The Complete Capitol Recordings of the Nat King Cole Trio

~ Veröffentlichung von The Nat King Cole Trio (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelBewertungLänge
1What Can I Say After I Say I’m Sorry
Gitarre:
Oscar Moore (am 1946-04-05)
Klavier und Sologesang:
Nat King Cole (am 1946-04-05)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-05)
vocals:
Nat King Cole (am 1946-04-05)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (am 1946-04-05)
Texter und Komponist(in):
Walter Donaldson (in 1926) und Abe Lyman (in 1926)
3:03
2To a Wild Rose (alternate take)
Gitarre:
Oscar Moore (am 1946-04-05)
Klavier:
Nat King Cole (am 1946-04-05)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-05)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-05)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (catch-all for arrangements) (am 1946-04-05)
Komponist(in):
Edward MacDowell (American composer, pianist) (in 1896)
Arrangement von:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
3:10
3To a Wild Rose
Gitarre:
Oscar Moore (am 1946-04-05)
Klavier:
Nat King Cole (am 1946-04-05)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-05)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-05)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (catch-all for arrangements) (am 1946-04-05)
Komponist(in):
Edward MacDowell (American composer, pianist) (in 1896)
Arrangement von:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
3:16
4Baby, Baby All the Time
Gitarre:
Oscar Moore (am 1946-04-05)
Klavier:
Nat King Cole (am 1946-04-05)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-05)
vocals:
Nat King Cole (am 1946-04-05)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-05)
recording of:
Baby Baby All the Time (am 1946-04-05)
Texter und Komponist(in):
Bobby Troup
3:15
5I Don’t Know Why (I Just Do)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
vocals:
Nat King Cole (am 1946-04-11)
recording of:
I Don’t Know Why (am 1946-04-11)
Texter:
Roy Turk (in 1931)
Komponist(in):
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. und Redwood Music
2:48
6This Way Out
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
recording of:
This Way Out (instrumental) (am 1946-04-11)
Komponist(in):
Nat King Cole (in 1945)
2:32
7Baby, Baby All the Time
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
vocals:
Nat King Cole (am 1946-04-11)
recording of:
Baby Baby All the Time (am 1946-04-11)
Texter und Komponist(in):
Bobby Troup
3:18
8Somebody Loves Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
instrumental recording of:
Somebody Loves Me (am 1946-04-11)
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
3:20
9Too Marvelous for Words
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
vocals:
Nat King Cole (am 1946-04-11)
recording of:
Too Marvelous for Words (am 1946-04-11)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:51
10Honeysuckle Rose
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
instrumental recording of:
Honeysuckle Rose (am 1946-04-11)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
2:20
11How Does It Feel?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
vocals:
Nat King Cole (am 1946-04-11)
recording of:
How Does It Feel (am 1946-04-11)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer) und Marvin Fisher
3:14
12Loan Me Two Till Tuesday
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
vocals:
Nat King Cole (am 1946-04-11)
recording of:
Loan Me Two Till Tuesday (am 1946-04-11)
Texter und Komponist(in):
Taps Miller
2:24
13What Can I Say After I Say I’m Sorry
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
vocals:
Nat King Cole (am 1946-04-11)
recording of:
What Can I Say After I Say I’m Sorry? (am 1946-04-11)
Texter und Komponist(in):
Walter Donaldson (in 1926) und Abe Lyman (in 1926)
2:03
14You Name It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-04-11)
Gitarre:
Oscar Moore (am 1946-04-11)
Klavier:
Nat King Cole (am 1946-04-11)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-11)
recording of:
You Name It (am 1946-04-11)
Komponist(in):
Nat King Cole
1:57
15Could-’Ja (alternate take)
Gitarre:
Oscar Moore (am 1946-04-17)
Klavier:
Nat King Cole (am 1946-04-17)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-17)
vocals:
Nat King Cole (am 1946-04-17)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-17)
recording of:
Could-’Ja (am 1946-04-17)
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Barton Music Corp.
3:07
16Could-’Ja
Gitarre:
Oscar Moore (am 1946-04-17)
Klavier:
Nat King Cole (am 1946-04-17)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-17)
vocals:
Nat King Cole (am 1946-04-17)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-17)
recording of:
Could-’Ja (am 1946-04-17)
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Barton Music Corp.
3:04
17Baby, Baby All the Time (alternate take)
Gitarre:
Oscar Moore (am 1946-04-17)
Klavier:
Nat King Cole (am 1946-04-17)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-17)
vocals:
Nat King Cole (am 1946-04-17)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-17)
recording of:
Baby Baby All the Time (am 1946-04-17)
Texter und Komponist(in):
Bobby Troup
3:01
18Baby, Baby All the Time
Gitarre:
Oscar Moore (am 1946-04-17)
Klavier:
Nat King Cole (am 1946-04-17)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-17)
vocals:
Nat King Cole (am 1946-04-17)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-17)
recording of:
Baby Baby All the Time (am 1946-04-17)
Texter und Komponist(in):
Bobby Troup
3:02
19Oh, but I Do
Gitarre:
Oscar Moore (am 1946-04-17)
Klavier und Sologesang:
Nat King Cole (am 1946-04-17)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-04-17)
vocals:
Nat King Cole (am 1946-04-17)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-04-17)
recording of:
Oh, But I Do (am 1946-04-17)
Verfasser(in):
Ella Fitzgerald (American jazz singer) und Kenneth Watts
2:38
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