Elenco tracce

1Vinile 12" (30 cm)
#TitoloArtistaValutazioneDurata
A1Introduction
registrata a:
U.S.A.
tecnico di registrazione e tecnico di missaggio:
Ed Friedner (engineer) (nel 1970)
assistente produttore:
Stephen Schmidt (engineer) (nel 1970)
produttore:
Seymour Solomon (producer and founder of Vanguard Records) (nel 1970)
editor:
Jack Lothrop (nel 1970) e Geoff Turner (engineer and producer) (nel 1970)
voce parlata [Milton Host]:
Will Jordan (character actor and comedian) (nel 1970)
Will Jordan1:14
A2The Stoned Guest (Part One)
registrata a:
U.S.A.
tecnico di registrazione e tecnico di missaggio:
Ed Friedner (engineer) (nel 1970)
assistente produttore:
Stephen Schmidt (engineer) (nel 1970)
produttore:
Seymour Solomon (producer and founder of Vanguard Records) (nel 1970)
editor:
Jack Lothrop (nel 1970) e Geoff Turner (engineer and producer) (nel 1970)
voce di controtenore [Don Octave]:
John Ferrante (tenor) (nel 1970)
voce di mezzosoprano [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (nel 1970)
voce di soprano [Carmen Ghia]:
Lorna Haywood (soprano) (nel 1970)
voce parlata:
Professor Peter Schickele (American composer) (nel 1970) e Seymour Solomon (producer and founder of Vanguard Records) (nel 1970)
voce parlata [Milton Host]:
Will Jordan (character actor and comedian) (nel 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (nel 1970)
direttore d'orchestra:
John Nelson (American conductor) (nel 1970)
raccolta di:
The Stoned Guest, Part 1: Overture di The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost” di Marlene Kleinman (aka Marlena Kleinman Malas), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Recitative: “Boy!” di Marlene Kleinman (aka Marlena Kleinman Malas), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Aria: “Now is the season” di Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Recitative: “Gesundheit!” di Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Duet: “Woe” di Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Recitative: “Hark!” di Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Aria: “Look at me” di John Ferrante (tenor), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Recitative: “That’s the end” di John Ferrante (tenor), Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor) e The Stoned Guest, Part 1: Trio: “I’m sure I’d be” di Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor)
registrazione di:
The Stoned Guest: Aria: “Let’s face it—I’m lost” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Aria: “Look at me” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Aria: “Now is the season” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Duet: “Woe” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Overture (nel 1970)
compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Recitative: “Boy!” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Recitative: “Gesundheit!” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Recitative: “Hark!” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Recitative: “That’s the end” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione parziale di:
The Stoned Guest: Trio: “I’m sure I’d be” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
P.D.Q. Bach23:47
B1Intermission Feature: Opera Whiz
registrata a:
U.S.A.
tecnico di registrazione e tecnico di missaggio:
Ed Friedner (engineer) (nel 1970)
assistente produttore:
Stephen Schmidt (engineer) (nel 1970)
produttore:
Seymour Solomon (producer and founder of Vanguard Records) (nel 1970)
editor:
Jack Lothrop (nel 1970) e Geoff Turner (engineer and producer) (nel 1970)
voce parlata:
Professor Peter Schickele (American composer) (nel 1970)
voce parlata [Paul Henry Lung]:
Bill Macy (nel 1970)
Peter Schickele4:25
B2Plot Synopsis
registrata a:
U.S.A.
tecnico di registrazione e tecnico di missaggio:
Ed Friedner (engineer) (nel 1970)
assistente produttore:
Stephen Schmidt (engineer) (nel 1970)
produttore:
Seymour Solomon (producer and founder of Vanguard Records) (nel 1970)
editor:
Jack Lothrop (nel 1970) e Geoff Turner (engineer and producer) (nel 1970)
voce di mezzosoprano [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (nel 1970)
voce di soprano [Carmen Ghia]:
Lorna Haywood (soprano) (nel 1970)
voce parlata [Milton Host]:
Will Jordan (character actor and comedian) (nel 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (nel 1970)
direttore d'orchestra:
John Nelson (American conductor) (nel 1970)
registrazione parziale di:
The Stoned Guest: Trio: “I’m sure I’d be” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
Will Jordan4:01
B3The Stoned Guest (Completion): Ⅺ. Recitative: “I hate to interrupt” / Ⅻ. Quartet: “Don Octave” / XIII. Finale: “O saviour” / Announcement
registrata a:
U.S.A.
tecnico di registrazione e tecnico di missaggio:
Ed Friedner (engineer) (nel 1970)
assistente produttore:
Stephen Schmidt (engineer) (nel 1970)
produttore:
Seymour Solomon (producer and founder of Vanguard Records) (nel 1970)
editor:
Jack Lothrop (nel 1970) e Geoff Turner (engineer and producer) (nel 1970)
fischio:
Peter Schickele (American composer) (nel 1970)
voce di basso [Il Commendatoreador]:
Prof. Peter Schickele (American composer) (nel 1970)
voce di controtenore [Don Octave]:
John Ferrante (tenor) (nel 1970)
voce di mezzosoprano [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (nel 1970)
voce di soprano [Carmen Ghia]:
Lorna Haywood (soprano) (nel 1970)
voce di tenore [houndentenor]:
Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”) (nel 1970)
voce parlata [Milton Host]:
Will Jordan (character actor and comedian) (nel 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (nel 1970)
direttore d'orchestra:
John Nelson (American conductor) (nel 1970)
raccolta di:
The Stoned Guest, Part 2: Recitative: “I hate to interrupt” di Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), Lorna Haywood (soprano), Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 2: Quartet: “Don Octave” di Prof. Peter Schickele (American composer), John Ferrante (tenor), Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 2: Finale: “O saviour” di Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), John Ferrante (tenor), Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”), Prof. Peter Schickele (American composer), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor) e Announcement di Will Jordan (character actor and comedian)
registrazione di:
The Stoned Guest: Finale: “O saviour” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Quartet: “Don Octave” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
registrazione di:
The Stoned Guest: Recitative: “I hate to interrupt” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
The Stoned Guest
P.D.Q. Bach8:24
B4Two Madrigals from The Triumphs of Thusnelda: “The Queen to me a royal pain doth give” / “My bonnie lass she smelleth”
registrata a:
U.S.A.
tecnico di registrazione e tecnico di missaggio:
Ed Friedner (engineer) (nel 1970)
assistente produttore:
Stephen Schmidt (engineer) (nel 1970)
produttore:
Seymour Solomon (producer and founder of Vanguard Records) (nel 1970)
editor:
Jack Lothrop (nel 1970) e Geoff Turner (engineer and producer) (nel 1970)
voce d’alto:
Marlena Kleinman (aka Marlena Kleinman Malas) (nel 1970)
voce di baritono:
John Nelson (American conductor) (nel 1970)
voce di basso:
Professor Schickele (American composer) (nel 1970)
voce di soprano:
Lorna Haywood (soprano) (nel 1970)
voce di tenore:
John Ferrante (tenor) (nel 1970)
voce parlata [Milton Host]:
Will Jordan (character actor and comedian) (nel 1970)
raccolta di:
Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give” di Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), John Nelson (American conductor), Peter Schickele (American composer), Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth” di Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), John Nelson (American conductor), Peter Schickele (American composer) e Final Announcement di Will Jordan (character actor and comedian)
registrazione di:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 1. “The queen to me a royal pain doth give” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parte di:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
registrazione di:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 2. “My bonnie lass she smelleth” (nel 1970)
paroliere e compositore:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
versione parodia di:
Balletts to Five Voices: My bonnie lass she smileth
parte di:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
P.D.Q. Bach6:25

Accreditamenti

Pubblicazione

fotografia:Buck Hoeffler (American photographer based in Toronto, Canada since 1971) (nel 1970)
note di libretto:Peter Schickele (American composer) (nel 1970)
design:Jules Halfant (nel 1970)
copyright (©) detenuto da:Vanguard Recording Society, Inc. (not for release label use, for company relationships use only) (nel 1970)
Discogs:https://www.discogs.com/release/3153668 [info]
acquistare per corrispondenza:http://www.schickele.com/shoppe/pdqrec/stoned.htm [info]

Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/881281 [info]
Wikidata:Q7766631 [info]