWaarderingDuur
1"Brandenburg" Concerto No. 2 in F major, BWV 1047: I. (Allegro)
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös en Rudolf Pribil (pseudonym for Alfred Scholz)
is een opname van:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach45:35
2"Brandenburg" Concerto No. 2 in F major, BWV 1047: II. Andante
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Gabor Ötvös
is een opname van:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:27
3"Brandenburg" Concerto No. 2 in F major, BWV 1047: III. Allegro assai
trompet:
Rolf Quinque (trumpet player)
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Gabor Ötvös
is een opname van:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:26
4"Brandenburg" Concerto No. 3 in G major, BWV 1048: I. (Allegro)
orkest:
Camerata Romana (an Alfred Scholz pseudonym)
is een opname van:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
deel van:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:50
5"Brandenburg" Concerto No. 3 in G major, BWV 1048: II. Allegro
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Chamber Orchestra, Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) en Helmuth Rilling (conductor)
is een opname van:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
deel van:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach3:26
6"Brandenburg" Concerto No. 5 in D major, BWV 1050: I. Allegro
orkest:
Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Rudolf Pribil (pseudonym for Alfred Scholz)
is een opname van:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (beëindigd)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
versie van:
Concerto D-Dur, BWV 1050a: I. Allegro
deel van:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach9:56
7"Brandenburg" Concerto No. 5 in D major, BWV 1050: II. Affettuoso
orkest:
Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Rudolf Pribil (pseudonym for Alfred Scholz)
is een opname van:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (beëindigd)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
versie van:
Concerto D-Dur, BWV 1050a: II. Adagio
deel van:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:58
8"Brandenburg" Concerto No. 5 in D major, BWV 1050: III. Allegro
trompet:
Rolf Quinque (trumpet player)
orkest:
Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
was dirigent:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Rudolf Pribil (pseudonym for Alfred Scholz)
is een opname van:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (beëindigd)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
versie van:
Concerto D-Dur, BWV 1050a: III. Allegro
deel van:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:38
9Jesu, Joy of Man's Desiring
koperblazers:
St. Louis Brass Quintet
orkest:
St. Louis Brass Quintet
is een opname van:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement van:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:57
10"Messiah" Highlights: Overture
vocalen:
Royal Choral Society (The Royal Choral Society)
orkest:
Royal Philharmonic Orchestra
is een opname van:
Messiah, HWV 56: Part I, no. 1. Symphony
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:19
11"Messiah" Highlights: Comfort ye
vocalen:
Royal Choral Society (The Royal Choral Society)
orkest:
Royal Philharmonic Orchestra
is een opname van:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:39
12"Messiah" Highlights: Every Valley
vocalen:
Royal Choral Society (The Royal Choral Society)
orkest:
Royal Philharmonic Orchestra
is een opname van:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:38
13"Messiah" Highlights: And the Glory of the Lord
vocalen:
Royal Choral Society (The Royal Choral Society)
orkest:
Royal Philharmonic Orchestra
is een opname van:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:57
14"Messiah" Highlights: Glory to God
koor:
Royal Philharmonic Chorus
vocalen:
Royal Choral Society (The Royal Choral Society)
orkest:
Royal Philharmonic Orchestra
is een opname van:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:07
15"Messiah" Highlights: Hallelujah!
koor:
Royal Choral Society (The Royal Choral Society) en Royal Philharmonic Chorus
orkest:
Royal Philharmonic Orchestra
is een opname van:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
deel van:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:49
16"Messiah" Highlights: And the Trumpet Shall Sound
vocalen:
Royal Choral Society (The Royal Choral Society)
orkest:
Royal Philharmonic Orchestra
is een opname van:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
componist:
George Frideric Handel (German‐British baroque composer) (in 1741)
deel van:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:29
3▶cd: A Baroque Festival
4▶cd: A Baroque Festival