The World of Baroque Favourites

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Canon in D, P. 37
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
Techniker(in):
Stanley Goodall (engineer) (in 1982-02)
Produzent(in):
Michael Haas (classical music producer)
Orgel:
Martin Haselböck (organist, conductor and composer) (in 1982-02)
Orchester:
Stuttgarter Chamber Orchestra (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1984-02)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Johann Pachelbel4:38
2Suite no. 3 in D, BWV 1068: 2. Air
Techniker(in):
Stanley Goodall (engineer) (in 1982-02)
Produzent(in):
Michael Haas (classical music producer)
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
Tonmeister(in):
Stanley Goodall (engineer) (in 1984-02)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:50
3Water Music Suite, HWV 348-350
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
Techniker(in):
Stanley Goodall (engineer) (in 1982-02)
Produzent(in):
Michael Haas (classical music producer)
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1981-05, in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1981-05, in 1984-02)
Tonmeister(in):
Stanley Goodall (engineer) (in 1981-05)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1981-05)
recording of:
Water Music, Suite no. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo (Wassermusik Suite Nr. 3 G-Dur, HWV 350: VI. Gigue I) (in 1981-05)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 3 in G major, HWV 350 (Wassermusik Suite Nr. 3 G-Dur, HWV 350)
George Frideric Handel10:30
4Adagio for Strings and Organ in G minor (arr. Giazotto)
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
Techniker(in):
Stanley Goodall (engineer) (in 1982-02)
Produzent(in):
Michael Haas (classical music producer)
Orgel:
Martin Haselböck (organist, conductor and composer)
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
Tonmeister(in):
Stanley Goodall (engineer) (in 1984-02)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
recording of:
Adagio for Strings and Organ in G minor (in 1984-02)
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni, Remo Giazotto6:38
5Solomon, HWV 67, Act III: The Arrival of the Queen of Sheba
Produzent(in):
Michael Bremner (producer/engineer) (in 1965-04)
Orchester:
The Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1965-04)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
aufgenommen bei:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel3:12
6The Four Seasons, Spring, Violin Concerto in E major, RV 269, op. 8 no. 1: I. Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo und Orgel:
Simon Preston (organist, conductor, composer) (von 1969-09-08 bis 1969-09-10)
Geige / Violine:
Alan Loveday (violinist) (von 1969-09-08 bis 1969-09-10)
Orchester:
Academy of St Martin in the Fields (von 1969-09-08 bis 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (von 1969-09-08 bis 1969-09-10)
Tonmeister(in):
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) und Stanley Goodall (engineer) (von 1969-09-08 bis 1969-09-10)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1969-09-08 bis 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (von 1969-09-08 bis 1969-09-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi43:11
7The Four Seasons, Spring, Violin Concerto in E major, RV 269, op. 8 no. 1: II. Largo e pianissimo sempre
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo und Orgel:
Simon Preston (organist, conductor, composer) (von 1969-09-08 bis 1969-09-10)
Geige / Violine:
Alan Loveday (violinist) (von 1969-09-08 bis 1969-09-10)
Orchester:
Academy of St Martin in the Fields (von 1969-09-08 bis 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (von 1969-09-08 bis 1969-09-10)
Tonmeister(in):
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) und Stanley Goodall (engineer) (von 1969-09-08 bis 1969-09-10)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1969-09-08 bis 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (von 1969-09-08 bis 1969-09-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi43:30
8The Four Seasons, Spring, Violin Concerto in E major, RV 269, op. 8 no. 1: III. Danza pastorale. Allegro
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo und Orgel:
Simon Preston (organist, conductor, composer) (von 1969-09-08 bis 1969-09-10)
Geige / Violine:
Alan Loveday (violinist) (von 1969-09-08 bis 1969-09-10)
Orchester:
Academy of St Martin in the Fields (von 1969-09-08 bis 1969-09-10)
conductor:
Sir Neville Marriner (conductor) (von 1969-09-08 bis 1969-09-10)
Tonmeister(in):
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason) und Stanley Goodall (engineer) (von 1969-09-08 bis 1969-09-10)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1969-09-08 bis 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (von 1969-09-08 bis 1969-09-10)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi44:41
9Berenice, HWV 38: Act 2: Minuet from Overture
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
teilweise recording of:
Berenice, HWV 38: Overture
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Berenice, HWV 38
George Frideric Handel4:13
10Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: 9. Sheep May Safely Graze
Produzent(in):
James Mallinson (producer)
Orchester:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:32
11Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 1. Allegro giusto (arr. for guitar)
Produzent(in):
Paul Myers (classical record producer)
Gitarre:
Eduardo Fernández (guitarist) (in 1986-12)
Orchester:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
Gitarre arranger:
Gian Francesco Malipiero (Italian composer)
Tonmeister(in):
John Dunkerley (engineer) (in 1986-12)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto (in 1986-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
Antonio Vivaldi3:49
12Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo (arr. for guitar)
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Paul Myers (classical record producer)
klassiche Gitarre:
Eduardo Fernández (guitarist) (in 1986-12)
Orchester:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
Tonmeister(in):
John Dunkerley (engineer) (in 1986-12)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (in 1986-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Gian Francesco Malipiero (Italian composer)
Arrangement von:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi5:08
13Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro (arr. for guitar)
Produzent(in):
Paul Myers (classical record producer)
Gitarre:
Eduardo Fernández (guitarist) (in 1986-12)
Orchester:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
Gitarre arranger:
Gian Francesco Malipiero (Italian composer)
Tonmeister(in):
John Dunkerley (engineer) (in 1986-12)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: III. Allegro (in 1986-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
Antonio Vivaldi2:11
14Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Lucien Cailliet und Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1977-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:04
15Ciacona in G minor, Z. 730
Techniker(in):
Gordon Parry (engineer) (in 1968) und Kenneth Wilkinson (engineer) (in 1968)
Produzent(in):
David Harvey (producer) (in 1968)
Orchester:
English Chamber Orchestra
conductor:
Benjamin Britten (English composer, conductor, and pianist)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1969)
aufgenommen bei:
Snape Maltings Concert Hall in Suffolk, England, Vereinigtes Königreich (in 1968-12)
recording of:
Chacony in G minor (arranged by Britten)
Komponist(in):
Henry Purcell (Baroque composer)
arranger:
Benjamin Britten (English composer, conductor, and pianist)
publisher:
Boosey & Hawkes Music Publishers, Ltd
Arrangement von:
Chacony in G minor for 2 violins, viola and continuo, Z. 730
Henry Purcell7:02
16Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet – VII. Badinerie
Techniker(in):
Stanley Goodall (engineer)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
flute:
William Bennett (flautist) (in 1970-12)
Instrumente:
William Bennett (flautist)
Orchester:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
arranger:
Myra Hess (pianist)
Tonmeister(in):
Stanley Goodall (engineer) (in 1970-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
Kompilation von:
Suite no. 2 in B minor, BWV 1067: VI. Minuet (1970 recording) von William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) und Orchestral Suite no. 2 in B minor, BWV 1067: VII: Badinerie (1970 recording) von William Bennett (flautist), Thurston Dart (conductor and keyboard player), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:53