The World of Baroque Favourites

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Canon in D, P. 37
registrata a:
Ludwigsburg, Baden-Württemberg, Germania (nel 1984-02)
tecnico:
Stanley Goodall (engineer) (nel 1982-02)
produttore:
Michael Haas (classical music producer)
organo :
Martin Haselböck (organist, conductor and composer) (nel 1982-02)
orchestra:
Stuttgarter Chamber Orchestra (Stuttgart Chamber Orchestra) (nel 1984-02)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1984-02)
arrangiatore:
Karl Münchinger (German conductor)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1984-02)
registrazione di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (nel 1984-02)
compositore:
Johann Pachelbel (composer)
arrangiamento di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel4:38
2Suite no. 3 in D, BWV 1068: 2. Air
tecnico:
Stanley Goodall (engineer) (nel 1982-02)
produttore:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (nel 1984-02, nel 1985-01)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1984-02, nel 1985-01)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1984-02)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1985)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1984-02)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:50
3Water Music Suite, HWV 348-350
registrata a:
Ludwigsburg, Baden-Württemberg, Germania (nel 1984-02)
tecnico:
Stanley Goodall (engineer) (nel 1982-02)
produttore:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (nel 1981-05, nel 1984-02)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1981-05, nel 1984-02)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1981-05)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1981-05)
registrazione di:
Water Music, Suite no. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo (nel 1981-05)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 3 in G major, HWV 350
George Frideric Handel10:30
4Adagio for Strings and Organ in G minor (arr. Giazotto)
registrata a:
Ludwigsburg, Baden-Württemberg, Germania (nel 1984-02)
tecnico:
Stanley Goodall (engineer) (nel 1982-02)
produttore:
Michael Haas (classical music producer)
organo :
Martin Haselböck (organist, conductor and composer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (nel 1984-02)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1984-02)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1984-02)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1984-02)
registrazione di:
Adagio for Strings and Organ in G minor (nel 1984-02)
compositore:
Remo Giazotto
precedentemente attribuito a:
Tomaso Giovanni Albinoni (Italian Baroque composer)
editore:
Ricordi London (Casa Ricordi sublabel for Classical music) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni, Remo Giazotto6:38
5Solomon, HWV 67, Act III: The Arrival of the Queen of Sheba
produttore:
Michael Bremner (producer/engineer) (nel 1965-04)
orchestra:
The Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1965-04)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1965-04)
tecnico di bilanciamento:
Kenneth Wilkinson (engineer) (nel 1965-04)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1965-04)
registrazione di:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (nel 1965-04)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1748)
editore:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft e Public Domain (refers to works that are in the public domain)
parte di:
Solomon, HWV 67: Act III
George Frideric Handel3:12
6The Four Seasons, Spring, Violin Concerto in E major, RV 269, op. 8 no. 1: I. Allegro
tecnico di registrazione:
Stanley Goodall (engineer) (nel 1969-09)
produttore:
Michael Bremner (producer/engineer)
clavicembalo e organo :
Simon Preston (organist, conductor, composer) (dal 1969-09-08 al 1969-09-10)
violino :
Alan Loveday (violinist) (dal 1969-09-08 al 1969-09-10)
orchestra:
Academy of St Martin in the Fields (dal 1969-09-08 al 1969-09-10)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1969-09-08 al 1969-09-10)
tecnico di bilanciamento:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) e Stanley Goodall (engineer) (dal 1969-09-08 al 1969-09-10)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (dal 1969-09-08 al 1969-09-10)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (« Le quattro stagioni »: Concerto no. 1 en Mi majeur, RV 269 « La primavera » : 1. Allegro) (dal 1969-09-08 al 1969-09-10)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi43:11
7The Four Seasons, Spring, Violin Concerto in E major, RV 269, op. 8 no. 1: II. Largo e pianissimo sempre
tecnico di registrazione:
Stanley Goodall (engineer) (nel 1969-09)
produttore:
Michael Bremner (producer/engineer)
clavicembalo e organo :
Simon Preston (organist, conductor, composer) (dal 1969-09-08 al 1969-09-10)
violino :
Alan Loveday (violinist) (dal 1969-09-08 al 1969-09-10)
orchestra:
Academy of St Martin in the Fields (dal 1969-09-08 al 1969-09-10)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1969-09-08 al 1969-09-10)
tecnico di bilanciamento:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) e Stanley Goodall (engineer) (dal 1969-09-08 al 1969-09-10)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (dal 1969-09-08 al 1969-09-10)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (dal 1969-09-08 al 1969-09-10)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi43:30
8The Four Seasons, Spring, Violin Concerto in E major, RV 269, op. 8 no. 1: III. Danza pastorale. Allegro
tecnico di registrazione:
Stanley Goodall (engineer) (nel 1969-09)
produttore:
Michael Bremner (producer/engineer)
clavicembalo e organo :
Simon Preston (organist, conductor, composer) (dal 1969-09-08 al 1969-09-10)
violino :
Alan Loveday (violinist) (dal 1969-09-08 al 1969-09-10)
orchestra:
Academy of St Martin in the Fields (dal 1969-09-08 al 1969-09-10)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1969-09-08 al 1969-09-10)
tecnico di bilanciamento:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) e Stanley Goodall (engineer) (dal 1969-09-08 al 1969-09-10)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (dal 1969-09-08 al 1969-09-10)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (dal 1969-09-08 al 1969-09-10)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi44:41
9Berenice, HWV 38: Act 2: Minuet from Overture
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
registrazione parziale di:
Berenice, HWV 38: Overture
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Berenice, HWV 38
George Frideric Handel4:13
10Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: 9. Sheep May Safely Graze
produttore:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (nel 1977-10)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1977-10)
arrangiatore:
Karl Münchinger (German conductor)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1977-10)
registrazione di:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (nel 1977-10)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:32
11Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 1. Allegro giusto (arr. for guitar)
produttore:
Paul Myers (classical record producer)
chitarra :
Eduardo Fernández (guitarist) (nel 1986-12)
orchestra:
English Chamber Orchestra (nel 1986-12)
direttore d'orchestra:
George Malcolm (English harpsichordist, conductor) (nel 1986-12)
arrangiatore chitarra :
Gian Francesco Malipiero (Italian composer)
tecnico di bilanciamento:
John Dunkerley (engineer) (nel 1986-12)
registrata presso:
Henry Wood Hall (London) in London (Greater London), England, Regno Unito (nel 1986-12)
registrazione di:
Concerto for Lute in D major, RV 93: I. Allegro giusto (nel 1986-12)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto for Lute in D major, RV 93
Antonio Vivaldi3:49
12Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo (arr. for guitar)
tecnico:
John Dunkerley (engineer)
produttore:
Paul Myers (classical record producer)
chitarra classica :
Eduardo Fernández (guitarist) (nel 1986-12)
orchestra:
English Chamber Orchestra (nel 1986-12)
direttore d'orchestra:
George Malcolm (English harpsichordist, conductor) (nel 1986-12)
tecnico di bilanciamento:
John Dunkerley (engineer) (nel 1986-12)
registrata presso:
Henry Wood Hall (London) in London (Greater London), England, Regno Unito (nel 1986-12)
registrazione di:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (nel 1986-12)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangiatore:
Gian Francesco Malipiero (Italian composer)
arrangiamento di:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi5:08
13Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro (arr. for guitar)
produttore:
Paul Myers (classical record producer)
chitarra :
Eduardo Fernández (guitarist) (nel 1986-12)
orchestra:
English Chamber Orchestra (nel 1986-12)
direttore d'orchestra:
George Malcolm (English harpsichordist, conductor) (nel 1986-12)
arrangiatore chitarra :
Gian Francesco Malipiero (Italian composer)
tecnico di bilanciamento:
John Dunkerley (engineer) (nel 1986-12)
registrata presso:
Henry Wood Hall (London) in London (Greater London), England, Regno Unito (nel 1986-12)
registrazione di:
Concerto for Lute in D major, RV 93: III. Allegro (nel 1986-12)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto for Lute in D major, RV 93
Antonio Vivaldi2:11
14Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (nel 1977-10)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1977-10)
arrangiatore:
Lucien Cailliet e Karl Münchinger (German conductor)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1977-10)
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (nel 1977-10)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:04
15Ciacona in G minor, Z. 730
tecnico:
Gordon Parry (engineer) (nel 1968) e Kenneth Wilkinson (engineer) (nel 1968)
produttore:
David Harvey (producer) (nel 1968)
orchestra:
English Chamber Orchestra
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1969)
registrata presso:
Snape Maltings Concert Hall in Suffolk, England, Regno Unito (nel 1968-12)
registrazione di:
Chacony in G minor (arranged by Britten)
compositore:
Henry Purcell (Baroque composer)
arrangiatore:
Benjamin Britten (English composer, conductor, and pianist)
editore:
Boosey & Hawkes Music Publishers, Ltd
arrangiamento di:
Chacony in G minor for 2 violins, viola and continuo, Z. 730
Henry Purcell7:02
16Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet – VII. Badinerie
tecnico:
Stanley Goodall (engineer)
produttore:
Michael Bremner (producer/engineer)
clavicembalo :
Thurston Dart (conductor and keyboard player) (nel 1970-12)
flauto :
William Bennett (flautist) (nel 1970-12)
strumenti:
William Bennett (flautist)
orchestra:
Academy of St Martin in the Fields (nel 1970-12)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1970-12)
arrangiatore:
Myra Hess (pianist)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1970-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1971)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1970-12)
raccolta di:
Suite no. 2 in B minor, BWV 1067: VI. Minuet (1970 recording) di William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) e Orchestral Suite no. 2 in B minor, BWV 1067: VII: Badinerie (1970 recording) di William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
registrazione di:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (nel 1970-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
registrazione di:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (nel 1970-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:53