The Complete Capitol Recordings of the Nat King Cole Trio

~ Release by The Nat King Cole Trio (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▼CD
#TitleRatingLength
1What Can I Say After I Say I’m Sorry
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano and lead vocals:
Nat King Cole (on 1946-04-05)
vocals:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
What Can I Say After I Say I’m Sorry? (on 1946-04-05)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
3:03
2To a Wild Rose (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (catch-all for arrangements) (on 1946-04-05)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
arrangement of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
3:10
3To a Wild Rose
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (catch-all for arrangements) (on 1946-04-05)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
arrangement of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
3:16
4Baby, Baby All the Time
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-05)
guitar:
Oscar Moore (on 1946-04-05)
piano:
Nat King Cole (on 1946-04-05)
vocals:
Nat King Cole (on 1946-04-05)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-05)
recording of:
Baby Baby All the Time (on 1946-04-05)
lyricist and composer:
Bobby Troup
3:15
5I Don’t Know Why (I Just Do)
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
I Don’t Know Why (on 1946-04-11)
lyricist:
Roy Turk (in 1931)
composer:
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. and Redwood Music
2:48
6This Way Out
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
recording of:
This Way Out (instrumental) (on 1946-04-11)
composer:
Nat King Cole (in 1945)
2:32
7Baby, Baby All the Time
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
Baby Baby All the Time (on 1946-04-11)
lyricist and composer:
Bobby Troup
3:18
8Somebody Loves Me
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
instrumental recording of:
Somebody Loves Me (on 1946-04-11)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
3:20
9Too Marvelous for Words
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
Too Marvelous for Words (on 1946-04-11)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:51
10Honeysuckle Rose
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
instrumental recording of:
Honeysuckle Rose (on 1946-04-11)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
2:20
11How Does It Feel?
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
How Does It Feel (on 1946-04-11)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
3:14
12Loan Me Two Till Tuesday
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
Loan Me Two Till Tuesday (on 1946-04-11)
lyricist and composer:
Taps Miller
2:24
13What Can I Say After I Say I’m Sorry
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
vocals:
Nat King Cole (on 1946-04-11)
recording of:
What Can I Say After I Say I’m Sorry? (on 1946-04-11)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:03
14You Name It
recorded in:
Los Angeles, California, United States (on 1946-04-11)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-11)
guitar:
Oscar Moore (on 1946-04-11)
piano:
Nat King Cole (on 1946-04-11)
recording of:
You Name It (on 1946-04-11)
composer:
Nat King Cole
1:57
15Could-’Ja (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Could-’Ja (on 1946-04-17)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Barton Music Corp.
3:07
16Could-’Ja
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Could-’Ja (on 1946-04-17)
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Barton Music Corp.
3:04
17Baby, Baby All the Time (alternate take)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Baby Baby All the Time (on 1946-04-17)
lyricist and composer:
Bobby Troup
3:01
18Baby, Baby All the Time
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Baby Baby All the Time (on 1946-04-17)
lyricist and composer:
Bobby Troup
3:02
19Oh, but I Do
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-04-17)
guitar:
Oscar Moore (on 1946-04-17)
piano and lead vocals:
Nat King Cole (on 1946-04-17)
vocals:
Nat King Cole (on 1946-04-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-04-17)
recording of:
Oh, But I Do (on 1946-04-17)
writer:
Ella Fitzgerald (American jazz singer) and Kenneth Watts
2:38
6▶CD
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD
13▶CD
14▶CD
15▶CD
16▶CD
17▶CD
18▶CD