A Baroque Festival (1600-1750)

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1▶CD : A Baroque Festival
2▼CD : A Baroque Festival
noTitreArtisteÉvaluationDurée
1"Brandenburg" Concerto No. 2 in F major, BWV 1047: I. (Allegro)
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös et Rudolf Pribil (pseudonym for Alfred Scholz)
recording of :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach45:35
2"Brandenburg" Concerto No. 2 in F major, BWV 1047: II. Andante
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Gabor Ötvös
recording of :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:27
3"Brandenburg" Concerto No. 2 in F major, BWV 1047: III. Allegro assai
trompette :
Rolf Quinque (trumpet player)
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Gabor Ötvös
recording of :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:26
4"Brandenburg" Concerto No. 3 in G major, BWV 1048: I. (Allegro)
orchestre :
Camerata Romana (an Alfred Scholz pseudonym)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:50
5"Brandenburg" Concerto No. 3 in G major, BWV 1048: II. Allegro
violon :
J. Brezina (violinist)
orchestre :
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Chamber Orchestra, Oregon Bach Festival Orchestra, Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) et Helmuth Rilling (conductor)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach3:26
6"Brandenburg" Concerto No. 5 in D major, BWV 1050: I. Allegro
orchestre :
Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Rudolf Pribil (pseudonym for Alfred Scholz)
recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (terminé)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: I. Allegro
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach9:56
7"Brandenburg" Concerto No. 5 in D major, BWV 1050: II. Affettuoso
orchestre :
Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Rudolf Pribil (pseudonym for Alfred Scholz)
recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (terminé)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: II. Adagio
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:58
8"Brandenburg" Concerto No. 5 in D major, BWV 1050: III. Allegro
trompette :
Rolf Quinque (trumpet player)
orchestre :
Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) et Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor :
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) et Rudolf Pribil (pseudonym for Alfred Scholz)
recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (terminé)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: III. Allegro
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:38
9Jesu, Joy of Man's Desiring
cuivres :
St. Louis Brass Quintet
orchestre :
St. Louis Brass Quintet
recording of :
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:57
10"Messiah" Highlights: Overture
voix :
Royal Choral Society (The Royal Choral Society)
orchestre :
Royal Philharmonic Orchestra
recording of :
Messiah, HWV 56: Part I, no. 1. Symphony
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
Georg Friedrich Händel3:19
11"Messiah" Highlights: Comfort ye
voix :
Royal Choral Society (The Royal Choral Society)
orchestre :
Royal Philharmonic Orchestra
recording of :
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
Georg Friedrich Händel2:39
12"Messiah" Highlights: Every Valley
voix :
Royal Choral Society (The Royal Choral Society)
orchestre :
Royal Philharmonic Orchestra
recording of :
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
Georg Friedrich Händel3:38
13"Messiah" Highlights: And the Glory of the Lord
voix :
Royal Choral Society (The Royal Choral Society)
orchestre :
Royal Philharmonic Orchestra
recording of :
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
Georg Friedrich Händel2:57
14"Messiah" Highlights: Glory to God
chœurs :
Royal Philharmonic Chorus
voix :
Royal Choral Society (The Royal Choral Society)
orchestre :
Royal Philharmonic Orchestra
recording of :
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
Georg Friedrich Händel2:07
15"Messiah" Highlights: Hallelujah!
chœurs :
Royal Choral Society (The Royal Choral Society) et Royal Philharmonic Chorus
orchestre :
Royal Philharmonic Orchestra
recording of :
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
librettiste :
Charles Jennens
partie de :
Messiah, HWV 56: Part II
Georg Friedrich Händel3:49
16"Messiah" Highlights: And the Trumpet Shall Sound
voix :
Royal Choral Society (The Royal Choral Society)
orchestre :
Royal Philharmonic Orchestra
recording of :
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part III
Georg Friedrich Händel4:29
3▶CD : A Baroque Festival
4▶CD : A Baroque Festival